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The Choice

The Choice totally botches its central pairing, to the point where you might find yourself hoping the blandly irksome twosome fail to even get together.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#259 August 19, 2015

Sheila writes: In the films of Spike Lee, the characters often break the fourth wall and speak directly into the lens. There's a break in the action, and the dialogue spoken to the camera feels almost like it's from a documentary, with the "talking head" giving us more information for context. In this cut from the wonderful video-site "Press Play," watch the best To the Camera moments from Spike Lee's films.

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"Selma" is more than fair to L.B.J.; "American Sniper" increases threat against Muslims; Struggle over Vivian Maier's photos; When racism can't be ignored; Johnny Depp was never a movie star.

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"Mahogany," Diana Ross and me; Nathan Rabin on John Green; Hidden plight of child grooms; 10 tips on turning your short film into a feature; Variety critics list best festival films of 2014.

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