xXx: Return of Xander Cage
The last forty minutes of the movie do come together in a pretty diverting way.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Some of our favorite performances of 2016.
The staff reveals their individual picks for the best films of 2016.
An article about the African-American Film Critic's Association's announcement that 2016 is the best year for Blacks in cinema.
Chaz Ebert spotlights Part II of her list featuring must-see movies of 2016.
A look at how Venice, Telluride and Toronto helped form this year's awards season.
A piece on extending the conversation about diversity at the Oscars to include all minorities.
"Who is the National Board of Review, anyway?" is the question. The answer: one of the few major awards groups that's routinely capable of surprise.
"Life Itself" will be honored by the African American Film Critics Association.
A feature article on "Black or White," including interviews with Kevin Costner, Anthony Mackie and director Mike Binder.
A report on response to early Oscar favorites from TIFF 2014.
Jack the Ripper unmasked; "Black and White" full of stereotypes; Tarantino takes over New Beverly; Words I never want to see in a review; Bryan Dechart on "The Remaining."
An exhaustive list of Top 10s by RogerEbert.com contributors.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Alyssa Rosenberg considers the women on the big screen and the small screen in the past year.
Erik Childress looks at the first awards of the season and their possible impact on the Oscar race.
The 50th anniversary of JFK's assassination; critical reviews of a critical review of Sarah Silverman's career; Guillermo Del Toro's biggests firsts; an official video for "Like a Rolling Stone"; is Harvey "Scissorhanding" his company's awards site?
Four standout performances by black actors make the Oscar Best Actor race more interesting this year.
The new science fiction action film from Bong Joon-ho ("The Host," "Mother") defies the odds by turning yet another dystopian future into something thrilling and distinctive.
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
"Fruitvale Station" details the last day in the life of Oscar Grant, who was fatally shot by a BART police officer in the early hours of New Year's Day 2009 in Oakland, California. In this video report, film journalist Katherine Tulich interviews writer/director Ryan Coogler and the film's stars, Michael B.Jordan, Melonie Diaz and Oscar winner Octavia Spencer.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
From the Sundance Institute:
Los Angeles, CA — Last night, Wednesday, June 5, the third annual ‘Celebrate Sundance Institute’ benefit in Los Angeles honored the life and work of beloved journalist and film critic Roger Ebert with the Vanguard Leadership Award in Memoriam. The event also honored filmmaker Ryan Coogler – whose debut feature film, Fruitvale Station, was selected for Sundance Institute's Screenwriters Lab and went on to win both the Grand Jury Prize and the Audience Award at the 2013 Sundance Film Festival – with the Vanguard Award, Presented by Tiffany & Co.
Barbara Scharres has a few choice words for François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ring," but finds a gem in Ryan Coogler's "Fruitvale Station."
Time travel, as we all know, is (1) impossible in any real-life, non-quantum sense, and (2) irresistible to filmmakers. Rian Johnson's Toronto entry "Looper" asks us to accept it as a premise, and you know what? It's handled more realistically here than anything in the plots of the average superhero movie. One of the strengths of time travel is its demonstration that if we could travel through time and meet our parents or even ourselves at an earlier age, it could be an unbearably emotional experience.