Michael Jackson Movie Reviews
Blog Posts That Mention Michael Jackson
Michael Jackson, transformer
Jim Emerson
If David Lynch directed Michael Jackson’s life story
Jim Emerson
The boy who never grew up: Michael Jackson, 1958-2009
Roger Ebert
Jeni le Gon: The first black woman signed by Hollywood was livin’ and dancin’ in great big way
Roger Ebert
“Oh yeah? Well, I criticize you back!”
Jim Emerson
Replies to Walter Murch on the end of 3D as we know it
Jim Emerson
No comment
Jim Emerson
Roger Ebert (and More) on David Lynch
Brian Tallerico
Nothing Left to Prove: Quincy Jones (1933-2024)
Odie Henderson
Levan Akin on Making Films His Way, the Queer Art That Shaped Him, and His Touching New Drama Crossing
Tim Grierson
Lou Weisbach Hired by Hollywood Movie Corp. to Exclusively Represent Upcoming Film, The Jerry Greenberg Story
The Editors
10 Music Documentaries You Should See After The Greatest Night in Pop
Tim Grierson
Child of Graceland: Lisa Marie Presley (1968-2023)
Matt Zoller Seitz
Barbara Walters (1929-2022)
Nell Minow
Angelo Badalamenti (1937-2022)
Matt Fagerholm
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
Matt Fagerholm
Laughing Until It Hurts: An American Werewolf in London at 40
Peter Sobczynski
By George: The Hollywood Stories of George Anthony
Chaz Ebert
John Singleton: 1968-2019
Odie Henderson
Sundance 2019: The Hope of a New Public Square
Whitney Spencer
Sundance 2019: Midnight Family, One Child Nation, Untouchable
Nick Allen
Thumbnails 10/13/17
Matt Fagerholm
Venice Film Festival 2017: Restorations
Glenn Kenny
Cannes 2017 Video #3: “Okja,” “The Square,” “Jupiter’s Moon,” “120 Beats Per Minute”
Chaz Ebert
“Rat Film,” “Whose Streets?”, “The Cinema Travelers” Among Highlights at DOC10 Film Festival
Matt Fagerholm
Writer Profiles: Sheila O’Malley
The Editors
Nature is Monumentally Indifferent: Werner Herzog and Clive Oppenheimer on “Into the Inferno”
Matt Fagerholm
I’m Dancing as Fast as I Can
Chaz Ebert
I believe Dylan Farrow
Matt Zoller Seitz
Sometimes It Snows in April: Images of Prince
Angelica Jade Bastien
Dearly Beloved: The RogerEbert.com Staff Remembers Prince
The Editors
Straight to the Vein: John Carney on “Sing Street”
Brian Tallerico
Change Their Lives: Cliff Curtis on “The Dark Horse”
Matt Fagerholm
2016 Sundance Film Festival Preview
Nick Allen
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
Nick Allen
We Lost It At Our Video Stores: The Writers Remember Movie Rental Havens
The Editors
Marvel, Star Wars Highlights and More From D23
Jana Monji
Book Review: “In the Company of Legends” by Joan Kramer and David Heeley
Peter Sobczynski
Book Excerpt: Harmony Korine: Interviews by Eric Kohn
The Editors
Life Itself Debuts at #1 in Specialty Box Office
Chaz Ebert
The “Texas Chain Saw Massacre” editing table massacre
Matt Zoller Seitz
Profiling, Fireworks, and Skittles: TV covers the George Zimmerman trial
Tom Shales
“Twilight: New Moon” is processed lunch meat
Roger Ebert
Jeni le Gon: The first black woman signed by Hollywood was livin’ and dancin’ in great big way
Roger Ebert
The Films of Charlie Chaplin
Roger Ebert
Ebert reviews Johnny Depp
Roger Ebert
Is Willy Wonka Wacko Jacko?
Jim Emerson
“You’re taking this very personal…”
Jim Emerson
Art that reaches backward and points forward
Jim Emerson
Beep-beep-m beep-beep, yeah
Jim Emerson
Elizabeth Taylor, pagan goddess
Jim Emerson
Rally ’round the Cruise, boys!
Jim Emerson
The Cruise-ible
Jim Emerson
The cinema of scarred hearts
Omer M. Mozaffar
Racy Redline: Cartoon crotch shots & Elvis fantasies
Jana Monji
The blogs of my blog
Roger Ebert
Smash his camera, but not immediately
Roger Ebert
Sundance’s biggest star
Roger Ebert
Elizabeth Taylor, a star in a category of her own, dies at 79
Roger Ebert
One-on-one with Spike
Roger Ebert
Whoopi Goldberg: “The Color Purple”
Roger Ebert
Paul McCartney: Give My Regards to Broad Street
Roger Ebert
A role in a Wonka of its own
Roger Ebert
Movie Answer Man (03/19/1995)
Roger Ebert
Movie Answer Man (01/08/1995)
Roger Ebert
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