Daniel Craig Movie Reviews
Blog Posts That Mention Daniel Craig
Daniel Craig: Real man as superhero
Roger Ebert
TIFF 2024: Babygirl, All We Imagine as Light, Queer
Brian Tallerico
High rollers and lowlifes
Jim Emerson
A great deal of solace
Roger Ebert
The Day James Bond Movies Died
Gerardo Valero
Ten Shocking Omissions from the 2025 Oscar Nominations
Daniel Joyaux
Oscar Nominations Predictions 2025
Daniel Joyaux
Home Entertainment Guide: November 2024
Brian Tallerico
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Godfrey Cheshire
The State of the 2024 Oscar Race
Daniel Joyaux
Venice Film Festival 2024: The Biennale College
Glenn Kenny
Venice Film Festival 2024: Prepping for the Biennale
Glenn Kenny
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Tim Grierson
Some Material May Be Inappropriate: The PG-13 Rating at 40
Matt Zoller Seitz
The Growing Exploration of Masculinity and Vulnerability in Media
Brandon Towns
The Power of Lashana Lynch
Niani Scott
Where the Action Is: Oliver Wood, 1942-2023
Matt Zoller Seitz
The Perfect Flavor of Everyone: Bob Ducsay on Editing Glass Onion: A Knives Out Mystery
Nell Minow
TIFF 2022: The Fabelmans, Glass Onion
Brian Tallerico
20 Films We Can’t Wait to See in Toronto
Brian Tallerico
The 2022 Film Independent Spirit Awards Honored Acclaimed Films Overlooked by the Academy
The Editors
Home Entertainment Guide: December 2021, New Releases
Brian Tallerico
Goodbye, Mr. Bond: On the Impact of No Time to Die
Gerardo Valero
Why Sean Connery Was the Best Bond
Gerardo Valero
Bonded and Unbound: Sean Connery, 1930-2020
Matt Zoller Seitz
How the Next Oscars Could Mirror 1997
Susan Wloszczyna
Academy Awards 2021: The Answers to All of Your Questions
Susan Wloszczyna
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
Chaz Ebert
A Choreographed Dance: Sam Mendes, Krysty Wilson-Cairns, George MacKay and Dean-Charles Chapman on 1917
Matt Fagerholm
Netflix and Marriage Story Lead 2019 Golden Globe Nominations
Jana Monji
Rian Johnson and Michael Shannon on Knives Out, ’70s Rockers, Making a Whodunit with a Good Heart and More
Nick Allen
CIFF 2019: Preview of the 55th Chicago International Film Festival
Peter Sobczynski
Fantastic Fest 2019: Big Names, Big Buzz, A Scream Queen, and a Wolfboy
Kristy Puchko
55th Chicago International Film Festival Announces Gala and Special Presentation Selections
The Editors
The 20 Most Exciting World Premieres of TIFF 2019
Brian Tallerico
TIFF Announces First Wave of Gala and Special Presentation Films
Brian Tallerico
The Musical History Behind the James Bond Gun Barrel Sequences
Charlie Brigden
Create a Circumstance Where The Truth is: Edward Zwick on Trial by Fire
Nell Minow
“You Were Expecting Someone Else?” Why a Non-White James Bond is the Franchise’s Logical Next Step
Kyle Turner
The Great Performances of 2017
The Editors
TIFF 2017 Preview: 20 World Premieres We Can’t Wait to See
Brian Tallerico
Keeping the Elegant End Up: “The Spy Who Loved Me” at 40
Brian Doan
Comic-Con 2017: Interview with Stephen Lane, Founder of Prop Store
Nell Minow
2017 Summer Movie Preview: 25 Films We’re Excited About
Nick Allen
A Deeper Look into Sam Mendes’ “Spectre”
Gerardo Valero
Home Entertainment Consumer Guide: February 18, 2016
Brian Tallerico
Wax Masks and Helicopter Acrobatics: An Extra’s Experience on the Set of “Spectre”
Gerardo Valero
On Her Majesty’s Secret Service
Gerardo Valero
The Twelve Scenes of Christmas: Numbers 4 to 1
Brian Doan
Thumbnails 11/14/2013
The Editors
Thumbnails 10/14/2013
The Editors
Big Change for Moneypenny
Jeffrey Westhoff
“From Russia with Love” and its place in the Bond canon
Gerardo Valero
Spy vs. spy: The morality of ‘Munich’
Jim Emerson
Watching (and listening to) Fincher’s Girl
Jim Emerson
Skyfall: Hey kids, let’s put on a show!
Jim Emerson
“Zodiac”: Not your usual serial killer movie
Gerardo Valero
The world has changed, Mr. Bond
Omer M. Mozaffar
Growing up with James Bond
Gerardo Valero
Thank you for smoking
Roger Ebert
Sundance #2: ‘The Matador’ springs a sunny surprise
Roger Ebert
Bond Reborn, ‘Bourne’ Style
Roger Ebert
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