The Passengers of the Night
Elisabeth
Charlotte Gainsbourg
Charlotte Gainsbourg
Charlotte Gainsbourg Movie Reviews
The Pale Blue Eye
Patsy
Lux Aeterna
Charlotte
Jane by Charlotte
Herself
Sundown
Alice
Promise at Dawn
Nina Kacew
I Think We’re Alone Now
Violet
Dark Crimes
Kasia
Ismael’s Ghosts
Sylvia
The Snowman
Rakel
Norman
Alex
Independence Day: Resurgence
Dr. Catherine Marceaux
Every Thing Will Be Fine
Kate
Samba
Alice
3 Hearts
Sylvie
Misunderstood
Madre
Nymphomaniac: Vol. II
Joe
Nymphomaniac: Vol. I
Joe
Melancholia
Claire
Antichrist
She
Blog Posts That Mention Charlotte Gainsbourg
Festivals & Awards
Cannes 2026: The Dreamed Adventure, Too Many Beasts, Women on Trial, Che Guevara: The Last Companions
Festivals & Awards
An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview
TV/Streaming
Prime’s Magnetic “Étoile” Is Guaranteed To Be Your Spring TV Obsession
Tributes
Faith in Life: Jane Birkin (1946-2023)
Interviews
Of the Same Matter: Gaspar Noé on Vortex and Lux Aeterna
Interviews
Eyes of Her Mother: Charlotte Gainsbourg on Jane by Charlotte
Festivals & Awards
A Preview of the 57th Chicago International Film Festival
Festivals & Awards
TIFF 2021: A Hero, Drive My Car, Sundown
Festivals & Awards
TIFF 2021 Preview: 20 Films We Can’t Wait to See
Chaz at Cannes
Cannes 2021: Chaz’s Video Dispatch Table of Contents
Chaz at Cannes
Cannes 2021 Video #4: After Yang, The Worst Person in the World, Jane by Charlotte, Everything Went Fine, Benedetta
Festivals & Awards
Cannes 2021: Val, Jane par Charlotte, Cow
Festivals & Awards
The Show Must Go On: The Cannes 2021 Film Festival
Features
The Best Films of the 2010s
Features
Midsommar and the Legacy of Break-Up Horror Movies
Features
Franco Zeffirelli: 1923-2019
Festivals & Awards
Cannes 2019: The Lighthouse, Lux Aeterna
Festivals & Awards
Cannes 2019: The Dead Don’t Die
Features
The House That Lars von Trier Built, and That I Live In
Festivals & Awards
Preview of the 21st Chicago European Union Film Festival
Festivals & Awards
NYFF 2017: “Caniba,” “Ismael’s Ghosts,” “Let the Sunshine In”
Features
Man on the Outside: The Films of Willem Dafoe
Festivals & Awards
Cannes 2017: The Fest Opens with “Ismael’s Ghosts,” “Loveless”
Festivals & Awards
Cannes Film Festival 2017 Preview
Festivals & Awards
Miami Film Festival 2017 Preview
Features
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Features
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Festivals & Awards
TIFF 2015: “Every Thing Will Be Fine,” “Demon,” “London Road”
Interviews
Removing the Stigma: Omar Sy on “The Intouchables” and “Samba”
Features
Thumbnails 9/11/14
Features
Thumbnails 9/3/14
Festivals & Awards
Cannes, Day Nine: “Leviathan,” “Misunderstood”
Features
Is the Director Who is Quirky a Documentarian? On Michel Gondry’s Nonfiction
Scanners
Heath Ledger: In Memory
Festivals & Awards
Apocalypse von Trier; Miike in 3-D
Festivals & Awards
Cannes 2011: All eyes forward
Scanners
How does it feel? Footnote fetishism & “I’m Not There”
Scanners
Heath Ledger, 1979-2008
Scanners
VIFF: Antichrist: A pew in satan’s church
Scanners
Melancholia: This is The End
Far Flungers
Lars von Trier and the Antichrist
Roger Ebert
CIFF 2010: Our capsule reviews
Roger Ebert
CIFF 2009: The winners! And our reviews
Roger Ebert
Cannes #6: A devil’s advocate for “Antichrist”
Roger Ebert
The Best Films of 2011
Roger Ebert
TIFF #2: “Antichrist” redux
Roger Ebert
Cannes #10: And, at last, the winners are…
Interviews
Dafoe admires Lars, but “his impulses are often perverse.”
Movie Answer Man
