
Written by
Written by Movie Reviews
No reviews found.
Blog Posts That Mention Written by


Pens to Lens 2017: Stop Motion, Psychological Horror and Chief Illiniwek

Columbia/Urban League “The Homestretch” Reviews: Table of Contents

Columbia/Urban League “Smile” Reviews: Table of Contents

Columbia/Urban League Reviews: Table of Contents

Roger Ebert’s TV Producer Creates FacingDisability.com

Sundance: Lynn Shelton on Her New Film “Laggies”

The last days of Tiny Tim

House on Haunted Hill

We have heard the chimes at midnight. “Falstaff,” by Orson Welles, free online

The secret of Jacques Tati

Rene Clair’s “And Then There Were None”

Rock Hudson’s secret

John Huston’s “Beat The Devil”

Detour: the guilty soul of film noir

Full screenings and empty stomachs

Robert Downey Jr. plays it black

TIFF 2007: Stuck in time

Capranomics: Banking on Character

Opening Shots: ‘Little Murders’

An American Carol: Anybody seen it?

The Apatow schlub: Too ugly for the girl?

“Once I had a secret love…” (Royale with Cheese)

Scorsese at his best: “The Man Who Set Film Free”

Reviews: Some great lines about movies I haven’t yet seen

Movie dialog that leaps off the page

TIFF: Kids at play

Palin 2012

Beautiful Girls (and Mad Men): Ghosts of the 37th Floor

Hurdy Gurdys and Aqua Velvas: Misc. “Zodiac” fax…

My First 2011 “Ten Best” List

Bow down to Babs

Screwball Economics (with Preston Sturges)

TIFF: Matters of Life and Death

TIFF 2007: The Eastern Inbred Class

When critics get slashed & butchered

Mad Men: Memories, doppelgängers & phantoms

For the love of film (noir)

Flamers

Products of mass distraction (or, Hooray for elitism!)

Why Brad Pitt should win the Oscar

The comical jocularity of humorousness

My Life Without Me

But didn’t they just now meet?

The art of sexual belt-notching

These men could have been friends

From Seattle, with free refills

The City Dark: Turn out the lights

This cripple is a Smart Ass

Cannes 2025: My Father’s Shadow, Enzo, Dalloway

April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More

The Second Season of “Andor” Stands Tall

“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons

Revisiting the Bunker: Michael Shannon on “Eric LaRue”

Female Filmmakers in Focus: The Films of Euzhan Palcy

Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”

SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness

Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”

Intro to Women Writers Week

Screwball in Vermont: “Baby Boom”

February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More

Movies to Watch if You Love Bad Bunny

30 Minutes On: “Watership Down”

Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”

In the Name of Friendship: Matthew Rankin on “Universal Language”

“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment

Sundance 2025: Table of Contents

Sundance 2025: Train Dreams; Sorry, Baby

Sundance 2025: Brides, Where the Wind Comes From, Two Women

Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See

Somehow, James Gunn Always Gets You: An Appreciation of “Creature Commandos”

This is Just the Beginning: Pamela Anderson on “The Last Showgirl”

The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”

The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory

Process the Environment: Rachel Morrison on “The Fire Inside”

Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller’s Point
