The Boat is Full
His Granddaughter
Simone
Simone Movie Reviews
Blog Posts That Mention Simone
Short Films in Focus: Simone
Sundance 2015: “What Happened, Miss Simone?,” “ The Bronze,” “The Royal Road”
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Apple TV’s “Government Cheese” is Almost Great
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
Sundance 2025: It’s Never Over, Jeff Buckley; Heightened Scrutiny; Third Act
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
London Film Festival 2024 Highlights
Tina Mabry and Edward Kelsey Moore on the Joy and Uplift of The Supremes at Earl’s All-You-Can-Eat
Living Through Words: Ethan Hawke on His Career, Poetry, and Wildcat
The 2024 Chicago Palestine Film Festival Highlights
Berlin Film Festival 2024: Demba, The Strangers’ Case, Black Tea
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Sundance 2024: Black Box Diaries, Never Look Away, Soundtrack to a Coup d’Etat
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
TIFF 2023: Seagrass, Fitting In, Humanist Vampire Seeking Consenting Suicidal Person
Hollywood & The March on Washington: When Fame Overcame Fear
Cannes 2023: Last Summer, Perfect Days, La Chimera, The Old Oak
Mrs. Davis Overflows with Fascinating Ideas Even as It Struggles to Tie Them Together
Showtime’s Yellowjackets Expands in Ambitious Second Season
How the World of Classical Music Has Responded to TÁR
Gina Rodriguez’s Not Dead Yet Offers Pretty, Heartwarming Escapism
Angelo Badalamenti (1937-2022)
Freevee’s High School Richly Shows Tegan & Sara’s Coming of Age
Fight the Power: Cyril Schäublin on Unrest
Obi-Wan Kenobi is Fun but Incredibly Familiar
The Ebert Fellows on Ebertfest 2022
No More Blue Tomorrows: David Lynch’s Inland Empire Returns to Theaters
Our Favorite Roger Reviews: Diabolique
Netflix’s Bridgerton Returns with a Tame, Slow Second Season
Peacock’s Bel-Air Fights to Take the TV Throne
The Ten Best Films of 2021
I Believe in Individuals: Barry Gifford and Lili Taylor on Roy’s World: Barry Gifford’s Chicago
Death is Good: The Horror Films of Val Lewton
Chicago Humanities Festival 2021 Highlights Include Jazz Vocalist Tammy McCann
CANCELLED: Chicago Humanities Festival to Present Ron and Clint Howard in Conversation with Chaz Ebert
TIFF 2021 Preview: 20 Films We Can’t Wait to See
Apple TV+’s Dark Physical is Definitely Not a Comedy but Still Worth Your Time
The New Black Film Rebellion
Meet the Writers of Black Writers Week 2021
Profiles in Courage: Kahil El’Zabar
The Cruelest Month, Part 3: Sorry-Grateful
Updating a Year with Women
Women Take Top Prizes at Critics Choice Awards
Netflix’s Social Distance Struggles to Sum Up the Ordeal of 2020
Bright Wall/Dark Room June 2020: Just in Time: Finding True Companionship Before Sunset by Adam Membrey
Upholding Black Voices: An Annotated Table of Contents
Join Tayarisha Poe and Chaz Ebert for a Virtual Q&A About Selah and the Spades Tonight, April 22nd
Selah and The Spades to Debut Tomorrow, April 17th, on Amazon Prime
True/False 2020 Dispatch 2: The Giverny Document (Single Channel), malni – towards the ocean, towards the shore
AMC’s Dispatches from Elsewhere Wants to Warp Your Mind
Tyler Perry, Crystal Fox, Bresha Webb, and Phylicia Rashad on Making Netflix’s Tyler Perry’s A Fall From Grace
Minty, Harriet, Moses: Kasi Lemmons on Bringing Harriet Tubman’s Life to the Big Screen
On Jacqueline Audry’s Newly Restored Lost Queer Cinema Classic, Olivia
Disappointing Why Women Kill Can’t Settle on a Tone
Selah and The Spades to Screen at BAMCinemaFest on June 16th
How the Image of Black Women Has (and Hasn’t) Changed in the Last Two Decades
Sundance 2019: BET’s Boomerang Reboot Has Its World Premiere in Park City
Sundance 2019: The Wolf Hour, Selah and the Spades, Adam, Premature, Sister Aimee
Sundance 2019: 20 Films We Can’t Wait to See in Park City
Happy New Year from All of Us at RogerEbert.com
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
Claude Lanzmann: 1925-2018
Netflix’s Luke Cage is Stronger, Faster in its Second Season
Tribeca 2018: The Seagull, Dead Women Walking, Cargo
Steven Bochco: 1943-2018
“The Shape of Water” Leads the 2018 Golden Globe Nominees
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
What’s Your Favorite Roger?: Blogs and Books
Monica Vitti and the Modern ‘Something Terrible’
True/False Film Festival 2017
A Supreme Artist: Pascal Mérigeau on “Jean Renoir: A Biography”
Sundance 2017: “The Hero,” “L.A. Times,” “Gook”
Lee Daniels Can’t Find the Rhythm of FOX’s “Star”
Sundance 2017 Announces Competition Titles
Leonard Cohen: 1934-2016
Meet the Writers: Scout Tafoya
Talented Cast Carries “Marvel’s Luke Cage”
Home Entertainment Consumer Guide: September 22, 2016
Sometimes It Snows in April: Images of Prince
Ebertfest 2016: “Radical Grace” Transcends Religion
Ebertfest 2016, Day 4: Four Movies, Four Writers
Thumbnails 3/11/16
RogerEbert.com’s Coverage of 2015 Oscar-Nominated Films: Table of Contents
Complete List of 88th Academy Award Nominees
Film Noir For the Baby Boomer Generation: Wim Wenders’ “The American Friend”
The Individual Top Tens of 2015
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
TIFF 2015 Interview: Julie Delpy on “Lolo”
SDCC 2015: Fest’s Best Doc Winner
Who’s Who In Reviews: Brian Tallerico
AFI Docs 2015: “Radical Grace,” “The Armor of Light,” “Larry Kramer in Love & Anger”
Home Entertainment Consumer Guide: June 4, 2015
Three-Star Reviews of 2015
Sundance 2015: The Best Films
Sundance 2015: Film by Film
