
Features
Bright Wall/Dark Room January 2022: Place Cliché by Nathaniel Missildine
An essay about Wes Anderson's The French Dispatch, as excerpted from the latest issue of Bright Wall/Dark Room.
An essay about Wes Anderson's The French Dispatch, as excerpted from the latest issue of Bright Wall/Dark Room.
Greta Gerwig is as much a great chronicler of the friend romance as she is of the friend breakup.
The latest on Blu-ray and streaming, including Freaky, Let Him Go, Greenland, and Criterion editions of The Parallax View, Smooth Talk, and two films by Ramin Bahrani.
On the opening night of the 2021 Sundance Film Festival.
Matt writes: Despite the COVID-19 pandemic preventing our writers from attending the 2020 Toronto International Film Festival in person this year, our Managing Editor Brian Tallerico is still screening all of the highlights remotely. Keep your eyes peeled each day for his latest dispatches from the festival, which kicked off September 10th and runs through Sunday, September 20th. A few of the hotly anticipated titles he's reviewed thus far are Francis Lee's "Ammonite," starring Kate Winslet and Saoirse Ronan, Regina King's "One Night in Miami," starring Leslie Odom Jr., and Chloé Zhao's "Nomadland," starring Frances McDormand.
Some of our favorite performances of the year.
Hanna hasn’t been truly discussed with the same respect and intensity as the other Strong Female Protagonist™ fare that has followed it.
An AFI FEST review of Mary Queen of Scots, starring Saoirse Ronan and Margot Robbie.
The latest on Blu-ray, DVD, and streaming services, including The Rider, Zama, and The Avengers: Infinity War.
A preview of the 6th annual Chicago Critics Film Festival, which runs May 4-10.
The RogerEbert.com writers reveal their choices for the Oscars.