Mamma Mia! Here We Go Again
For all its frantic energy, it manages to go absolutely nowhere.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Hey, "Blade Runner 2049": You know that Voight-Kampff test of yours? Did you ever take that test yourself?
A bunch of 2016 Oscar nominees and must-own Criterion releases just hit Blu-ray. Pick your favorite!
A piece on how Deadpool could bring back the R-rated blockbuster and when it really mattered.
The latest on Blu-ray and streaming services, including "Best of Enemies," "Shaun the Sheep Movie," "Mississippi Grind" and "Don't Look Back" on Criterion.
This month's short film, "Air Conditions," and an interview with its director.
Rape scenes are lazy writing; Penelope Spheeris on "The Decline of Western Civilization"; The new online racism; Affleck and Garner at the box office; Tenth anniversary of "Brokeback Mountain."
A piece on the latest and greatest Netflix, On Demand, and Blu-ray releases including "The Immigrant", "Interstellar", "A Most Violent Year", and more!
An interview with "Woman in Gold" director Simon Curtis.
An email conversation about Sundance 2015.
The best of Sundance 2015.
Performance highlights of Sundance 2015.
A Sundance dispatch on "I Am Michael," "True Story," "Mississippi Grind" and "Digging For Fire".
An interview with Anna Boden & Ryan Fleck of "Mississippi Grind".
Lists from our critics and contributors on the best of 2014.
Our most anticipated films of the 2015 Sundance Film Festival.
A report from the 2014 Los Cabos Film Festival.
A report on the premiere screening of Atom Egoyan's "Captives".
Sheila writes: Those of you attending Ebertfest, a note from Chaz:We will have our annual Ebert Club Meet and Greet at the Roger Ebert Film Festival, Thursday, April 24, 2014 at 8 am - 10 am in the Illini Union, General Lounge. Also invited are the Far Flung Correspondents and writers from Rogerebert.com. I look forward to seeing you there!
Simon Abrams ranks the films he saw at the 2014 Sundance Film Festival, from best to worst.
Simon Abrams goes from gory horror comedy to to earnest dramas about love, growing up and spirituality. Who says Sundance films are all the same?
How U.S. hopes for a deal in Egypt were undercut; the "strained pulp" debate; a horror movie enthusiast defends "Notting Hill"; "Deadwood's" Jim Beaver on a favorite episode; a case for abolishing tipping.
Christopher Campbell talks to the director of "Blackfish" about the way whales have been represented—and misrepresented—on film.
Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: Now this is something you don't see every day. Behold The Paragliding Circus! Acrobatic paragliding pilot Gill Schneider teamed up with his father’s circus class (he operates a school that trains circus performers) to mix and combine circus arts with paragliding - including taking a trapezist (Roxane Giliand) up for ride and without a net. Best original film in the 2012 Icare Cup. Video by Director/Filmmaker Shams Prod. To see more, visit Shams Prod.