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Nicholas
Nicholas Movie Reviews
Blog Posts That Mention Nicholas
Cannes 2023 Video #9: Nicholas Guest on Fallen Leaves, Monster, Strange Way of Life and More
Nicholas Britell Says Goodbye to Succession
Bright Wall/Dark Room February 2023: The Unflattering Portrait: On Armageddon Time and Failed Solidarity by Nicholas Russell
TIFF 2015 Interview: Nicholas Hoult on “Kill Your Friends,” “Equals,” “Mad Max: Fury Road”
Cannes 2025 Video #9: Wrap Up
Cannes 2025: Splitsville, Love Me Tender, Nino
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
The Second Season of “Andor” Stands Tall
Seth Rogen’s Clever “The Studio” Skewers Hollywood with Love
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
If We Picked the Winners: The 97th Academy Awards
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Dream of Death: Robert Eggers on “Nosferatu”
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Home Entertainment Guide: November 2024
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
The Tarantino Dozen
Home Entertainment Guide: September 2024
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Experience the Star Trek Movies in 70mm at Out of this World L.A. Event
Home Entertainment Guide: August 2024
Home Entertainment Guide: June 2024
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
How Women of Color Are Shifting the Narrative
It’s Physical Work: Barry Jenkins on The Underground Railroad
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
The Joy of Watching the Greats Continue to Be Great Well Into Their 80s and 90s
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
The People Who Never Stopped Loving Tenet
Home Entertainment Guide: January 2024
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Home Entertainment Guide: November 2023
Disney+ Reboot of Goosebumps Slides from Promising Horror into YA Soap Opera
Kelsey Grammer Hears the Blues A-Callin’ in Paramount+’s Semi-Charmed Frasier Reboot
TIFF 2023: Finestkind, Ezra, One Life
TIFF 2023: 20 World Premieres We Can’t Wait to See
Noir City Returns to the Music Box in Chicago
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Home Entertainment Guide: June 2023
Cannes 2023 Video #10: Chaz Ebert Interviews Jeffrey Wright, DePaul University/CHA Youth Resident Filmmakers and More
Rose Byrne and Seth Rogen’s Apple TV+ Buddy Comedy Platonic is Amiable and Harmless
Cannes 2023: Table of Contents
Martin Scorsese was Roger Ebert’s Favorite Director
A True Marriage of Picture and Music: Benjamin Millepied on Carmen
Starz’s Blindspotting Returns to Stake Claim to Television’s Top Tier
HBO’s Succession Pulls No Punches in Final Season
Scott Z. Burns’ Star-Studded Extrapolations is a Harrowing, Hopeful Look into the Future
A Spy Among Friends Has Strong Storytelling, But Lacks in Originality
Home Entertainment Guide: February 2023
Hello Tomorrow! Offers Creative Vision of an Alternate Reality
Home Entertainment Guide: January 2023
Sundance 2023: Fair Play, Cat Person
15 Films We Can’t Wait to See at Sundance 2023
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
This Must Not Be the Place: The Films of Peter Weir
Starz Take on Dangerous Liaisons Lacks Creative Passion
Documentary Now Finally Returns with Wonderful Fourth Season
TIFF 2022: Women Talking, Empire of Light, The Son
TIFF 2022: Sanctuary, The Menu, Biosphere
TIFF 2022: Devotion, Chevalier, Carmen
Image is Happiness: Jean-Luc Godard (1930-2022)
TIFF 2022: Brother, Butcher’s Crossing, The Lost King
20 Films We Can’t Wait to See in Toronto
Create the Legend: Erich von Stroheim’s Foolish Wives
Prime Video’s Entertaining The Wilds Gets a Little Lost in Second Season
Roger’s Top Ten Lists: Best Films of 2012
Home Entertainment Guide: March 2022
The Dropout Offers Conflicting Views of Controversial Woman
The 2022 Oscar Nominees: A Full List
Sharp Writing, Fantastic Leads Keep The Great in Power
2021 Chicago Critics Film Festival Preview
Keeping with the Beat: Thomasin McKenzie on Last Night in Soho
HBO’s Succession Season 3 Sees Kendall Secede, Series Succeed in Exceeding Expectations
Cannes 2021: The Restless, Nitram, Casablanca Beats, France
A Film Doula: Janicza Bravo on Making Zola
Starz Version of Blindspotting Shifts Focus of Hit Film
I Will Not Forget You: Barry Jenkins on The Underground Railroad
SXSW 2021: Clerk, Not Going Quietly, Tom Petty: Somewhere You Feel Free
SXSW 2021: 12 Films We Can’t Wait to See
Home Entertainment Guide: February 2021
Christopher Plummer: 1929-2021
The 2020 Frontrunners for Best Director
Book Review: The Lost Adventures of James Bond
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
Cinema of Herself: On Four Short Films by Haaniyah Angus
True Believers: How Abel Ferrara’s Recent Work Reflects His Debut, The Driller Killer
8 Films to See at the Nightstream Virtual Film Festival
Book Excerpt: Made Men: The Story of Goodfellas by Glenn Kenny
Nine Film Festival Favorites That Deserve a Home
Lazy Crossing Swords Can’t Hit Its Targets
Hulu’s Satirical Drama The Great is Immensely Engaging
A Way of Giving Back: Julie Andrews and Emma Walton Hamilton on Home Work: A Memoir of My Hollywood Years, Julie’s Library and More
An Ode to Supernatural
Sundance 2020: Palm Springs, Zola
Home Entertainment Guide: January 23, 2020
Joker Leads Oscar Nominations
The Best Scores of the Decade
