Music by John Williams
Self
John Williams
John Williams
John Williams Movie Reviews
Ennio
Self
If These Walls Could Sing
Self
Fiddler’s Journey to the Big Screen
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Butcher’s Crossing
Writer (novel)
Indiana Jones and the Dial of Destiny
Composer
The Fabelmans
Composer
Star Wars: The Rise of Skywalker
Composer
The Post
Composer
Star Wars: The Last Jedi
Composer
The BFG
Composer
Star Wars: Episode VII – The Force Awakens
Original Music Composer
E.T. The Extra-Terrestrial
Music by
The Lost World: Jurassic Park
Music by
Star Wars — Episode VI: Return Of The Jedi (Special Edition)
Music by
Hook
Music by
Home Alone
Music by
Presumed Innocent
Music by
Always
Music by
Born on the Fourth of July
Music by
Blog Posts That Mention John Williams
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
New York Philharmonic and Steven Spielberg Celebrate the Music of John Williams
Revisiting John Williams’ Score for Jaws, 45 Years Later
A Composer For All Seasons: On the Range of John Williams
Thumbnails 5/26/15
Opening Shots: ‘Star Wars’
How “Star Wars” changed the world (as we knew it)
The masters of disaster, by Gerardo Valero of Mexico
Two Incredible 4K Box Sets Target Loyal Fan Bases
Home Entertainment Guide March 2026: Anaconda, The Housemaid, Killers of the Flower Moon, More
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
Cannes 2025 Video #9: Wrap Up
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
30 Minutes On: “Watership Down”
The Great Craft of 2024
Nothing Left to Prove: Quincy Jones (1933-2024)
The Presumed Innocent Movie Was a Highlight of Hollywood’s Page-Turner Era
Expecto Patronum: Harry Potter and the Prisoner of Azkaban at 20
The Acolyte Sends Star Wars Into a Galaxy Far, Far In the Past
Oscar Predictions 2024: What Will Win This Year
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Home Entertainment Guide: December 2023
Return of the Jedi Turns 40
10 Major Snubs and Surprises from the 2023 Oscar Nominations
Goodbye to a Chicago Legend: Sergio Mims (1955-2022)
TIFF 2022: The Fabelmans, Glass Onion
TIFF 2022: Brother, Butcher’s Crossing, The Lost King
20 Films We Can’t Wait to See in Toronto
Alive Again: Revisiting Steven Spielberg’s Jurassic Park
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
The Flight Attendant’s Second Season Fails to Take Off
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
Book Excerpt: Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper by Scout Tafoya
Sometimes You Get Lucky: Composer James Newton Howard on News of the World
60 Minutes on: Christopher Reeve as Superman
The 2020 Oscar-Nominated Scores
Joker Leads Oscar Nominations
The Best Scores of the Decade
Bring the Soul to Life: Oscar-Winning Editor Paul Hirsch on “Planes, Trains and Automobiles,” “Star Wars” and His New Memoir
A Hitchockian Nightmare: On Alan J. Pakula’s Presumed Innocent
Book Review: The Star Wars Archives 1977-1983
30 Minutes on: “The Meg”
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Celebrating the Artifice: Laurent Bouzereau on Spielberg, Hitchcock, De Palma and More
Jóhann Jóhannsson: 1969-2018
Short Films in Focus: The 2018 Oscar-Nominated Short Films
The Shape of Water Tops 2018 Oscar Nominees
The Individual Top Tens of 2017
The Heart of the Film: Matt Schrader and Marco Beltrami on “Score: A Film Music Documentary”
Binge-watching All Eight “Star Wars” Films For the 40th Anniversary
“Star Wars: The Last Jedi” Teaser Trailer Revealed
The Dance of the Lightsabers: Duels in the Original “Star Wars” Trilogy vs. the Prequels
Life Refuses to Stand Still: Another Look at Steven Spielberg’s “Always”
A Beautiful Movie About Farting: The Daniels on “Swiss Army Man”
Before the First Avenger: “The Rocketeer” 25 Years Later
Blu-ray Review: “Star Wars: Episode VII – The Force Awakens”
Surprises and Snubs: An Expert Responds to the Oscar Nominations
Complete List of 88th Academy Award Nominees
The Strange Case of “The Other Side of Midnight”
Thumbnails 10/26/15
SDCC 2015: Superhero Music Composers at Comic-Con
James Horner’s Underrated Scores
Painting with sound: the music of James Horner, 1953-2015
Ebertfest to Welcome Jason Segel, Chazz Palminteri and More
Meet the Writers: Matt Fagerholm
“1941”: An Appreciation and Interview with Bob Gale
Book Excerpt: Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin by David Greven
An Appreciation of the Disaster Movie on the 40th Anniversary of “The Towering Inferno”
Fans Descend on Anaheim For WonderCon 2014
The Abraham Lincoln Presidential Library Foundation Honors Steven Spielberg with the Lincoln Leadership Prize
“Man of Steel”, Feet of Clay
Surprises, Snubs and Fun Facts: The 86th Oscar Nominations
Unresolved Chords: How Film Composers Shape Our Feelings
“Star Wars” in Navajo
A prayer for a war machine: a conversation about Oliver Stone’s “Untold History”
Brian De Palma’s Films, Ranked
Scoring Dystopia: Composer Ryan Amon Discusses His Music for “Elysium”
Superman times 10: the most amazing incarnations of comics’ most durable superhero
My Ten Greatest Movies
Steven Spielberg: My animated tribute
Comparing “Thor” in three screen formats
