In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

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Wildlife

One never senses judgment from Dano, Kazan, Gyllenhaal, or Mulligan—they recognize that there’s beauty even in the mistakes we make in life. It’s what makes…

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Can You Ever Forgive Me?

Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#314 October 31, 2017

by Matt Fagerholm  |    | 

Matt writes: With so many potential Oscar contenders vying for one's attention this season, I'd like to take a moment and recommend one that I absolutely loved. It is "Novitiate," a brilliantly acted and provocative drama written and directed by Margaret Betts. It revolves around a group of young women training to be nuns while under the strict guidance of their Reverend Mother (played by Melissa Leo in an Oscar-worthy performance). The ensemble includes some of the finest emerging talent in modern cinema, including Margaret Qualley, Liana Liberato, Morgan Saylor and Maddie Hasson. The film is currently in limited release and should definitely be sought out.

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#177 July 24, 2013

by Marie Haws  |    | 

Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.

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A house made of candy: On "Despicable Me 2," slapstick and single parenthood

by Matt Zoller Seitz  |    | 

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I won't make any grand claims for the "Despicable Me" films as art, but I adore them anyway. There's something appealingly relaxed and confident about them. They don't quite look, move or feel like any other blockbuster animated cartoons, yet they never seem to be trying too hard. And they're the best portrait of single parenthood I've seen outside of "Louie."

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#173 June 26, 2013

by Marie Haws  |    | 

Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.

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#161 March 27, 2013

by Marie Haws  |    | 

"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger

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#162 April 3, 2013

by Marie Haws  |    | 

Marie writes: The Ebert Club Newsletter is now three years old! And the occasion calls for some cake - but not just any old cake, as it's also now officially Spring! And that means flowers, butterflies and ladybugs too. Smile.

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The Melancholy Hero: On the Acting of Owen Wilson

by Sheila O'Malley  |    | 

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What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."

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