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Zombieland: Double Tap

The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.

The Cave

Beyond the human need to hear and see these stories, it’s a beautifully shot documentary that’s as stunning as the images are harrowing.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#314 October 31, 2017

Matt writes: With so many potential Oscar contenders vying for one's attention this season, I'd like to take a moment and recommend one that I absolutely loved. It is "Novitiate," a brilliantly acted and provocative drama written and directed by Margaret Betts. It revolves around a group of young women training to be nuns while under the strict guidance of their Reverend Mother (played by Melissa Leo in an Oscar-worthy performance). The ensemble includes some of the finest emerging talent in modern cinema, including Margaret Qualley, Liana Liberato, Morgan Saylor and Maddie Hasson. The film is currently in limited release and should definitely be sought out.

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#177 July 24, 2013

Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.

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A house made of candy: On "Despicable Me 2," slapstick and single parenthood

I won't make any grand claims for the "Despicable Me" films as art, but I adore them anyway. There's something appealingly relaxed and confident about them. They don't quite look, move or feel like any other blockbuster animated cartoons, yet they never seem to be trying too hard. And they're the best portrait of single parenthood I've seen outside of "Louie."

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