Jesse Plemons Movie Reviews
Blog Posts That Mention Jesse Plemons
Home Entertainment Guide: October 2024
Brian Tallerico
Create For Yourself: Mamoudou Athie on Kinds of Kindness
Isaac Feldberg
Cannes 2024 Video #8: Award Winners
Chaz Ebert
Cannes 2024: Sean Baker’s Anora wins Palme d’Or
Ben Kenigsberg
Cannes 2024: Kinds of Kindness; Oh, Canada; Scénarios
Ben Kenigsberg
The 10 Most Anticipated Films of Cannes 2024
Tim Grierson
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
Tim Grierson
2024 Awards Season Kickoff: Palm Springs, Variety Honorees, Golden Globes, Governors Awards
Chaz Ebert
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Chaz Ebert
Killers of the Flower Moon to Receive the Vanguard Award at the Palm Spring International Film Awards
The Editors
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Daniel Joyaux
Cannes 2023: The Idol, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon
Jason Gorber
Female Filmmakers in Focus: Jane Campion on Power of the Dog
Marya E. Gates
The Power of the Dog Wins Big at the Critics Choice Awards
Sarah Knight Adamson
The Long, Strange Trip for Women Who Have Competed for the Best Director Oscar
Susan Wloszczyna
The 2022 Oscar Nominees: A Full List
Nick Allen
The Ten Best Films of 2021
The Editors
2021 Chicago Critics Film Festival Preview
Brian Tallerico
A Preview of the 57th Chicago International Film Festival
Peter Sobczynski
NYFF 2021: Closing Thoughts
Godfrey Cheshire
TIFF 2021: A Torontonian’s Take on a Tumultuous TIFF
Jason Gorber
TIFF 2021: Petite Maman, The Power of the Dog, Huda’s Salon
Brian Tallerico
57th Chicago International Film Festival Runs October 13th-24th, Will Host Fundraiser on September 13th
The Editors
Venice Film Festival 2021: Parallel Mothers, The Power of the Dog
Glenn Kenny
Telluride Film Festival Announces Full 2021 Program Lineup
The Editors
10 Upcoming Films That Could Shake Up Oscar Season
Susan Wloszczyna
The Great Performances of 2020
The Editors
SDCC 2020: Guillermo del Toro and Scott Cooper on Antlers and Filmmaking
Jana Monji
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
Chaz Ebert
The Best Films of the 2010s: The Master
Glenn Kenny
2018 Winter Movie Preview: 25 Films We’re Excited About
Nick Allen
Netflix’s “Black Mirror” Stumbles a Few Times in Fourth Season But Has Single Stand-Out
Brian Tallerico
TIFF 2017: “I Love You, Daddy,” “Hostiles,” “Professor Marston and the Wonder Women,” “Plonger”
Vikram Murthi
2017 Fall Movie Preview: 25 Films We’re Excited About
Nick Allen
A Rising Star: Riley Keough on “The Discovery”
Brian Tallerico
Sundance 2017: “The Discovery” & “Wind River”
Brian Tallerico
Sundance 2017 Announces Premieres, Midnight Films and More
Nick Allen
If I Had an Emmy Ballot 2016
Brian Tallerico
Sundance 2016: “Belgica,” “Other People”
Nick Allen
FX’s “Fargo” Maintains High Quality in Second Chapter
Brian Tallerico
TIFF 2015: “The Program”
Susan Wloszczyna
TIFF 2015: “Black Mass” & “Legend”
Brian Tallerico
The Master: Who are you?
Jim Emerson
A snake in the grass drinks his own poison
Omer M. Mozaffar
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