Kicked In The Head
Written by
Harrison
Harrison
Harrison Movie Reviews
Blog Posts That Mention Harrison
The Film That Changed Harrison Ford’s Career: On the 20th Anniversary of K-19: The Widowmaker
The Dark Side of Harrison Ford: On the Roles That Led to What Lies Beneath
Two Sides of the Same Coin: Trey Edward Shults, Kelvin Harrison Jr. and Taylor Russell on Waves
He’s Just That Guy: Jeffrey Wright on “Basquiat”
An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview
SXSW 2026: Wishful Thinking, The Saviors
12 Films We Can’t Wait to See at the SXSW Film Festival
Martin Scorsese: All the Films is a Must-Own for Movie Lovers
HBO’s “Rooster” is Almost an Endearing Comedy
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
Sundance 2026: Levitating, Kikuyu Land, Sentient
Apple TV’s Excellent “Shrinking” Continues to Find Humor in the Heartache
The 25 Best TV Shows of 2025
Sundance Film Festival Announces 2026 Line-Up
You Play Well: Diane Keaton (1946-2025)
Second Season of “Sausage Party: Foodtopia” is Much Tastier Than the First
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Apple TV’s “Government Cheese” is Almost Great
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
What to Watch on Netflix: March 2025
Taylor Sheridan’s “1923” Returns with Same Degree of Self-Proclaimed Grandeur
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
The 25 Best TV Series of 2024
The Best Films of 2024
André Holland Talks Deleted Scenes from “42”
Apple TV+’s “Shrinking” Really Starts Putting the Pieces Together in Second Season
Bird on a Wire: Kris Kristofferson (1936-2024)
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
The Future Was Now Warps Through the Seminal Sci-Fi Summer of 1982
The Hard Road: Alex Cox on Crowdfunding, Success, and a Life in Independent Filmmaking
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Leaving A Mark Behind: Kevin Costner on Horizon: An American Saga – Chapter 1
The Presumed Innocent Movie Was a Highlight of Hollywood’s Page-Turner Era
The Actors Rumored to Star in the Beatles Biopics Look Nothing Like Them. Good.
Presumed Innocent Spins Riveting Mystery on Apple TV+
The Beatles Were Never More Human Than in ‘Let It Be’
How The Phantom Menace Predicted Hollywood’s Prequel Future
I Need Your Magic: M. Emmett Walsh (1935-2024)
Apple TV+ Gets A Bit Too Silly With The Completely Made-Up Adventures of Dick Turpin
Genius: MLK/X Fails Legacies of Civil Rights Leaders
The 29th Critics Choice Awards Honor a Wide Variety of Film and TV
Home Entertainment Guide: December 2023
Chicago Style: Andrew Davis on the Making of The Fugitive, Stony Island, and More
Why Horror Has Been Killing It in 2023
Roger Ebert on the Films of Martin Scorsese
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts
TIFF 2023: Stop Making Sense, In Restless Dreams: The Music of Paul Simon
Noir City Returns to the Music Box in Chicago
XL Film Festival & Summit 2023: Highlights of an Ambitious New Event
The Best Performance in Oppenheimer Belongs to Alden Ehrenreich
A Look Back at Tribeca 2023
Cannes 2023: Highlights of the Year’s Festival
Return of the Jedi Turns 40
Tim Robinson’s I Think You Should Leave Conjures More Brilliant Chaos in Third Season
Cannes 2023: The Idol, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon
Cannes 2023: Indiana Jones and the Dial of Destiny
Cannes 2023 Video #1: Previewing This Year’s Highlights
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
Sundance 2023: Polite Society, My Animal
Apple TV+’s Shrinking is a Cozy, Familiar Comedy
Sundance 2023: Theater Camp, Kim’s Video
FOX’s Accused Is An Emotionally Manipulative Void
Yellowstone Prequel 1923 Gets Off to a Slow Trot
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
This Must Not Be the Place: The Films of Peter Weir
Despite Terrific Performances, The Crown is Getting Wobbly
Book Excerpt: Talk ’90s with Me by Matt Pais
TIFF 2022: Devotion, Chevalier, Carmen
Hulu’s Wedding Season is a Clever, Hitchcockian Romp
Call Me Crazy: Anne Heche (1969-2022)
Apple TV+ Thriller Surface Lacks All Depth
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
A Song Was Only A Breath Away: Joe Wright on Cyrano
Ivan Reitman: 1946-2022
Netflix’s Saturday Morning All-Star Hits is a Gift for Kyle Mooney Fans
Michael C. Hall and Jennifer Carpenter Are the Old Blood That Enlivens Dexter: New Blood
Apple TV+’s Foundation is An Ambitious, Sprawling Sci-Fi Event
Telluride Film Festival 2021: Red Rocket, C’mon C’mon, Cyrano
Netflix’s Q-Force Tries to Subvert Stereotypes with Mixed Results
KVIFF 2021: A Conversation with Ethan Hawke
Hulu’s McCartney 3,2,1 Deconstructs a Legend
Tim Robinson’s I Think You Should Leave Returns with More Clever Absurdity
Medium’s David Bates Remembers Roger Ebert
Thumbnails Special Edition: The Personal Essays of Matt Zoller Seitz
Oscars 2021: Nomadland is the Big Winner at an Unusual Academy Awards
From Bill Murray to Sacha Baron Cohen: Santa Barbara Film Festival 2021 Highlights
Netflix’s The Irregulars Succumbs to Some Pretty Regular Problems
Sundance 2021: Marvelous and the Black Hole, Together Together, My Name is Pauli Murray
19 Dazzling Favorite Movies and Reviews from 2020
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
New Works Virtual Festival Now Running Through Christmas Day
Bonded and Unbound: Sean Connery, 1930-2020
Goodbye to a King: On the Death of Chadwick Boseman
