How to Fix a Drug Scandal
Rarely have I been more frustrated by a documentary production’s formal choices and how they interfere with the engaging content of the story they’re trying…
Emma Thompson
-
Dolittle (2020)
—
Polynesia (voice)
Sheila O'Malley -
Last Christmas (2019)
—
Adelia, Writer (story by), Writer
Tomris Laffly -
Men in Black: International (2019)
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Agent O
Monica Castillo -
Late Night (2019)
—
Katherine Newbury
Sheila O'Malley -
Missing Link (2019)
—
The Elder (voice)
Matt Zoller Seitz -
Johnny English Strikes Again (2018)
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Prime Minister
Nell Minow -
The Children Act (2018)
—
Fiona Maye
Tomris Laffly -
The Meyerowitz Stories (New and Selected) (2017)
—
Maureen
Odie Henderson -
Beauty and the Beast (2017)
—
Mrs. Potts
Susan Wloszczyna -
Bridget Jones's Baby (2016)
—
Writer
Susan Wloszczyna -
Burnt (2015)
—
Dr. Rosshilde
Glenn Kenny -
A Walk in the Woods (2015)
—
Catherine Bryson
Susan Wloszczyna -
Effie Gray (2015)
—
Screenplay, Lady Eastlake
Dan Callahan -
Men, Women & Children (2014)
—
(voice)
Peter Sobczynski -
Saving Mr. Banks (2013)
—
P.L. Travers
Susan Wloszczyna -
Beautiful Creatures (2013)
—
Sarafine
Richard Roeper -
Brave (2012)
—
Elinor
Roger Ebert -
Men in Black III (2012)
—
Agent O
Roger Ebert -
Pirate Radio (2009)
—
Charlotte
Roger Ebert -
An Education (2009)
—
Headmistress
Roger Ebert -
Last Chance Harvey (2009)
—
Kate
Roger Ebert -
Brideshead Revisited (2008)
—
Lady Marchmain
Roger Ebert -
Stranger Than Fiction (2006)
—
Kay Eiffel
Roger Ebert -
Nanny McPhee (2006)
—
Written by, Nanny McPhee
Roger Ebert -
Love Actually (2003)
—
Karen
Roger Ebert -
Treasure Planet (2002)
—
Capt. Amelia (voice)
Roger Ebert -
Primary Colors (1998)
—
Susan Stanton
Roger Ebert -
The Winter Guest (1998)
—
Frances
Roger Ebert -
Sense And Sensibility (1995)
—
Written by, Elinor Dashwood
Roger Ebert -
Carrington (1995)
—
Carrington
Roger Ebert -
Junior (1994)
—
Dr. Diana Reddin
Roger Ebert -
In the Name of the Father (1994)
—
Gareth Peirce
Roger Ebert -
The Remains Of The Day (1993)
—
Miss Kenton
Roger Ebert -
Much Ado About Nothing (1993)
—
Beatrice
Roger Ebert -
Peter's Friends (1992)
—
Maggie
Roger Ebert -
Howards End (1992)
—
Margaret Schlegel
Roger Ebert -
Dead Again (1991)
—
Grace/Margaret
Roger Ebert -
The Tall Guy (1990)
—
Kate Lemon
Roger Ebert -
Henry V (1989)
—
Katherine
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Netflix and Marriage Story Lead 2019 Golden Globe Nominations
Leading the Netflix movies was Marriage Story, which received six nominations.
The 20 Most Exciting World Premieres of TIFF 2019
On 20 major premieres from the Toronto Film Festival that we'll be covering over the next two weeks.
Who Tells Our Stories: Gender Progress Behind the Screen is Reflected On It
A piece on progress in who gets to tell stories reflected in films like Can You Forgive Me?, Late Night, The Souvenir, Revenge, and more.
TIFF Announces First Wave of Gala and Special Presentation Films
The first wave of World Premieres announced for TIFF 2019.
HBO’s Years and Years is Fascinating Vision of the Future
A review of BBC and HBO's excellent Years and Years.
The Best Films of the 2019 Sundance Film Festival
A dozen of the best films of the 2019 Sundance Film Festival.
Sundance 2019: Late Night, I Am Mother
A review of two premieres from Sundance, including films starring Emma Thompson and Hillary Swank.
Sundance 2019: 20 Films We Can’t Wait to See in Park City
A preview of the 2019 Sundance Film Festival.
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
A look ahead at the 112 films that will play the Sundance Film Festival in January 2019.
The Great Performances of 2017
Two dozen of our favorite performances from 2017.
2017 Oscar Hopefuls Have Power in Numbers
A number of Oscar contenders have impressed this year with their abundance of talent onscreen.
CIFF 2017: “Sea Sorrow,” “Killing Jesús,” “The Charmer”
A CIFF 2017 dispatch featuring reviews of Vanessa Redgrave's "Sea Sorrow," Laura Mora’s “Killing Jesús” and Milad Alami's "The Charmer."
CIFF 2017: Vanessa Redgrave on "Sea Sorrow" and "Blow-Up"
An interview with Oscar-winning actress Vanessa Redgrave about her directorial effort "Sea Sorrow" and her work in "Blow-Up."
NYFF 2017: “Faces Places,” “Mrs. Hyde,” “Sea Sorrow”
A dispatch from the New York Film Festival with works by Agnes Varda, Isabelle Huppert, and Vanessa Redgrave.
TIFF 2017: “55 Steps,” “Three Christs,” “The Children Act”
On three TIFF premieres, including films starring Emma Thompson, Richard Gere, and Helena Bonham-Carter.
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Chaz Ebert reports on "The Meyerowitz Stories (New and Selected)," "The Killing of a Sacred Deer" and more in her fourth video dispatch from Cannes 2017.
Cannes 2017: "Happy End," "The Meyerowitz Stories," "Before We Vanish"
A report from the Cannes Film Festival on the latest from Michael Haneke, Noah Baumbach and Kiyoshi Kurosawa.
Cannes Film Festival 2017 Preview
A preview of the 2017 Cannes Film Festival.
2016 Fall Movie Preview: 50 Movies That'll Prove Film Isn’t Dead
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
Only connect: James Ivory on "Howards End"
Director James Ivory talks about his film adaptation of E.M. Forster's classic novel.
Alan Rickman: 1946-2016
A tribute to Alan Rickman on his passing.
2015 Fall Movie Preview
An overview of the films that will be theatrically released in the 2015 fall season.
Marvel, Star Wars Highlights and More From D23
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
Two-and-a-Half-Star Reviews of 2015
A list of the two-and-a-half-star reviews so far posted on RogerEbert.com this year.
Bright Wall/Dark Room Excerpt January 2015: "Break, Blow, Burn, and Make Me New" by Chad Perman
The January 2015 excerpt from Bright Wall/Dark Room on Mike Nichols' "Wit".
