The Fire Inside
Writer
Barry Jenkins
Barry Jenkins
Barry Jenkins Movie Reviews
Blog Posts That Mention Barry Jenkins
It’s Physical Work: Barry Jenkins on The Underground Railroad
I Will Not Forget You: Barry Jenkins on The Underground Railroad
Barry Jenkins on Adapting James Baldwin’s If Beale Street Could Talk, The Film’s Timeliness and more
Sharing the Weight: Barry Jenkins on If Beale Street Could Talk
Three Times: Barry Jenkins and Tarell McCraney on “Moonlight”
Early Shorts by Great Filmmakers Pt 2: Jenkins, Wang, Waititi, Diop
TIFF 2024: Bonjour Tristesse, The Fire Inside, The Last Showgirl
The 10 Best Movies Made for Under $50,000
The Best Films of the 2010s: Moonlight
30 Minutes On: “If Beale Street Could Talk”
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TIFF 2018: If Beale Street Could Talk, Widows
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Changing the Conversation: André Holland on “Moonlight”
Real Magic: Naomie Harris on “Moonlight”
Why Ryan Coogler Should Win Best Director for “Sinners”
Highlights of Roger Ebert on Black Filmmakers for Black History Month
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
Sundance Film Festival Announces 2026 Line-Up
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
TIFF 2025: Christy, Couture, Steal Away
Moviehouse on the Edge: IFC Center Picks 20 Films to Commemorate 20 Years in New York
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Finding a Way Home: André Holland Never Rests
If We Picked the Winners: The 97th Academy Awards
Sundance 2025: 2000 Meters from Andriivka, Cutting Through Rocks, Khartoum
Sundance 2025: Twinless, Ricky, Jimpa
Process the Environment: Rachel Morrison on “The Fire Inside”
2025 Sundance Film Festival Announces Ambitious Program
Black Harvest Film Festival 2024 Preview
Female Filmmakers in Focus: Hannah Peterson on “The Graduates”
André Holland Talks Deleted Scenes from “42”
30 Years of “Hoop Dreams”: Steve James on Roger Ebert, Oscar Snubs, and Documentary Filmmaking
Fight or Flight: Jeremy Saulnier on Rebel Ridge
Telluride Film Festival 2024: Memories for a Lifetime
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
Time to Bloom: KiKi Layne on Dandelion
Home Entertainment Guide: June 2024
The Growing Exploration of Masculinity and Vulnerability in Media
Black Writers Week 2024: Table of Contents
Introduction to Black Writers Week 2024
The Red Carpets of the 2024 Chicago Critics Film Festival
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Genius: MLK/X Fails Legacies of Civil Rights Leaders
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
The Ten Best Films of 2023
Welcome Robert Daniels, Our New Associate Editor of RogerEbert.com
TIFF 2023 Video: Festival Highlights Including Spike Lee Receiving the TIFF Ebert Director Award
Oscar-winner Spike Lee to Receive the 2023 TIFF Ebert Director Award on Sunday, September 10th
Home Entertainment Guide: June 2023
Chicago Critics Film Festival 2023 Preview: Chicago Premieres of Acclaimed Films from Around the World
The Stars Shine at the 2023 Critics Choice Awards
Awkward, Misguided Kindred Lets Down Its Source Material
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Female Filmmakers in Focus: Sarah Polley on Women Talking
Writing Inside Out: Charlotte Wells on Aftersun
TIFF 2022: Brother, Butcher’s Crossing, The Lost King
Telluride Film Festival 2022 Highlights
KVIFF 2022: Aftersun, F*cking Bornholm, Ramona
The Legacy of Gen-X Black Filmmakers
15 African-American Filmmakers and Roger Ebert’s Birthday Retrospective Reviews
Cannes 2022: Holy Spider, Forever Young, Aftersun
Outer Range Challenges Expectations While it Entertains
Creative Expression: Theodore Witcher on the Legacy of Love Jones
NAACP Image Awards Honors 2022 Winners, Led By The Harder They Fall
Chaz Ebert to Receive the Ruby Dee Humanitarian Award
Happy New Year from Chaz Ebert and RogerEbert.com!
Home Entertainment Guide: December 2021, The Criterion Collection
The Best Television of 2021
Critics Choice Awards Celebration of Black Cinema & Television to Honor Will Smith, Ruth Negga and More on December 6th
Home Entertainment Guide: October 2021
Telluride Film Festival 2021: The Lost Daughter, King Richard, Nuclear Family
Telluride Film Festival Announces Full 2021 Program Lineup
AAFCA TV Honors 2021 to Stream This Saturday, August 28th
Look Away, Look Away
Black Writers Week 2021: Table of Contents
Why Representation Won’t Bring Change to the Oscars
Spike Lee Receives American Cinematheque Award
The 2020 Frontrunners for Best Director
Cinema of Herself: On Four Short Films by Haaniyah Angus
Home Entertainment Guide: October 2020
Goodbye to a King: On the Death of Chadwick Boseman
Upholding Black Voices: An Annotated Table of Contents
Diverse Cast Shines in Topical Starz Drama Hightown
No Solutions: A Personal Examination of Online Anger About Guns Akimbo
The Best Films of the 2020 Sundance Film Festival
They’ve Gotta Have Us Charts Black Experience in Cinema
Sundance 2020: Charm City Kings, Save Yourselves!, Blast Beat
A Letter to Roger About Michael Apted’s 63 Up
The Best Scores of the Decade
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
The Best Films of the 2010s
Taika Waititi to be Honored with the Ebert Director Award at TIFF Tribute Gala
Happy One Year Anniversary to Our First Female Editor, Nell Minow
One from the Heart: Jimmie Fails and Joe Talbot on The Last Black Man in San Francisco
Home Entertainment Consumer Guide: March 28, 2019
How the Image of Black Women Has (and Hasn’t) Changed in the Last Two Decades
