Justin Timberlake + The Tennessee Kids
Director
Jonathan Demme
Jonathan Demme Movie Reviews
Ricki and the Flash
Director
A Master Builder
Director
Enzo Avitabile Music Life
Director
Neil Young Journeys
Directed by
Rachel Getting Married
Directed by
Jimmy Carter Man from Plains
Written and directed by
The Manchurian Candidate
Directed by
The Agronomist
Written and directed by
The Truth About Charlie
Written by
Beloved
Directed by
Mandela
Produced by
Philadelphia
Directed by
Cousin Bobby
Written and Directed by
The Silence of the Lambs
Directed by
Miami Blues
Produced by
Married to the Mob
Directed by
Swimming to Cambodia
Produced and directed by
Something Wild
Produced and Directed by
Stop Making Sense
Director
Blog Posts That Mention Jonathan Demme
Ebertfest 2019 Reveals Full Line-Up Honoring Scott Wilson, Richard Roeper and Jonathan Demme
Emphatic and Abundant Love: The Work of Jonathan Demme
A musical soul: Jonathan Demme, 1944-2017
Bright Wall/Dark Room March 2023: Something Wild: The Other Half of You by Christian Craig
An Invitation to An Unforgettable Wedding in Rachel Getting Married
The Unloved, Part 42: Beloved
Timeless Horror: The 25th Anniversary of “The Silence of the Lambs”
Sundance before it was Sundance
WALL-E scrunches Love Guru inVillage Voice/LA Weekly crix poll
What does a movie mean?
Corman’s World: Monsters, mayhem & breast nudity!
Home Entertainment Guide: May 2024
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
Luca Guadagnino Is Love
Part of the Solution: Matthew Modine on Acting, Empathy, and Hard Miles
10 Music Documentaries You Should See After The Greatest Night in Pop
Female Filmmakers in Focus: Nancy Savoca on Household Saints
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
TIFF 2023: Stop Making Sense, In Restless Dreams: The Music of Paul Simon
When A Film Critic Gets Married At The Movies
Female Filmmakers in Focus: Fran Rubel Kuzui on Tokyo Pop
Airwaves: The Top 40 Beauty of the Air Soundtrack
Book Excerpt: Talk ’90s with Me by Matt Pais
As Far Back as I Can Remember: Ray Liotta (1954-2022)
He Made Everything Better: Fred Ward (1942-2022)
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
Home Entertainment Guide: Horror Edition
Unboxing the Artist: Suzanne Desrocher-Romero on Restoring George A. Romero’s The Amusement Park
CBS’s Clarice Dilutes the Sprawling Strangeness of Its Source
Cloris Leachman: 1926-2021
The Ten Best Films of 2020
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Luca Guadagnino’s HBO Series We Are Who We Are Off to a Glorious Start
30 Minutes on The Manchurian Candidate
Anna Karina: 1940-2019
NYFF 2019: A Year of Milestones
Son of the father: Peter Fonda, 1940-2019
Toni Morrison: 1931-2019
Ebertfest 2019: Table of Contents
Ebertfest 2019: A Photo Journal
Finding New Neighbors at the Movies: The Ebert Fellows on Ebertfest 2019
Ebertfest 2019, Day 2: Coeur Fidele, Rachel Getting Married, Bound
Ebertfest 2019, The Panels: Challenging Stigma Through the Arts; Women in Cinema
Bruno Ganz: 1941-2019
Dick Miller: 1928-2019
Home Entertainment Consumer Guide: December 13, 2018
The Individual Top Tens of 2018
Telling Their Stories: Stephan James and KiKi Layne on If Beale Street Could Talk
No False Moves: Carl Franklin on His Noir Films
Steve James Named 2018 Guggenheim Honoree by American Film Institute
American Horror: On Criterion’s Night of the Living Dead and The Silence of the Lambs
Tom Petty: 1950-2017
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Thumbnails 5/15/17
Hot Docs 2017 Interview: Nanfu Wang on “I Am Another You”
On Her Own Terms: The Work of Debra Winger
Learning to Let Go: The Beauty of the Big Ears Festival
FOX’s Ambitious “Shots Fired” Rises Above Melodrama
The Audacious “Something Wild” Comes to Criterion Blu-ray
TIFF 2016: “Boundaries,” “Justin Timberlake + The Tennessee Kids,” “Barakah Meets Barakah”
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
TIFF Announces First Wave of Galas and Special Presentations
A Woman is a Woman: A Chat with Anna Karina
Share Your Love: Author Danny Peary on “Cult Movies”
James Franco Carries “11.22.63” Over Sluggish Midsection
A Living Cinematic Organism: Stephen Cone on “Henry Gamble’s Birthday Party”
Interview: André Gregory and Wallace Shawn
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
The best films of 2008… and there were a lot of them
The Best Films of 2004
22 secrets gleaned from `Silence’
The Best 10 Movies of 1991
50 greatest music films ever
The Double-Best of the Year
Opening Shots: ‘Repo Man’
My scene with Kristofferson
“Oh yeah? Well, I criticize you back!”
The best greatest movies ever list
Desert island DVDs (Matt’s & mine & yours)
Name That Director!
Prof. Cozzalio’s take-home pop quiz is due!
Scorsese and music as storytelling: Shine a Light
Wally Pfister, The Avengers & the ethics of composition
Los Angeles Film Festival 2012
You never saw this in all of those John Wayne war movies
Deep Vote predicts the Oscars: Last year, he batted 1000
Starting off the season
So many films, so little time
Toronto #8: ‘Sleuth’ finds itself a Pinter film
Sundance #1: Indie bread & butter
A ‘Silence’ sweep?
Of cannibals and Camelot, beauties and Beatty
Declarations of independence: Before Sundance was Sundance
Sidney Lumet: In Memory
King of the funny skin flicks
Winfrey confronts the strength and the spirits of ‘Beloved’
John Sayles: In ‘Limbo’
Nancy Savoca Discovers It’s Hard To Be a `Saint’ In Today’s Secular Age
