Keanu is fun, and even sometimes outright hilarious, but it doesn’t live up to the skills of its central performers.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with the star of "I Saw the Light," Tom Hiddleston.
An appreciation of Stephen Frears' "My Beautiful Laundrette" after its Criterion release.
A guide to the latest and greatest on Blu-ray and streaming services, including Ex Machina, It Follows, Clouds of Sils Maria, What We do in the Shadows and more!
An interview with Parker Posey, star of "Irrational Man."
An introduction to the coverage of Cannes 2015 at RogerEbert.com.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Lists from our critics and contributors on the best of 2014.
Hollywood's "female stuff" problem; Mike Leigh got John Ruskin all wrong; Update on Lindy Chamberlain; Miyazaki working on manga; Nolan defends "Interstellar" sound.
An interview with Eddie Redmayne, star of James Marsh's "The Theory of Everything."
An excerpt from Michael Koresky's new book about the great filmmaker Terence Davies, the Marcel Proust of Liverpool.
All of our video segments from Cannes 2014.
The annual presentation of the 2014 Palme de Whiskers was a star-studded affair this year.
A ranking of the ten best winners of the Palme d'Or before 2014 adds a new film to the exclusive club.
Our first video segment from the 2014 Cannes Film Festival.
Barbara Scharres reports on the second day of the Cannes Film Festival.
The 67th Cannes Film Festival kicks off with an original, adventurous and beautiful film from the great Mike Leigh.
A Steak 'n Shake opens 50 paces from the hotel where Roger Ebert used to stay during the film festival.
A video preview of Cannes 2014.
Barbara Scharres previews the 2014 Cannes Film Festival.
Cannes releases their lineup; Fargo, the TV show; Landmark anime; Under the Skin and Only Lovers Left Alive; Documentary subjects who don't want to be documentary subjects.
For Michał Oleszczyk, translating for his mom makes for a more active engagement with the movie.