The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The film that Fox packaged with "Star Wars" to get theaters to play a little space opera no one had heard of was "The Other Side of Midnight." Jessica Ritchey looks back at a surefire hit that became a trivia answer.
Guillermo del Toro's key theme; Silent frame rates and DCP; Exciting news from Sheila O'Malley; New "Star Wars" music; Unsinkable Effie Brown.
Famous composers of superhero movies did a panel at the San Diego Comic-Con Festival 2015 and our writer reports.
An essay on the underrated scores of late composer James Horner.
A discussion of the works of the great film composer James Horner.
Ebertfest to welcome Jason Segel, James Ponsoldt, Chazz Palminteri, Jon Kilik, Julieta Zylberberg and Alan Polsky.
An interview with film critic Matt Fagerholm.
An appreciation of "1941" and interview with Bob Gale.
Jana Monji reports from WonderCon 2014, including details on The Maze Runner, How to Train Your Dragon 2 & Dawn of the Planet of the Apes.
The Abraham Lincoln Presidential Library Foundation honored award-winning filmmaker Steven Spielberg with the prestigious Lincoln Leadership Prize at a dinner ceremony Wednesday at the Hilton Chicago.
What were the surprises, snubs and twists of today's Oscar nominations?
What changes when "Star Wars" is dubbed in Navajo? More than you might think.
RogerEbert.com editor Matt Zoller Seitz and contributor Steven Boone discuss "Untold History," a documentary series by Oliver Stone and Peter Kuznick that presents an alternative history of the United States and its role in recent world history.
Peter Sobczynski ranks 27 films by Brian De Palma.
Ryan Amon talks about the YouTube video that led to his first feature film score, in this week's "Elysium," directed by Neill Blomkamp ("District 9") and starring Matt Damon and Jodie Foster.
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love his lists.
In my copy of his book "Scorsese," Roger Ebert wrote these words: "Every movie lover needs a hero."
I've found mine in Steven Spielberg.
Spielberg has been my hero ever since I, in my childhood, saw his more popular films (" Jaws," "Temple of Doom," "Hook," " E.T.," "Close Encounters," et al.), but recently, as I covered areas in his filmography I hadn't before, and doubled back to some that I didn't quite remember, I was struck by how much he really is my hero.
It seems to be an unwritten rule that every superhero origin movie should have a scene in which the main character excitedly experiments with his or her powers before fully donning the mantle of the titular hero.
Consider the scene from "Spider-Man" in which Peter Parker scales walls and jumps from building to building joyously, or the one from "Iron Man" in which a reckless Tony Stark flies too far into the higher reaches of the atmosphere just to break that altitude record, or that scene from "Superman" in which the young Clark Kent races with a train.
Of late, I've been thinking about how I got here. Here, in love with movie watching and movie making. Here, in a design school in India, and not an engineering college or a medical school like predetermined for most Indian students. Here, in correspondence with a huge role model of mine. Here, doing what I love.
Marie writes: While writer Brian Selznick was doing research for his book "The Invention of Hugo Cabret", he discovered the Franklin Institute in Philadelphia had a very old automaton in their collection. And although it wasn't one of machines owned by Georges Melies, it was remarkably similar and with a history akin to the one he'd created for the automaton in The Invention of Hugo Cabret...
BEVERLY HILLS, Calif. (AP) — Complete list of 84th Annual Academy Award nominations announced Tuesday:
Marie writes: Okay, this is just plain cool. This is clearly someone using their brain, in combination with "what the hell, let's just go ahead and try it..."
Dr Julius Neubronner's Miniature Pigeon CameraIn 1903, Dr Julius Neubronner patented a miniature pigeon camera activated by a timing mechanism. The invention brought him international notability after he presented it at international expositions in Dresden, Frankfurt and Paris in 1909-1911. Spectators in Dresden could watch the arrival of the camera-equipped carrier pigeons, whereupon the photos were immediately developed and turned into postcards which could be purchased. (click images to enlarge.) - from The Public Domain Review. Visit the site to see even more photos.
"The Innkeepers" is streaming online through Amazon Instant and Vudu. It is also offered on some cable systems' On Demand channels and opens theatrically in a limited release February 3rd. The official website is here.
by Steven Boone
The trailer for "The Inkeepers" betrays a basic insecurity common in low-budget indie films nowadays: They want you to think they're as loud and hectic as their big-budget counterparts. They're afraid you won't show up otherwise. And so this horror film which builds its scares slowly, stealthily and through the peculiar quirks of its characters is sold as just another clangy, generic mainstream fright flick. Mercifully, the actual film shows only a little of this poisonous "ambition." It's mostly just a good old-fashioned ghost story, well told.
This film's wealth of personality is apparent early on, as director Ti West takes his time recording the subtle oddball chemistry between Claire (Sarah Paxton) and Luke (Pat Healy), the only staff on duty at the Yankee Pedlar Inn. Luke is obsessed with documenting a legendary ghost at the Pedlar for his website. He is surprised to find that Claire, his secret geek-girl crush, is just as fascinated by the subject. For a healthy stretch of the film we just watch them goofing off and pranking each other when not rendering poor service to the inn's only two guests (one played by Kelly McGillis from "Top Gun," appearing about 15 years older than her actual age--the biggest jolt of the movie, for a viewer over 30).