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The King and the Mockingbird

What a tortured path The King and the Mockingbird has taken to reach theaters in the United States, and what a treat it is for…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

The Master: Who are you?

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I apologize for the lack of postings the last few weeks. A recent flare-up of heart problems left me with little energy to write. But as the emaciated old man in "Monty Python and the Holy Grail" says: "I'm feeling much better!"

At one point well into Paul Thomas Anderson's "The Master" I thought that the movie was going to reveal itself as a story about the meaninglessness of human existence. But that notion was based on a single piece of aphoristic, potential-thesis-statement dialog that, like much else, wasn't developed in the rest of the movie. Which is not to say that "The Master" isn't about the meaninglessness of human life. The line, spoken by Lancaster Dodd (Philip Seymour Hoffman), the cult guru known to his acolytes as Master, is addressed to the younger man he considers his "protégé," a dissolute mentally ill drifter named Freddie Quell (Joaquin Phoenix), and the gist of it is that the itinerant Freddie has as much to show for his life as somebody who has worked a regular 9-to-5 job for many years. The point being, I suppose, that for all Freddie's adventures, peculiarities and failures, he isn't all that much different from anybody else. Except, maybe, he's more effed-up.

(spoilers)

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#134 September 19, 2012

Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.

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#119 June 13, 2012

Marie writes: Next door, across a long narrow drive and beyond the row of cedar hedges which run parallel to it, there resides an elementary school dating back to 1965, along with an assortment of newer playground equipment rendered in bright, solid primary colors...I'm sure you know the sort I mean...

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Introducing the films of Ebertfest 2012

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Something nice happened to us while we were preparing the schedule for Ebertfest 2012, which plays April 25-29 at the Virginia Theater (above) in Champaign-Urbana, Ill. We'd invited Patton Oswalt to attend with his "Big Fan. He agreed and went one additional step: "I'd like to personally choose a film to show to the students, and discuss it."

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Tim and Eric Mediocre Movie, Great Job!

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"Tim and Eric's Billion Dollar Movie" is available for streaming/download on iTunes, Amazon Instant, Vudu and YouTube. In theaters March 2.

"Tim and Eric's Billion Dollar Movie" is a lot like "Tim and Eric's Awesome Show, Great Job!." They're both experimental video art posing as sketch comedy. In them you can see DNA from Ernie Kovacs, John Waters, the Kuchar brothers, Robert Downey, Sr., Tom Rubnitz, early Beck music videos, Damon Packard, Aqua Teen Hunger Force (and every other Adult Swim psychotic episode) and Harmony Korine, to name just a random few. But it's likely that actor-writer-directors Tim Heidecker and Eric Wareheim took inspiration from none of these freaks.

The duo's work seems to flow directly from three sources: Bad corporate promotional and instructional videos, absurd local TV programming and assaultive blockbuster films. Their collages of chopped-and-screwed sounds with spastic motion graphics and sloppy green screen don't seem much different (in effect, if not production values) from what's on cable any given Sunday. It's just that they put unattractive, demented-seeming people in front of the green screen instead of the usual telegenic emoters. They spout nonsense where platitudes and corporate messages usually go. When celebrities appear on the show, they flub and stutter like robot hologram versions of themselves. It's as if the show's editor was a spam bot.

Whether any of it is funny is almost beside the point. The creeping surrealism often takes away your ability to blink, especially, I suspect, when, like me, you have no history with the show.

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We need to talk about Tilda

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When she was not yet five years old, Tilda Swinton told me, she saved the life of her brother. At least that's what everyone told her, and praised her for, and only little Tilda knew that soon after he was brought home from the hospital she intended to murder the baby.

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The right hand of great directors

May Contain Spoilers

Awards season again. Last year, as you may recall, a many months pregnant Natalie Portman received the Oscar for Best Actress for "Black Swan." Her lithesome acceptance speech, without notes, thanked many colleagues she knew had helped her stand there. As both a lifelong moviegoer and a worker on films, my spirit lifted at these words: "There are people on films that no one ever talks about, that are your heart and soul every day, including Joe Reidy, our incredible A.D..." Along with so many others, I was thrilled by her sentiment -- and especially pleased for Joe Reidy.

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#96 January 4, 2012

Marie Haws: Remember the Old Vic Tunnels?  I did some more sniffing around and you'll never guess where it led me. That's right - into the sewer system!  But not just any old sewer, oh no... it's the home of a famous forgotten river flowing beneath Fleet Street; the former home of English journalism.So grab a flashlight and some rubber boots as we go underground to explore "mile after mile of ornate brickwork" and a labyrinthine of tunnels which reveal the beauty of London's hidden River Fleet. (click images to enlarge.)

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The Arikan Agenda: The Best Films of 2011

A few weeks ago on Facebook -- that sly keeper of family secrets, whose memory seems to have increased incrementally with its new Timeline mumbo-jumbo -- an actor of some repute posted a list of the best Twitter accounts of 2011, as compiled by a wholly forgettable outlet. He had been placed relatively highly, and someone commented that it was a very subjective list. Apart from the fact that taking issue with "a list of the best Twitter accounts of 2011, lol" is by definition absurd, the statement presented a logical fallacy (I am fully aware of the irony of regarding a throwaway Facebook comment in such depth). All lists are subjective: that's why they're lists. Nonetheless, this fairly simple fact gets lost in the year-end frenzy as interested parties start calling for the list-maker's head, like angry villagers wielding pitchforks, if and when their favoured books, albums, films, etc fail to place on a given critic's compilation of the year's best.

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The Best Films of 2011

Making lists is not my favorite occupation. They inevitably inspire only reader complaints. Not once have I ever heard from a reader that my list was just fine, and they liked it. Yet an annual Best Ten list is apparently a statutory obligation for movie critics.

My best guess is that between six and ten of these movies won't be familiar. Those are the most useful titles for you, instead of an ordering of movies you already know all about.

One recent year I committed the outrage of listing 20 movies in alphabetical order. What an uproar! Here are my top 20 films, in order of approximate preference.

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#92 December 7, 2011

Marie writes: Belgium club member Koen Van Loocke has submitted the following and it's so awesome, I have no words. But first, background..The Cinematic Orchestra is led by composer/programmer/multi-instrumentalist Jason Swinscoe, who formed his first group "Crabladder" in 1990 while a Fine Arts student at Cardiff College. The group's fusion of jazz and hardcore punk elements with experimental rhythms, inspired Swinscoe to further explore the musical possibilites and by the time the group disbanded in the mid-'90s, he was playing DJ at various clubs and pirate radio stations in and around London.

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#87 November 2, 2011

Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels.  Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour!  (click image to enlarge.)

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#77 August 24, 2011

Marie writes: the following moment of happiness is brought to you by the glorious Tilda Swinton, who recently sent the Grand Poobah a photo of herself taken on her farm in Scotland, holding a batch of English Springer puppies!

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#76 August 17, 2011

"I realize that most of the turning points in my career were brought about by others. My life has largely happened to me without any conscious plan. I was an indifferent student except at subjects that interested me, and those I followed beyond the classroom, stealing time from others I should have been studying. I was no good at math beyond algebra. I flunked French four times in college. I had no patience for memorization, but I could easily remember words I responded to. In college a chart of my grades resembled a mountain range. My first real newspaper job came when my best friend's father hired me to cover high school sports for the local daily. In college a friend told me I must join him in publishing an alternative weekly and then left it in my hands. That led to the Daily Illini, and that in turn led to the Chicago Sun-Times, where I have worked ever since 1966. I became the movie critic six months later through no premeditation, when the job was offered to me out of a clear blue sky."Visit "I was born inside the movie of my life" to read the opening pages from Roger's forthcoming memoir to be published September 13, 2011.

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#65 June 1, 2011

Marie writes: Why a picture is often worth a thousand words...Production still of Harold Lloyd in "An Eastern Westerner" (1920)

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#62 May 11, 2011

Marie writes: allow me to introduce you to Travel Photographer, founded by Chris and Karen Coe in 2003 and their annual contest "Travel Photographer of the Year".After years spent working in the travel industry as a professional photographer and finding it was mostly conventional images making it into print, Chris decided to create a way to showcase great travel photography and broaden people's perception of what it can encompass - namely, that it can be much, much more than a pretty postcard image.The contest is open to one and all; amateur and professional photographers compete alongside each other. Entrants are judged solely on the quality of their photographs. There's a special competition to encourage young photographers aged 18 and under; Young Travel Photographer of the Year. The youngest entrant to date was aged just five, the oldest 88. The competition is judged by a panel of photographic experts, including renowned photographers, picture buyers, editor and technical experts.And the 2010 winners have now been announced. Here's a few random photos to wet your appetite - then you can scroll through the amazing winners gallery!

Enal is around 6 years old and knows this shark well - it lives in a penned off area of ocean beneath his stilted house in Wangi, Indonesia. Photo: James Morgan, UK (Portfolio Encounters: Winner 2010)  [note: click images to enlarge]

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#60 April 27, 2011

The Grand Poobah shared the following recently and which struck me as just the thing to put in here - for it amounts to someone inventing a moving still akin to those seen on the front page of Harry Potter's famous newspaper."You know how people sometimes say that jazz is the only truly American art form? Animated GIFs are like the jazz of the internet: they could only exist, and be created and appreciated, online. That said, PopTart Cat is not exactly on par with Thelonious Monk. But photographer Jamie Beck and motion graphics artist Kevin Burg may have finally found a way to elevate the animated GIF to a level approaching fine art, with their "cinemagraphs" -- elegant, subtly animated creations that are "something more than a photo but less than a video." - fastcodesignAnd sadly, they won't work in here; Movable Type doesn't like animated gifs. It's easily solved however, just visit Far Better Than 3-D: Animated GIFs That Savor A Passing Moment to see an assortment in play!

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recent Two Thumbs Up® reviews

Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? These films are worth going out of your way to see, or you might rent them, add them to your Netflix, Blockbuster or TiVo queues, get them by VOD, watch for them on cable, anything. Many of the older titles are already streaming on Netflix and Amazon.

"Another Year" (PG-13, 129 minutes). Tom and Gerri (Jim Broadbent and Ruth Sheen) and long and happily married. Their frequent visitor is Mary (Lesley Manville), a unhappy woman with a drinking problem who needs shoring up with their sanity. Mike Leigh's new film is one of his best, placing as he often does recognizable types with embarrassing comic and/or dramatic dilemmas. One of the year's best films. Four stars

"My Dog Tulip" (Unrated, 83 minutes). The story of a man who finds love only once in his life, for 15 perfect years. It is the love of a dog. It may be the only love he is capable of experiencing. This is an animated film combining elating visuals with a virtuoso voice performance by Christopher Plummer. Nor for children. Foe adults who will admire its beauty and profundity. Directed and animated by Paul and Sandra Fierlinger. Four stars

"Inspector Bellamy" (Unrated, 110 minutes). Gerard Depardieu stars as a famous Parisian police inspector who is on holiday when a man tells him, "I committed murder...sort of." Claude Chabrol's final film, written with Depardieu in mind, is inspired in part by Simenon's Inspector Maigret, and follows Bellamy as he unwinds the strange story of the murder, while also, like Simenon, becoming fascinated by side characters, such as Bellamy's troubled half-brother. Marie Bunel is warm and supportive of her husband, and a good confidant during pillow talk about crime. Three and a half stars.

"The Illusionist" (PG, 90 minutes). A magician named Tatischeff fails in one music hall after another, and ends up in Scotland, where a young woman takes care of him and believes in him, even when he's reduced to performing in store windows. An animated film based on the final screenplay of Jacques Tati, and directed by Sylvain Chomet ("The Triplets of Belleville"). Four stars

"Barney's Version" (R, 132 minutes). Paul Giamatti stars as an unremarkable Montreal TV producer who drinks too much, smokes too many cigars, and discards two women in quick divorces before finding at last one far too good for him (Rosamund Pike). Dustin Hoffman has a smallish but particularly good role as his father. Giamatti won the 2011 Golden Globe award as best actor. Three and a half stars

"All Good Things" (R, 101 minutes). David (Ryan Gosling) is the rebellious son of a wealthy Manhattan family that owns sleazy 42nd Street real estate. He marries Katie (Kirsten Dunst), and they move to Vermont to open an organic products store. But his father (Frank Langella) pressures him to return to the family business, and he undergoes alarming changes eventually connected to two murders. Based on one of those true stories Dominick Dunne used to write about in Vanity Fair. Three and a half stars

"Blue Valentine" (R, 120 minutes). Ryan Gosling and Michelle Williams as Dean and Cindy in two seasons of marriage: Six years ago when love was fact, and today, when love proves unable to support the weight of real life. Director Derek Cianfrance closely observes the details as his couple fail to comprehend the larger picture. Dean thinks marriage is the station. Cindy thought it was the train. Three and a half stars

"The King's Speech" (R, 118 minutes). After the death of George V and the abdication of his brother Edward, Prince Albert (Colin Firth) becomes George IV, charged with leading Britain into World War Two. He is afflicted with a torturous stammer, and his wife (Helena Bonham Carter) seeks out an unorthodox speech therapist (Lionel Logue) to treat him. Civilized and fascinating, this is the story of their unlikely relationship. (The R rating, for language, is absurd; this is an ideal film for teenagers.) Four stars

"True Grit" (PG-13, 110 minutes). An entertaining remake of the 1969 film, and more. Jeff Bridges as Rooster Cogburn easily fills John Wayne's boots, and Hailee Steinfeld is very special as young Mattie Ross, who hires the old marshal to help her hunt down the varmit what killed her old man. Not a "Coen Brothers Film," but a flawlessly executed Western in the grand tradition. Strong support from Matt Damon, Josh Brolin and Barry Pepper. Three and a half stars

"Somewhere" (R, 96 minutes). Johnny Marco Stephen Dorff is a movie star. He has access to sex, booze, drugs, but feels no pleasure. He sits in a Los Angeles hotel room, stuck. His 11-year-old daughter (Elle Fanning) comes to stay for a few days, but he clearly has no feeling for fatherhood. He's given an award in Milan but hardly notices in the confusion of strangers around him in a hotel suite. He retreats to the same famous West Hollywood where John Belushi died, which for him might have been a recommendation. Sofia Coppola's film, winner of the Golden Lion at Venice, is a masterpiece of observation of hopelessness. Four stars

"Rabbit Hole" (R, 91 minutes) Becca (Nicole Kidman) and Howie (Aaron Eckhart) are trying their best to get on with things. This is the tricky and very observant story of how a married couple is getting along, eight months after their 4-year-old ran out into the street and was struck dead by a car. They were leveled with grief. Their sex life stopped. They lived for a time in a daze, still surrounded in the house by the possessions of the child who no longer lives there. I know all this sounds like a mournful dirge, but in fact "Rabbit Hole" is entertaining and surprisingly amusing, under the circumstances. Three and a half stars

"Black Swan" (R, 108 minutes). Natalie Portman in a bravura performance as a driven perfectionist, a young ballerina up for a starring role at Lincoln Center. Her life is shadowed by a smothering mother (Barbara Hershey), an autocratic director (Vincent Cassel) and a venomous rival (Mila Kunis) and her deposed predecessor (Winona Ryder). A full-bore melodrama, told with passionate intensity, gloriously and darkly absurd. Directed by Darren Aronofsky. Three and a half stars

"Carlos" (Unrated, 332 minutes). A remarkable portrait of a despicable man, the terrorist Carlos ("the Jackyl"), who from 1975 to 1994 directed a shadowy group of violent militants that dealt in kidnapping and murder. Edgar Ramirez is powerful in the title role, as an egomaniac whose primary cause seems to be himself. With reckless boldness he eludes an international manhunt until finally even his masters grow tired of him. Unflinching, detailed, absorbing. Directed by Olivier Assayas. Three and a half stars

"White Material" (Unrated, 105 minutes). Isabella Huppert plays a French woman in Africa, managing the coffee plantation that was her ex-husband's. War stirs in the land, and she is warned to evacuate. She finds that unthinkable. This is her home, this is her farm, and she will bring in the crop. The movie doesn't sentimentalize or make a political statement; like its heroine, it doesn't have theories. A beautiful, puzzling film; the enigmatic quality of Huppert's impassivity draws us in. Three and a half stars

"I Love You Phillip Morris" (R, 98 minutes) Jim Carrey in the true life story of outrageous con man Steven Russell, who impersonated doctors, lawyers, FBI agents, and corporate executives. He convinced prison officials he had died of AIDS, successfully faked a heart attack, and escaped from jail four times (hint: always on Friday the 13th). Ewan McGregor plays his cellmate Phillip Morris, who Steven falls in love with. Thereafter his life consists of trying to get Steven out of jail, or trying to escape to be with him. Audacious. Jim Carrey's mercurial personality was almost necessary to even make this movie. Three and a half stars

"Hereafter" (PG-13, 129 minutes). Clint Eastwood considers the idea of an afterlife with tenderness, beauty and a gentle tact. Matt Damon stars as a man who believes he has a genuine psychic gift, and suffers for it. Cecile de France is a French newsreader who has a near-death experience. Frankie McLaren is a small boy seeking his dead twin. The stories converge, but in a way that respects the plausible. Not a woo-woo film but about how love makes us need for there to be an afterlife. Four stars

"Made in Deganham" (R, 113 minutes). Delightful serious comedy about the historic 1968 in Ford's British plant that ended its unequal pay for women, and began a global movement. Sally Hawkins plays Rita O'Grady, who caught the public fancy as a strike leader. Bob Hoskins is a sympathetic union organizer, and Miranda Richardson plays Barbara Castle, the minister of labor who unexpectedly sided with the striking women. Three and a half stars

"Monsters" (R, 93 minutes). An American photojournalist (Scoot McNairy) shepherds the daughter of his boss (Whitney Able) north from Mexico though a dangerous Infected Zone occupied by an alien life form. But this isn't a "monster movie," or an exploitation film. It's an uncannily absorbing journey transformed by the fact of Beings who are fundamentally different from any life form we have imagine. Writer-director Gareth Edwards, who also created the special effects, builds toward a climax combining uncommon suspense and uncanny poetry. Three and a half stars

"Unstoppable" (PG-13, 98 minutes) A runaway train hurtles at 70mph, and the movie is as relentless as the train. Denzel Washington and Chris Pine try to stop it, and Rosario Dawson is the hard-driving dispatcher. In terms of sheer craftsmanship, this is a superb film. Directed by Tony Scott. Three and a half stars

"Morning Glory" (PG-13, 110 minutes). Rachel McAdam transforms a conventional plot into a bubbling comedy with her lovable high energy. She plays an ambitious young producer on a last-place network morning news show, who forces a reluctant TV veteran (Harrison Ford) to do the kind of TV he despises. A lot of laughs, including Diane Keaton as Ford's veteran co-anchor, Matt Malloy as a goofy weatherman and Jeff Goldblum as the boss who considers the show dead in the water. Three and a half stars

"127 Hours" (R, 93 minutes). The harrowing true story of James Franco, a rock climber whose arm was pinned to a Utah canyon wall by a boulder. In desperation he amputated his own arm to free himself. James Franco stars in Danny Boyle's film, which is gruesome but not quite too gruesome to watch. It's rather awesome what an entertaining and absorbing film Danny Boyle has made here. Yes, entertaining. Four stars

"Buried" (R, 93 minutes). Paul Conroy (Ryan Reynolds) is a truck driver working for a private contractor in Iraq. He comes to consciousness in blackness. He feels around and finds a lighter. It its flame his worst fears are realized. He has been kidnapped, buried alive, and is a hostage. Taking place entirely within the coffin, this is a superior suspense picture that's ingenious in devising plausible events inside the limited space. Three and a half stars.

"Tamara Drewe" (PG-13, 110 minutes) A mischievous British comedy, set in a rural writer's retreat where egos and libidos are in contention. When a once-homely local girl returns home with newfound fame and an improved nose, all the men perk up with unfortunate results. With Gemma Arterton, Roger Allam, Dominic Cooper, Luke Evans and Tamsin Greig. Directed by Stephen Frears. Delightful. Three and a half star

"The Social Network" (PG-13, 120 minutes). The life and times of Mark Zuckerberg (Jesse Eisenberg), who created Facebook, became a billionaire in his early 20s, and now has 500 million members on the site he created. A fascinating portrait of a brilliant social misfit who intuited a way to involve humankind race in the Kevin Bacon Game. Everybody likes Facebook--it's the site that's all about you. With Justin Timberlake as Sean Parker, the Napster founder who introduced Zuckerberg to the Silicon Valley fast lane, Andrew Garfield as the best friend who gets dumped, and Armie Hammer as the Winklevoss twins, who sued Zuckerberg for stealing their idea. One of the year's best films. Four stars

"Secretariat" (PG, 116 minutes). A great film about greatness, the story of the horse and the no less brave woman who had faith in him. Diane Lane stars as Penny Chenery, who fell in love with Secretariat when he was born, and battled the all-male ring fraternity and her own family to back her faith in the champion. A lovingly crafted film, knowledgeable about racing, with great uplift. Also with John Malkovich, Scott Glenn, James Cromwell, Nelsan Ellis, Dylan Walsh. One of the year's best. Four stars

"Last Train Home" (Unrated, 87 minutes). Begins as a documentary about an annual New Years migration from cities to villages by 180 million Chinese, and focuses on one family; the parents have labored at low factory wages for 15 years to pay for their children's education back home, and now, as their daughter graduates high school, they may find only heartbreak as repayment. Shot over three years, it's one of those extraordinary films, like "Hoop Dreams," that tells a story the makers could not possibly have anticipated in advance. Works like stunning, grieving fiction. One of the year's best. Four stars

"Inside Job" (Unrated, 108 minutes). Exactly how Wall Street thieves eagerly sold bad mortgages, bet against them, and paid themselves millions in bonuses for bankrupting their own companies. And the Street is having another good year at our expense, because Financial Reform is as far away as ever. An angry, devastating documentary. Four stars

"Let Me In" (R, 115 minutes). A well-made retelling of the Swedish "Let the Right One In," which doesn't cheapen the original but respects it and adds some useful events. Owen (Kodi Smit-McPhee) is a bullied, neglected boy, and Abby (Chloe Grace Moretz of "Kick Ass") is the girl who moves into the next apartment and has "been twelve for a very long time." The same cold, dark atmosphere of foreboding, in a doom-laden vampire drama. Not for Team Edward. Three and a half stars

"Scrappers" (Unrated, 90 minutes). A portrait of Otis and Oscar, two self-employed collectors of scrap metal, who troll the alleys in their trucks and vacant lots of Chicago for metals that can be sold. They work hard, they support families, they perform recycling on metals that might end up buried in garbage, and they like the work--its freedom, its independence. But metals dropped from $200 to $300 a ton to $20 with the economic collapse, and now their trade is desperate. See this and you'll never look at a scavenger with the same eyes. Three and a half stars

"Never Let Me Go" (R, 104 minutes). In an alternative time line, test-tube babies are created solely for the purpose of acting as Donors for body parts. Raised in seclusion, they accept their role. Are they really human, after all? In this sensitive, teary adaptation of the Kazuo Ishiguro novel, three of them begin to glimpse the reality of their situation, and its tragedy. With Carey Mulligan, Andrew Garfield, Keira Knightley, Charlotte Rampling, Sally Hawkins. Four stars

"Nowhere Boy" (R, 97 minutes). The Beatles are only distantly on the horizon in this deeply-felt biopic of young John Lennon growing up in Liverpool. He's at the center of a tricky relationship involving his mother, who he didn't know growing up, and his aunt, who raised him. From these years perhaps came and simultaneous elation and sadness of many of his songs. Aaron Johnson as John, Kristin Scott Thomas as his Aunt Mimi, Anne-Marie Duff as his mother Julia. Three and a half stars

"Waiting for Superman" (PG, 102 minutes). The new documentary by Davis Guggenheim ("An Inconvenient Truth") says the American educational system is failing, and dramatizes this failure in a painfully direct way, saying what is wrong, and what is right. He points to existing magnet schools that draw their students by random lottery and virtually guarantee high school graduation and acceptance by a college. He explains why bad teachers who cannot be fired are a national scandal. The film is alarming, fascinating, and in the end hopeful. Three and a half stars

"Easy A" (PG-13, 93 minutes). Funny, star-making role for Emma Stone, as a high school girl nobody notices, until she's too embarrassed to admit she spent the weekend home alone and claims she had sex with a college boy. When word gets around, she uses her undeserved notoriety to play the role to the hilt, even wearing a Scarlet Letter. And she's able to boost the reps of some of her pals by making up reports of their process. Sounds crass. Isn't. Three and a half stars

"The American" (R, 95 minutes). George Clooney is starkly defined as a criminal as obedient and focused as a samurai. He manufactures weapons for specialized jobs. He lives and functions alone. He works for a man who might as well be a master. He used few words. Only his feelings for a prostitute named Clara (Violante Placido) supply an opening to his emotions. Zen in its focus. Four stars.

"Flipped" (PG-13,90 minutes) Juli (Madeleine Carroll) has adored Bryce (Callan McAuliffe) ever since he moved into the neighborhood in the second grade. Bryce has been running away from her ever since. Now they're 14 and they seem to be flipping: he more interested, she less. Rod Reiner's warm human comedy tells their stories by showing the same crucial events from both their points of view. He returns to the time of his "Stand By Me" with the same endearing insights. Rating: Four stars

"Mesrine: Public Enemy No. 1" (R, 133 minutes). Continuation of the brutal life of France's most notorious criminal, who survived a 20-year series of bank robberies, kidnappings, prison breaks and murders. Vincent Cassel makes him brutal, ugly, powerful and inscrutable. Winner of French Oscars for best director and actor. Three and a half stars

"Mesrine: Killer Instinct" (R, 113 minutes) He was a ruthless killer, bank robber, kidnapper and prison break artist--and a self-promoting egomaniac who wrote books some compared to Camus. Vincent Cassel stars in a hard-boiled performance as the French criminal who killed on three continents and was in love with his image. Three and a half stars

"Salt" (PG-13, 100 minutes). A damn fine thriller. It does all the things I can't stand in bad movies, and does them in a good one. Angelina Jolie stars as a CISA agent fighting ingle-handedly to save the world from nuclear destruction. Hardly a second is believable, but so what? Superbly crafted, it's a splendid example of a genre action picture. Directed by Philip Noyce. Four stars

"Inception" (PG-13, 148 minutes). An astonishingly original and inventive thriller starring Leonardo DiCaprio as a men who infiltrates the minds of others to steal secrets. Now he's hired to implant one. Ken Watanabe is a billionaire who wants to place at idea in the mind of his rival (Cillian Murphy). DiCaprio Assembles a team (Joseph Gordon-Levitt, Tom Hardy, Ellen Page) to assist him, in a dazzling achievement that rises above the thriller level and enters the realm of mind control--in the plot, and in the audience. Written and directed by Christopher Nolan ("Memento," "The Dark Knight"). Four stars

"The Kids are All Right" (R, 104 minutes). A sweet and civilized comedy, quietly satirical, about a lesbian couple, their children, and the father the kids share via sperm donation. When they meet him, they like him, he likes them, and their moms are not so sure. What happens is calmly funny, sometimes fraught, and very human. With pitch-perfect performances by Julianne Moore and Annette Bening as the moms, Mark Ruffalo as the dad, and Mia Wasikowska and Josh Hutcherson as the 20-something children. Directed by Lisa Cholodenko. Three and a half stars

"The Girl Who Played with Fire" (R, 129 minutes). Noomi Rapace, electrifying in last year's "The Girl with the Dragon Tattoo," returns for the second film drawn from Stieg Larsson's Millennium Trilogy. Once again she's following the same crimes as journalist Mikael Blomkvist (Michael Nyqvist), but they don't meet until late in the game as a murder trail leads to old family secrets. Well constructed, good cast, not quite up to the "Dragon" standard. Three and a half stars

"Restrepo" (R, 94 minutes). A documentary shot during the 15 months an American company fought under almost daily fire in Afghanistan's Korangal Valley, described as "the most dangerous place on earth." The Taliban is a constant presence; the Americans take fire three, four, five times a day; they establish the strategic Outpost Restrepo, named for the first of their number to die, and it seems to turn the tide in the Valley. The 15-month tour is hard duty, and our admiration grows for these men. The film is non-political; the men are fighting above all to simple survive. Four stars

"9500 Liberty" (Unrated, 80 minutes). A law similar to Arizona's controversial recent measure was passed and briefly enforced a few years ago in Virginia's Prince William County, and what happened there may be instructive. This documentary shows the rise and fall of a movement led by a right-wing blogger, and the groundswell of opposition (including many whites and Republicans) that ended it. The cost of the law in higher taxes, exposure to lawsuits and the city's image was startling. The doc shows the rise and fall of the county law, and centers on the American tradition of citizens speaking out in town hall meetings. Three and a half stars

"A Small Act" (Unrated, 98 minutes). A documentary about a Kenyan boy named Chris Mburu who grew up in a mud house, graduated from Harvard Law School, and is today a United Nations Human Rights Commissioner. His education was made possible by a $15-a-month gift from Hilde Back, a Swedish schoolteacher whose parents were Holocaust victims. Mburu started a foundation in her honor to grant more scholarships, and in the film they meet and she is honored by his village. To call it "Heartwarming" would be an understatement. Three and a half stars

"Cell 211" (Unrated, 111 minutes). Very effective thriller about a man's attempt to save his life by thinking quickly. A new prison guard, being given a tour, is left behind when a riot breaks out. Pretending to be a new prisoner, he improvises well enough to become a de facto leader of the riot, and develops a subtle relationship with the rock-hard leader of the prisoners. Winner of eight Goya awards, the Spanish Oscars, this year, including Best Picture. Three and a half stars

"I am Love" (R, 120 minutes). A sensuous and fascinating story about a modern family of Italian aristocrats. Tilda Swinton plays a Russian who has married the oldest son, learns her husband and their son will take over the family textile business, then suddenly finds herself in the middle of an unexpected affair. Masterfully direct by Luca Guadagnino. One of the year's best. Four stars

"Cyrus" (R, 91 minutes). Two lonely people (John C. Reilly and Marisa Tomei) meet at a party and like each other. She has a 20ish son (Jonah Hill) who welcomes Reilly to their home and invites him to stay for dinner. But a comedy of social embarrassment develops when it becomes clear that the son is jealous and possessive of his mother, and perhaps to physically familiar with her. No, it's not incest; let's call it inappropriate behavior that his mom doesn't seem to discourage. Reilly is caught in an awkward position, which the film simply regards, leaving us to wince in a fascinated way. Three and a half stars

"Winter's Bone" (R, 99 minutes). Jennifer Lawrence is brilliant as a 17-year-old girl who father has skipped bail and left his family threatened with homelessness. In a dirt poor area of the Ozarks, she goes seeking him among people who are suspicious, dangerous and in despair. Winner of the Grand Jury prize at Sundance 2010 and the screenwriting award, this film by Debra Granik is one of the year's best. Four stars

"Joan Rivers: A Piece of Work" (R, 84 minutes). Rivers was 75 in this film, and never tires of reminding us of that fact. She remains one of the funniest, dirtiest, most daring and transgressive of standup comics, and she hasn't missed a beat. The doc follows her for a year as she relentlessly pursues the career that her daughter, Melissa, says was like having another sister. She violates her own privacy, speaks from the heart, does not know tact, and makes us laugh a lot. If you've only seen Rivers on TV, you ain't seen nothing' yet. Three and a half stars

"The Karate Kid" (PG, 126 minutes). Faithfully follows the plot of the 1984 classic, but stands on its own feet and takes advantage of beg shot on location in China. Jackie Chan dials down convincingly as the quiet old janitor with hidden talents, and Jaden Smith (son of Will and Jada Pinkett Smith) holds the screen with glowing charisma. The obligatory final fight climax is unusually well-handled. Three and a half stars

"Solitary Man" (R, 99 minutes). Michael Douglas in one of his best performances, as a once rich and famous car dealer, now in hard times but still tireless as closing the hardest sell of all--himself. He's a seducer, a cheater, a user, but running outgo of options, in a smart comedy/drama with an excellent supporting cast including Jesse Eisenberg, Jenna Fischer, Danny DeVito and Susan Sarandon. Three and a half stars

"Please Give" (R, 91 minutes). Catherine Keener and Oliver Platt play a Manhattan couple who have a daughter and run an antique store and live next to a mean-tempered old lady (Ann Morgan Guilbert) . When she dies, they can buy her apartment. The old lady has two granddaughters, played by Rebecca Hall and Amanda Peet. When the couple invites everyone over for dinner, events are set in motion that are true, funny, and ruefully observant. Writer-director Nicole Holofcener is so perceptive about women whose lives are not defined by men; that's rare in the movies. Three and a half stars

"Death at a Funeral" (R, 92 minutes). The best comedy since "The Hangover." A big family home is the setting for a funeral that's just one damn thing after another. Remake of a 2007 Brit comedy, but a lot funnier. All-star cast includes Chris Rock, Martin Lawrence, James Marsden, Peter Dinklage, Loretta Devine, Regina Hall, Zoe Saldana, Tracy Morgan, Luke Wilson and on and on. Three and a half stars.

"Home" (Unrated, 98 minutes) A family live in a small home in the middle of vast fields and next to the highway, which hasn't been used for ten years. Then big trucks arrive to lay down a fresh coating of asphalt, and the arrival of traffic puts unbearable pressure on a family that seems a little strange from the first. With Isabelle Huppert and Olivier Gourmet. 2008 winner of the Swiss Film Prize. Three and a half stars.

"Date Night" (PG-13, 88 minutes) Steve Carell and Tina Fey play a perfectly nice married couple from New Jersey who simply want to have a great night out together in Manhattan. Mistaken for another couple, they're spun into a nightmare involving a mob boss and an unpaid debt. Funny, because they seem halfway plausible. With Ray Liotta, Mark Wahlberg, James Franco. Directed by Shawn Levy ("Night at the Museum"). Three and a half stars

"Greenberg" (R, 107 minutes). Ben Stiller in one of his best performances as a chronic malcontent who returns to L.A. to house-sit, nurture his misery, and reconnect with people who quite rightly resent him. With Greta Gerwig as an aimless but pleasant young college graduate who feels sorry for him, and Rhys Ifans and Jennifer Jason Leigh as survivors of his troublesome past. Directed by Noah Baumbach, of "The Squid and the Whale." Three and a half stars.

"Vincere" (Unrated, 128 minutes) The long-suppressed story of Mussolini's early mistress, who bore him a son and then was pushed into the shadows after he made a respectable marriage. She obsessively follows him, confronts him with their child in public, and is finally locked away by the fascists in an asylum. Giovanna Mezzogiorno's performance as Ida, the mistress, reminds me of Sophia Loren in the way she combines passion with dignity. Directed by the legendary Marco Bellocchio. Three and a half stars

"Leaves of Grass" (R, 105 minutes). Edward Norton plays a dual role as brothers: One a professor of philosophy at Brown, the other still back home in Little Dixie, Oklahoma, growing the best marijuana in the state. He may be the better philosopher. With Susan Sarandon as their mother, and Richard Dreyfuss as the state's drug kingpin. Norton gives two inspired and entirely different performances. Written and directed by Tim Blake Nelson, who also plays the best friend. One of the best films of 2010. Four stars

"45365" (Unrated, 90 minutes). An achingly beautiful portrait of small town America. The title is the zip code of Sidney, Ohio, and brothers Bill and Turner Ross grew up there and spent seven months on 2007 creating this portrait in sound and images of ordinary people, mostly nice, living their lives. No obvious structure, no message, just an appreciation of daily life that becomes haunting in its poetry. Winner of the Truer than Fiction Award at the 2010 Independent Spirits. Four stars (3/27/10)

"Mother" (R, 128 minutes). A mentally-deficient 27-year-old seems almost certainly guilty of murder. His mother, who has protected him all his life, is determined to prove his innocence. She is a remorseless force of nature, in a South Korean thriller that moves far beyond our expectations, into labyrinths deeper than reality. Written and diffracted by Bong Joon-ho ("The Host"). Three and a half stars

"Chloe" (Unrated, 96 minutes). A woman doctor (Julianne Moore) suspects her husband (Liam Neeson) of cheating, and hires a young call girl (Amanda Seyfried) to test how he might respond. She is fascinated by the girl's reports. Her jealousy shifts into curiosity. And the call girl? What's in this for her? Egoyan weaves a deceptive erotic web. Three and a half stars

"Waking Sleeping Beauty" (PG, 86 minutes). A privileged inside look at the Disney animation studio from 1984 to 1994, a golden age that essentially recreated feature animation in the form we know it now. From "The Little Mermaid" to "The Lion King," interviews, archives, home movies and interviews recreate a time of creative turmoil and backstage rivalries. It was the best of times, it was the worst of times. Three and a half stars.

"The Girl with the Dragon Tattoo" (Unrated, for adults, 148 minutes). Compelling thriller with a heroine more fascinating than the story. She's Lisbeth (Noomi Rapace), a 24-year-old Goth girl with body piercings and tattoos: thin, small, fierce, damaged, a genius computer hacker. She teams up with a taciturn Swedish investigator to end a serial killer's 40 years of evil. Based on the international best-seller. Intense and involving. The planned Hollywood remake will probably have to be toned down. Four stars.

"Diary of a Wimpy Kid" (PG, 92 minutes). Nimble, bright and funny comedy about the hero's first year of middle school. Zachary Gordon stars as the uncertain newcomer, and Robert Capron is his pudgy best pal, who still acts like a kid. Chloe Grace Moretz sparkles as the only student who's nice to them, and the movie amusingly remembers the tortures of early adolescence. Based on the books by Jeff Kinney. Three and a half stars.

"The Green Zone" (R, 114 minutes) Matt Damon and his two-time "Bourne" director Paul Greengrass team up for a first-rate thriller set early in the war in Iraq. Damon's chief warrant officer finds that U.S. intelligence is worthless, and his complaints lead him to discover the secret conspiracy intended to justify the American invasion. Greg Kinnear is the deceptive U.S. intelligence puppet-master, Brendan Gleeson is a grizzled old CIA hand whose agency has always doubted the stories sabot Saddam's WMD, and Amy Ryan plays a newspaper reporter who served Kinnear as a pipeline. Four stars.

"A Prophet" (R, 154 minutes). An unformed young man is imprisoned, and behind bars he terrifyingly comes of age. A remorseless consideration of the birth of a killer. With Tahar Rahim as the clueless young prisoner and Niels Arestrup as the powerful boss of the gang controlling the prison. Swept the 2010 Cesar awards ("the French Oscars"), won the Grand Jury Prize at Cannes 2009, a 2010 Oscar nominee for best foreign film. Directed by Jacques Audiard. Four stars

"The Ghost Writer" (PG-13, 124 minutes). In Roman Polanski's thriller, a man without a past rattles around in the life of a man with too much of one. Ewan McGregor plays a ghost writer hired by a former British prime minister (Pierce Brosnan), whose previous ghost has mysterious drowned. In a rain-swept house on Martha's Vineyard, McGregor meets the PM's wife (Olivia Williams) and his assistant/mistress (Kim Cattrall), as an international controversy swirls. A splendidly acted and crafted immersive story. Four stars

"Red Riding Trilogy" (Unrated, for adults, 302 minutes). An immersive experience based on the infamous Yorkshire Ripper killings and the subsequent revelations about deep corruption in the Yorkshire Police Departments. Brilliantly cast, filmed in segments each offering a distinctive look and feel, beginning with a serial killer and then tangling the investigation with deep-seated local corruption. Not so much about what happens objectively as about its surrounding miasma of greed and evil. Four stars

"The Art of the Steal" (Unrated, 101 minutes). The most valuable collection of modern and impression art in the rod, valued at $250 billion, was intended by its rich collector, Dr. Albert C. Barnes, to reside forever in the Barnes Foundation in suburban Philadelphia. He hired the best lawyers to draw up an iron-clad will to assure that would happen after his death. He specified it not go to the Philadelphia Museum of Art, which he felt had scorned him and his collection. This absorbing documentary tells the story of how and why his art is in that museum today, the film calls it the "art theft of the century." Three and a half stars

"Shutter Island" (R, 135 minutes). Leonardo Di Caprio and Mark Ruffalo are U.S. Marshals called to a forbidding island in Boston bay, the home of an old Civil War fort now used as a prison for the criminally insane. A child murderer has escaped her cell. Martin Scorsese relentlessly blends music, visuals, special effects and all of film noir tradition into an elegant horror film as fragmented as a nightmare. If you're blind-sided by the ending, ask yourself: How should it have ended? How could it have? Three and a half stars

"Fish Tank" (Unrated, adults, 123 minutes). The harrowing portrait of a 15-year-old girl on a reckless path toward self-destruction. Her mother, only about 30, is a drunken slut and she seems on the same path. Covers a few days of fraught experiences with sex and anger. Superbly acted by newcomer Katie Jarvis. Winner of the Jury Prize at Cannes 2009. Directed by Andrea Arnold. Four stars.

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#21 July 28, 2010

Attention Ebert Club Members and fellow would-be chefs....drum roll... Marie writes: At long last, the highly anticipated "The Pot and How to Use it" is set for release! Containing numerous and surprisingly varied recipes for electric rice cookers, it is much more than a cookbook. Originating from Roger's 2008 Nov. blog entry, it includes readers' comments and recipes along side the Grand Poobah's own discerning insights and observations on why and how we cook. 128 pages, paperback format. Sept 21, 2010 release date. Available now for pre-order at Amazon at a discount.

(Click image to enlarge)Chaz visits Roger in the kitchen as he demonstrates the correct way to use the Pot. First, and this is very important; you need to remove the lid... :-)

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Zoom, zoom

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Few movie mannerisms annoy me as much as the gratuitous zoom, which modish hack directors have been using since the 1960s to underline and over-punctuate their shots. For a number of years (particularly in the late '60s to mid-'70s), the ubiquitous zoom, having no correlative to any function of the human eye, was most often deployed as a cheap substitute for actual camera movement. And yet, in the hands of, say, certain French New Wave filmmakers, the zoom could feel refreshingly free and spontaneous, like guerilla documentary footage. Or it could signify varying degrees of counter-cultural psychedelic grooviness, from "Laugh-In" to "Easy Rider" to... "Austin Powers." (Meanwhile, directors such as Altman and Kubrick have been known to use the zoom's telephoto properties with purpose and intelligence -- though the former used it to open up the frame and the latter to lock it down.)

Any device can be used or misused, but not even such egregious clichés as the now-ubiquitous snatch-and-grab and shaky-cam techniques, or the endlessly circling twirly cam, irritate me as much as the wanton zoom. Which is why I found this passage from Glen Kenny's piece on the Duplass's movie "Cyrus" to be both amusing and gratifying. (It doesn't matter if you or I have seen "Cyrus," or how zooms are used in that film; it's the precision of Kenny's bullshit-detector argument that I appreciate.) He observes:

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Of the feel of theaters and audiences, and eight films from Sundance

I saw my final film of Sundance 2010 here in Chicago. It was my best Sundance experience, and I want to tell you why. The film was "Jack Goes Boating," the directorial debut of Philip Seymour Hoffman. It played here in the Music Box, as part of the "Sundance USA" outreach program, which has enlisted eight art theaters around the country to play Sundance entries while the festival is still underway.

The Music Box is the largest surviving first run movie palace in Chicago. It is deeper than it is wide, and has an arching ceiling where illusory clouds float and stars twinkle. Many shows are preceded by music on the organ.

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Here's an intriguing Credit Cookie idea for the end of 'Charlie Wilson's War'

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Q. You said the final image of "The Assassination of Jessie James" was a Credit Cookie of the last shot of "The Great Train Robbery," with the cowboy firing his gun at the audience. That gave me an idea for a post-credits final image for "Charlie Wilson's War." As the film implies at the end, the aid to Afghanistan had an eventual blow-back, helping fuel the creation of our enemy Al-Qaeda. How about an Afghan fighter firing rockets at Russian planes, then turning his weapon on the camera and firing right at the audience. Rhys Southan, Richardson, Texas

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4 for Friday: Ricky Bobby, Descent, Miss Sunshine, Night Listener

View image: Cal Naughton, Jr. and Ricky Bobby drink beers and talk about peanut butter and ladies.

I've got reviews of four new releases on RogerEbert.com this week, and all the movies are actually pretty good (or even better) for a change!

"The Descent" -- the scariest and most cinematically adept horror-thriller in years. (Don't look it up, don't watch the TV spots or the trailer -- just go. Now. Read reviews later.)

"Talladega Nights: The Ballad of Ricky Bobby" -- Will Ferrell and John C. Reilly as NASCAR drivers. Did you laugh at that title? Then you'll probably laugh at the movie.

"Little Miss Sunshine" -- Steve Carrell, Toni Collette, Greg Kinnear, Alan Arkin. What more do you need to know? (Except, maybe, why they'd open a comedy with Carrell and Kinnear opposite a Will Ferrell comedy, in which Carrell was also offered a role but had to pass for scheduling reasons.)

"The Night Listener" -- a Hitchockian thriller, based on a novel by Armistead Maupin, also starring Toni Collette, and a performance by Robin Williams that is not only watchable but relatively nuanced. Who'da thunk it?

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