Olivier Assayas Movie Reviews
Blog Posts That Mention Olivier Assayas
Olivier Assayas, Alicia Vikander Are Having a Blast in HBO’s Irma Vep
Brian Tallerico
Olivier Assayas on Non-Fiction, Working with Juliette Binoche, Streaming vs. Theatrical and More
Tomris Laffly
Unlimited Potential: Olivier Assayas on “Personal Shopper”
Matt Fagerholm
Cannes, Day Ten: Olivier Assayas’ “Clouds of Sils Maria”
Barbara Scharres
CIFF 2018: Transit, Non-Fiction
Brian Tallerico
TIFF 2018: A Faithful Man, Non-Fiction
Vikram Murthi
Venice Film Festival 2018: Suspiria, Peterloo, The Ballad of Buster Scruggs, Non-Fiction
Glenn Kenny
Thumbnails 7/20/18
Matt Fagerholm
Cannes 2016: “Personal Shopper,” “Loving”
Barbara Scharres
recent Two Thumbs Up® reviews
Roger Ebert
LA & NY crix love The Social Network and Carlos
Jim Emerson
Nothing is real(ism), and nothing to get hung about
Jim Emerson
And the Muriel™ for the Oscar™ for Best Picture goes to…
Jim Emerson
National Society: The last best critics awards for 2010
Jim Emerson
A Preview of the 2025 Rendez-Vous with French Cinema
Peter Sobczynski
Cannes 2024: The Substance, Visiting Hours
Ben Kenigsberg
Criterion Celebrates the Films That Forever Shifted Our Perception of Kristen Stewart
Tim Grierson
10 Films We Can’t Wait to See at Berlin 2024
Robert Daniels
The 25 Best TV Series of 2022
The Editors
NYFF 2022: Return to Seoul, She Said, Exterior Night
Scout Tafoya
From Kristen Stewart to Benedict Cumberbatch: Tribute Highlights from the Santa Barbara International Film Festival 2022
Donald Liebenson
KVIFF 2021: The Worst Person in the World and a Conversation with Radu Jude
Scout Tafoya
Home Entertainment Guide: May 2021
Brian Tallerico
Book Excerpt: In Their Own Words: Fiction Directors by Alex Heeney
The Editors
The 4-Star Films of 2019
The Editors
Seventh Row Publishes Beyond Empowertainment, a Critical Study of Feminism in Horror
The Editors
TIFF 2019: Harriet, Wasp Network, Guns Akimbo
Robert Daniels
45 Movies to see at the 54th Chicago International Film Festival
Peter Sobczynski
CIFF 2018: Preview of the 54th Chicago International Film Festival
Nick Allen
TIFF 2018: Claire Denis Brings High Life to Toronto, Accepts Ebert Tribute
Brian Tallerico
Believing in Ingmar Bergman’s Cinema
Patrick Z. McGavin
The Individual Top Tens of 2017
The Editors
The Ten Best Films of 2017
The Editors
Home Entertainment Consumer Guide: November 2, 2017
Brian Tallerico
Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”
Sheila O'Malley
Bright Wall/Dark Room June 2017: “Of Meat & Mediums” by Kelsey Ford
The Editors
Cannes 2017: “Based on a True Story”
Barbara Scharres
Replicating the Ambiguity of Life: Cristian Mungiu on “Graduation”
Matt Fagerholm
Non-Stop Action, Festival Favorites and More: A Winter 2017 Film Preview
Nick Allen
TIFF 2016: Cannes Hits Come to Toronto
Brian Tallerico
TIFF 2016: “Lion,” “Mean Dreams,” “Planetarium,” “Norman”
Tina Hassannia
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
Brian Tallerico
Feel It All: Drake Doremus on “Equals”
Nick Allen
Home Entertainment Consumer Guide: July 7, 2016
Brian Tallerico
Thumbnails 5/24/16
Matt Fagerholm
Ken Loach’s “I, Daniel Blake” wins Palme d’Or at Cannes 2016
Ben Kenigsberg
Cannes 2016: “Graduation,” “The Neon Demon”
Barbara Scharres
Cannes 2016: Alterna-Cannes 2016 and Pablo Larrain’s “Neruda”
Ben Kenigsberg
Cannes 2016: Festival Preview
Barbara Scharres
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Steve Erickson
Alliance of Women Film Journalists Announce 2015 EDA Winners
Chaz Ebert
A Living Cinematic Organism: Stephen Cone on “Henry Gamble’s Birthday Party”
Sheila O'Malley
The Best Performances of 2015
The Editors
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
Patrick Z. McGavin
TIFF 2015: “Our Last Tango,” “Hitchcock/Truffaut,” “Miss Sharon Jones!”
Tina Hassannia
Telluride 2015: “Hitchcock/Truffaut”
Nick Allen
Home Entertainment Consumer Guide: July 23, 2015
Brian Tallerico
Love and Art: A Discussion with Mia Hansen-Løve
Patrick Z. McGavin
Thumbnails 4/24/15
Matt Fagerholm
The Moral Unknown: “L’avventura” as Influential Text on “Clouds of Sils Maria” & “About Elly”
Patrick Z. McGavin
Home Entertainment Consumer Guide: December 5, 2014
Brian Tallerico
Thumbnails 11/7/14
Matt Fagerholm
NYFF 2014: My Favorite Year
The Editors
CIFF 2014 Tribute: Isabelle Huppert
Peter Sobczynski
2014 Chicago International Film Festival Preview
Peter Sobczynski
NYFF 2014: “Eden,” “Horse Money” Use Fest to Build Stateside Buzz
Godfrey Cheshire
TIFF 2014: Notes From Odie’s TIFF Diary
Odie Henderson
TIFF 2014: Traveling in a Darkened Theater
Brian Tallerico
Chloë Grace Moretz, Gayle Forman and Jamie Blackley on “If I Stay”
Matt Fagerholm
Cannes 2014: a debate
The Editors
Cannes Wrap-Up: All of Our 2014 Coverage
The Editors
Blu-ray Consumer Guide: May 2014
Glenn Kenny
Cannes 2014 Coverage: Table of Contents
The Editors
Cannes 2014 Preview: Legendary Directors Lead Impressive Festival Line-up
Barbara Scharres
Top Ten Lists of 2013 From Our Contributors
The Editors
True love and self-destruction: Early Fassbinder on DVD
Steve Erickson
Fresh blood: Three Great Directors of Direct-to-Video Action
Steve Erickson
The Best Films of 2010
Roger Ebert
“Hurt Locker” wins 3 big ones from the major critics’ group
Roger Ebert
NY Crix add kudos to ‘Hurt Locker’
Roger Ebert
The best movies of 2006
Roger Ebert
Shadows on the screen: The angel and the devil
Barbara Scharres
And the Palme d’Whiskers goes to…
Barbara Scharres
“Midnight in Paris” but Cannes has just begun
Barbara Scharres
Top secret leakage from my 2010 Muriels ballot!
Jim Emerson
Scanners’ Exploding Head Awards 2010
Jim Emerson
Jim’s favorite movies of 2009: The movie
Jim Emerson
More film polls: Top 150 of Decade, Top 160 of 2009…
Jim Emerson
Mad Men in Tomorrowland: “Things aren’t perfect.”
Jim Emerson
The best feature films of 2010
Roger Ebert
The best foreign films of 2009
Roger Ebert
CIFF 2012 puts the ‘Chicago’ in film fest
Roger Ebert
Moore takes top award for ‘Fahrenheit 9/11’
Roger Ebert
The business of controversy
Roger Ebert
Fest ends with the best
Roger Ebert
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