Where Were You When the Lights Went Out?
From a screenplay by
Freeman
Freeman Movie Reviews
Blog Posts That Mention Freeman
The Glorious Year of Morgan Freeman
The Way Morgan Freeman was
Fest gives nod to power of Freeman
Morgan Freeman: “Which me?”
Morgan Freeman Finds Redemption in Professionalism
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
Intro to Our Juneteenth Edition of Black Writers Week 2025
The CW’s “Sherlock & Daughter” Appears to be Made for No One
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
2025 Sundance Film Festival Announces Ambitious Program
Prime Video’s “Cross” Adaptation is Killer
Black Harvest Film Festival 2024 Preview
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
Robert Daniels & Odie Henderson Talk Wild Wild West at 25
Phil Lord and Chris Miller Made the Multiplex Safe for ‘The Fall Guy’
Speed Kills: On the 25th Anniversary of Go
The Scene That Clint Eastwood Cut to Make Unforgiven a Classic
SXSW Film Festival 2024: Babes, My Dead Friend Zoe, Y2K
2023: The Year of the Teacher
Saltburn and Subverting the Passing Narrative
Noir City Returns to the Music Box in Chicago
Taylor Sheridan Stretches Himself Beyond Mission Parameters with Special Ops: Lioness
Marvel’s Secret Invasion Continues the Franchise’s Dull Slate
The Righteous Gemstones Treads Familiar Ground in Season Three
A Road Paved with Bloodshed: High Plains Drifter Turns 50
Hulu Adds Tawdry Steam to Their Scandal-Lite Series Reasonable Doubt
Mr. Soul! Wins 2022 Peabody Award
Home Entertainment Guide: April 2022
Meet the Guests of Ebertfest 2022
Peacock’s Bel-Air Fights to Take the TV Throne
The Righteous Gemstones Returns with Funny, Clever Second Season
CIFF 2021: Oscar Micheaux—The Superhero of Black Cinema, Punch 9 for Harold Washington, Love Charlie: The Rise and Fall of Chef Charlie Trotter
Escape Pod: Death, the Universe, and Everything by Sherin Nicole
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Star Trek Universe Expands with the Slight Lower Decks
SDCC 2020: Star Trek Universe Expands to Lower Decks
Cast Separates FX’s Breeders From the Pack
Creators of Modern Sherlock Bring Dracula to Life on Netflix
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
John Witherspoon: 1942-2019
Danny McBride Returns to HBO with Uneven The Righteous Gemstones
BAMCinemaFest 2019 Preview and Highlights
Rock and Roll Me: On Andrea Riseborough’s Spellbinding 2018 Performances
Melancholy Optimist: Paweł Pawlikowski on Cold War
Tom Wolfe: 1931-2018
Tribeca 2018: The Seagull, Dead Women Walking, Cargo
R. Lee Ermey: 1944-2018
Preview of the 21st Chicago European Union Film Festival
Short Films in Focus: No Other Way to Say It
Dreams of Africa: The Fantasy Politics of Black Panther
When Is a Superhero Movie Not Just a Movie? When it is Black Panther.
“A Wrinkle in Time,” “Mary Poppins Returns,” “Star Wars: The Last Jedi” and More at D23 Expo 2017
Cannes 2017: “Claire’s Camera,” “Filmworker,” “Unforgiven”
2017 Gracie Award Winners to Be Honored on June 6th
Non-Stop Action, Festival Favorites and More: A Winter 2017 Film Preview
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Distance to Greatness: “Ben-Hur” 2016 vs. “Ben-Hur” 1959
Islam in Western Cinema, Part 4 – The Journey through American Islam
A Sneak Peek at Noir City: Chicago 8
The Magic Touch: Dave Franco on “Now You See Me 2”
The “Shawshank” Greatness, Part II
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2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Roger’s Favorites: Denzel Washington
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Patty Duke: 1946-2016
#OscarsSoWhite and Extending Diversity
FX’s “Fargo” Maintains High Quality in Second Chapter
Fantasia Fest’s Frontières market is trying to change how genre films get made
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The enemies within the work of Andrew Niccol
Blythe Danner on “I’ll See You in My Dreams”
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2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Home Entertainment Consumer Guide: January 21, 2014
The Ten Best TV Programs of 2014
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Interview: Benedict Cumberbatch on “Penguins of Madagascar”
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Home Entertainment Consumer Guide: September 25, 2014
TIFF Interview: Kevin Kline on “My Old Lady”
TIFF 2014, Day Four: “Men, Women & Children,” “Ruth & Alex,” “Boychoir”
Ebertfest Receives Grant From the HFPA
If I Had An Emmy Ballot 2014
FX’s “Fargo” Has Creative Spark of Coen Classic
The Art of the Confident TV Protagonist: “Sherlock”, “Rake”, and “The Following”
New York Film Critics Circle and National Board of Review Start the Oscar Race
Dismantling Dignity: On “12 Years a Slave”
