One never senses judgment from Dano, Kazan, Gyllenhaal, or Mulligan—they recognize that there’s beauty even in the mistakes we make in life. It’s what makes…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A dispatch from the 2018 Karlovy Vary International Film Festival, covering the opening night ceremony and Olmo Omerzu's "Winter Flies."
A tribute to the late Oscar-winning filmmaker, Milos Forman.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
A countdown of our most anticipated films coming this winter.
An essay about "Moonrise Kingdom" and childhood from the May 2017 edition of online magazine, Bright Wall/Dark Room.
A preview of dozens of films coming out this summer.
A report from SXSW 2016 on the latest from Ti West, Keegan-Michael Key & Jordan Peele, John Michael McDonagh and more.
The latest and greatest on Blu-ray/DVD and streaming services, including "About Elly," "Furious 7," "Love & Mercy," "Moonrise Kingdom" and more!
Amy Winehouse's "Frank"; "Mr. Robot" is the spiritual successor of "Fight Club"; "Pride and Prejudice and Zombies" director Burr Steers; Uncertain future of film criticism; Joe Gibbons goes to prison.
Oscar predictions and a commentary on the general state of disappointed malaise that seems to overtake Oscar bloggers this time of year.
The official nominees along with some fun facts about this year's crop.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Lists from our critics and contributors on the best of 2014.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
A piece on the first wave of critics groups awards and some predictions for SAG and the Golden Globe nominees.
"Mahogany," Diana Ross and me; Nathan Rabin on John Green; Hidden plight of child grooms; 10 tips on turning your short film into a feature; Variety critics list best festival films of 2014.
"True Detective" finale; coverage of the True/False film festival; the case against Wes Anderson; a case for Wes Anderson; inside the mind of a psychopath
Wes Anderson talks about the sources behind "The Grand Budapest Hotel", dining with his cast every night on location, and the comic gifts of Ralph Fiennes.
"The Wes Anderson Collection" video essay series finishes with a look at the director's 2012 hit "Moonrise Kingdom," the tale of a young love that throws a small community into turmoil.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
When Jeremy Irons won an Oscar for his icy but humorous performance in "Reversal of Fortune" (1990), he thanked David Cronenberg at the end of his acceptance speech. He had a very good reason; in Cronenberg's unforgettable medical drama "Dead Ringers" (1988), he gave a stunning performance, or a pair of stunning performances, as the peculiar but prodigious twin gynecologists who are threatened by real emotions and then plunged into the self-destructive chaos where the only exit for them may be becoming one again, as they were conceived at first in their mother's womb.
Marie writes: Not everything is what is seems...(Click images to enlarge.)