The Deep Blue Sea
Written by
Davies
Davies Movie Reviews
Blog Posts That Mention Davies
A Closing Prayer: Terence Davies (1945-2023)
A Search For Redemption: Terence Davies on Benediction
A Heroic Achievement: Terence Davies on “A Quiet Passion”
TIFF 2015 Interview: Terence Davies on “Sunset Song”
A Single Consciousness: The Cinema of Terence Davies
Costing No Less Than Heaven: Terence Davies’ “The Long Day Closes”
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025 Video #8: Award Winners
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Cannes 2025: My Father’s Shadow, Enzo, Dalloway
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
New York International Children’s Film Festival Highlights Original Work From Around the World
Keira Knightley and Ben Whishaw Shine in Netflix’s Thrilling “Black Doves”
Cannes 2024: Christmas Eve in Miller’s Point, Eephus, To A Land Unknown
Doctor Who Travels to Disney+ For a Lavish, Fun New Regeneration
SXSW 2024: Diane Warren: Relentless, Thank You Goodnight: The Bon Jovi Story, Omar and Cedric: If This Ever Gets Weird, Preconceived
Female Filmmakers in Focus: Rose Glass on Love Lies Bleeding
A (Not So) Brief History of Silent Film Influences on Pop Music
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Welcome to Chicago, Michał Oleszczyk!
A Final Goodbye: Tributes to Some of the People We Lost in 2023
Artists We Spoke to in 2023: Some of Our Favorite Interviews
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
Everything Is Fate: Julian Sands (1958-2023)
Cannes 2023: Indiana Jones and the Dial of Destiny
Book Excerpt: Scout Tafoya’s But God Made Him a Poet: Watching John Ford in the 21st Century
The Great Performances of 2022
A Frequency: Tilda Swinton and Joanna Hogg on The Eternal Daughter
Peacock’s The Calling Clumsily Adds Faith to the Cop Drama
Meaningless Returns Jon Brion, Hollywood’s Ultimate Collaborator, To the Spotlight
The 2022 Chicago Critics Film Festival Welcomes Major Chicago Premieres
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
TIFF 2021: Benediction, The Forgiven, The Humans
TIFF 2021 Preview: 20 Films We Can’t Wait to See
Bright Wall/Dark Room July 2021: You Were Frameable: American Gigolo and Richard Gere’s Mirrored Sex Appeal by Elizabeth Cantwell
Showtime’s The End Feels Like It Never Will
Don’t Leave A Stranger: Nicole Riegel and Jessica Barden on Holler
My Mother’s Stories: Michael Koresky on Films of Endearment
SXSW 2021: The Feast, Paul Dood’s Deadly Lunch Break, Witch Hunt
David Fincher’s Mank Leads 93rd Oscar Nominees with 10
HBO’s It’s a Sin is a Radiant Coming-of-Age Story in a Dark Period
Unearthing Skeletons: John Carpenter on Lost Themes III and Scoring Halloween
After Kane, Before Mank: Revisiting RKO 281
The Great Performances of 2020
The Best Television of 2020
Mira Nair’s Charming A Suitable Boy Miniseries Will Transport You
The 2020 Frontrunners For Best Actress and Best Supporting Actress
Billie Piper’s I Hate Suzie is Relentlessly Brilliant
HBO’s Years and Years is Fascinating Vision of the Future
Christopher Abbott Shines in Hulu’s Messy Catch-22 Adaptation
A Rich and Varied World: Highlights of the San Francisco Silent Film Festival
30 Minutes On: “Beautiful Boy”
Seventh Row Releases Fantastic E-Book on Lynne Ramsay’s You Were Never Really Here
Mourn the Living: Felix Van Groeningen on Beautiful Boy
NYFF 2018: Ray & Liz, Asako I & II, Hotel by the River
Celebrating Michael Kutza: Founder of Chicago International Film Festival to be Honored at July 14th Gala
A Very English Scandal is One of the Best Things You’ll Watch This Year
Hard Sun is an Ugly Journey to the End of Days
2018 Winter Movie Preview: 25 Films We’re Excited About
The Ten Best Films of 2017
Home Entertainment Consumer Guide: July 27, 2017
The Power of Animals: Niki Caro on “The Zookeeper’s Wife”
What “Julie’s Greenroom” Teaches Us About the Importance of the NEA
Debbie Reynolds: 1932-2016
The Individual Top Tens of 2016
Propelling Female Filmmakers: A Recap of the 2016 Whistler Film Festival
CIFF 2016 Preview: 35 Films to See
TIFF 2016: “A Quiet Passion,” “Julieta,” “Two Lovers and a Bear,” “Tramps”
Hidden Strength: Agyness Deyn on “Sunset Song”
Home Entertainment Consumer Guide: July 7, 2016
The Best Films of 2016 So Far
Miraculous Feats: Louise Osmond on “Dark Horse”
Preview of 19th Annual Chicago European Union Film Festival
The Shifting Grounds of Human Behavior: A&E’s “War and Peace”
TIFF 2015: “The Family Fang,” “High-Rise,” “Sunset Song”
TIFF 2015: Table of Contents
Bright Wall/Dark Room March 2015: Preserve the Moose by Andrew Root
Book Excerpt: “Mise en scène and Film Style: From Classical Hollywood to New Media Art” by Adrian Martin
The 87th Academy Award Nominations and Fun Facts
Holiday Gift Guide 2014: Must-Read Books
If I Had An Emmy Ballot 2014
Interview: Kevin Spacey Takes Another Left Turn
Meet the Writers: Michal Oleszczyk
Thumbnails 9/25/2013
Cruisin’ Together: Cannes Day Three
Videos of every panel at Ebertfest 2012
NY Crix add kudos to ‘Hurt Locker’
A Viewer’s Companion to ‘Citizen Kane’
Finding Salvation in Sin City
The thrill of breaking the 120-minute barrier
Mad Men: The Other Woman & the Long Walk
Opening Shots: Memento
TIFF 08: The omnivore’s dilemma
The great movies (almost) nobody voted for
TIFF: The war over there
Desert island DVDs (Matt’s & mine & yours)
’50 Lost Movie Classics’
