Blog Posts That Mention Chaplin
A Moral Compass: Ben Chaplin, Leonie Benesch, and Tim Fehlbaum on “September 5”
Nell Minow
What Child Is This: The Enduring Legacy of Charlie Chaplin’s The Kid
Audrey Fox
Charlie Chaplin’s “The Tramp” at 100
Dan Callahan
Reactionary, vitriolic, and ill-advised Chaplin fan
Roger Ebert
The Films of Charlie Chaplin
Roger Ebert
The Keystone Chaplin on DVD
Bill Stamets
Look, there’s Charlie Chaplin!
Roger Ebert
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
Omer M. Mozaffar
30 Minutes On: “Nashville”
Matt Zoller Seitz
Cannes 2025: Leave One Day, The Gold Rush
Ben Kenigsberg
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Scott Dummler
Chicago Critics Film Festival 2025 Preview
Brian Tallerico
Chicago Critics Film Festival Announces Full Schedule, Special Guests
The Editors
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Scout Tafoya
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
The Editors
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
Marya E. Gates
The Artful Tenderness of A Quiet Place: Day One
Matt Zoller Seitz
Girl Shy and the Birth of the Romantic Comedy
Audrey Fox
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
Marya E. Gates
A (Not So) Brief History of Silent Film Influences on Pop Music
Marya E. Gates
The True Triumph of Robert Downey Jr.’s Second Act
Tim Grierson
Berlin Film Festival 2024: Meanwhile on Earth, La Cocina, Another End
Robert Daniels
Bright Wall/Dark Room September 2023: I Used to Float, Now I Just Fall Down by Lindsey Romain
The Editors
Dan Callahan on His New Book, Bing and Billie and Frank and Ella and Judy and Barbra
Sheila O'Malley
The Fire is Gone: Kenneth Anger (1927-2023)
Scout Tafoya
Mrs. Davis Overflows with Fascinating Ideas Even as It Struggles to Tie Them Together
Brian Tallerico
The Lost Pioneers of the Early Film Era
Marya E. Gates
Only Remember Beautiful Moments: Carlos Saura (1932-2023)
Scout Tafoya
Something Comes Out of Me That Has a Fatherly Quality: Paul Dooley on His New Book Movie Dad
Nell Minow
Simon Abrams’ Overlooked Films of 2022
Simon Abrams
Image is Happiness: Jean-Luc Godard (1930-2022)
Dan Callahan
Create the Legend: Erich von Stroheim’s Foolish Wives
Scout Tafoya
Cannes 2022 Video #1: Opening Night Welcomes Ukrainian President Volodymyr Zelenskyy and Final Cut
Chaz Ebert
Cannes 2022: Final Cut
Ben Kenigsberg
How History Moves Through a Life: Dana Stevens on Buster Keaton
Sheila O'Malley
A Lucky Film Buff: Leonard Maltin Reflects on His Life
Donald Liebenson
A Tour Through the Brand New Academy Museum of Motion Pictures
Jana Monji
TIFF 2021: The Electrical Life of Louis Wain, Belfast, Colin in Black and White
Robert Daniels
Telluride Film Festival Announces Full 2021 Program Lineup
The Editors
A Look Back at Tribeca 2021: The Narrative Features
Peter Sobczynski
The End of an Era: Norman Lloyd, 1914-2021
Peter Sobczynski
Monte Hellman: 1932-2021
Scout Tafoya
Joss Whedon Practically Plagiarizes Himself in the Uneven The Nevers
Roxana Hadadi
Visions of Friendship: Michael Angelo Covino and Kyle Marvin on The Climb
Nick Allen
When You Have a Hammer, Everything Looks Like a Nail: Jim Cummings on The Wolf of Snow Hollow
Isaac Feldberg
Home Entertainment Guide: June 25, 2020
Brian Tallerico
Netflix’s The Letter for the King Written with Medieval Cliches
Nick Allen
Home Entertainment Guide: October 3, 2019
Brian Tallerico
Twelve Thumbs-Up Films from the Venice Film Festival
Chaz Ebert
The Story of Richard Williams and His Unfinished Fairy Tale, The Thief and the Cobbler
Simon Abrams
Bright Wall/Dark Room July 2019: Only I Know the Secrets: Breaking Down Under the Silver Lake by Ethan Warren
The Editors
Book Review: Walt Disney’s Mickey Mouse: The Ultimate History
Peter Cowie
A Different Perspective: Reviews About Empathy, Compassion and Kindness
Brian Tallerico
Stanley Donen: 1924-2019
Carrie Rickey
Bright Wall/Dark Room February 2019: A Love Story and a Tragedy – Second Lives and Lost Time in Doctor Zhivago
The Editors
Jonathan Rosenbaum on His New Book Collection, Cinematic Encounters
Patrick Z. McGavin
Rock and Roll Me: On Andrea Riseborough’s Spellbinding 2018 Performances
Q.V. Hough
They Are the Wellspring For Me: John C. Reilly on Stan & Ollie
Donald Liebenson
Kino Lorber’s Pioneers: First Women Filmmakers Box Set is a Treasure Trove of Silent Film History
Monica Castillo
William Goldman: 1931-2018
Brian Tallerico
CIFF 2018: Friedkin Uncut, The Great Buster
Peter Sobczynski
Always Leave ‘Em Laughing: Peter Bogdanovich on Buster Keaton, superheroes, television, and the effect of time on movies
Matt Zoller Seitz
Neil Simon: 1927-2018
Brian Tallerico
Leonard Maltin on His New Book, Hooked on Hollywood: Discoveries from a Lifetime of Film Fandom
Nell Minow
Celebrating Michael Kutza: Founder of Chicago International Film Festival to be Honored at July 14th Gala
Chaz Ebert
On the Representation of Disabled Women in Cinema
Kristen Lopez
Preview of the 21st Chicago European Union Film Festival
Peter Sobczynski
Berlin 2018: Don’t Worry, He Won’t Get Far on Foot, Optimism, L. Cohen
Michael Pattison
Star-Studded Philip K. Dick’s Electric Dreams Could Be Your First TV Obsession of 2018
Brian Tallerico
AFI Fest 2017: “The Shape of Water” Panel with Guillermo del Toro, Sally Hawkins and more
Jana Monji
A Tale of Two Chainsaws: Humor and Horror in the Films of Tobe Hooper
Simon Abrams
An American Original: The RogerEbert.com Staff Remembers Jerry Lewis
The Editors
Jerry Lewis: 1926-2017
Scott Jordan Harris
Pens to Lens 2017: Flowerboys, Werebananas and Opposite Day
Matt Fagerholm
Jeanne Moreau: 1928-2017
Dan Callahan
The Most Influential Filmmakers of All Time
Emma Piper-Burket
Watching “1984” in Trump’s America
Jana Monji
Adventures in Cuba
Chaz Ebert
The art of entertainment: Richard Schickel, 1933-2017
Matt Zoller Seitz
A Supreme Artist: Pascal Mérigeau on “Jean Renoir: A Biography”
Patrick Z. McGavin
Book Review: Taschen’s “Mad Men” Box-Set Revives the World of Don Draper
Peter Cowie
Tom Hardy Anchors FX’s Engaging “Taboo”
Brian Tallerico
Films to Get Us Through The Trump Presidency
Chaz Ebert
The Macau Film Festival 2016: “Vagabond,” “Personal Shopper” and More
Simon Abrams
CIFF 2016: “Sieranevada,” “Olli Mäki” are Festival Favorities
Nick Allen
CIFF 2016 Preview: 35 Films to See
Peter Sobczynski
It’s Over the Ocean to Scranton, Pennsylvania: An Appreciation of “The In-Laws”
Peter Sobczynski
Thumbnails 7/8/16
Matt Fagerholm
Meet the Writers: Monica Castillo
Monica Castillo
Why the Oscars Need to Move Lifetime Achievement Back to the Telecast
Niles Schwartz
Home Entertainment Consumer Guide: February 18, 2016
Brian Tallerico
Jacques Rivette: 1928-2016
Patrick Z. McGavin
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Peter Sobczynski
Great Cast, Sharp Writing Carry Amazon’s “Mad Dogs”
Brian Tallerico
Going Forward, Looking Back: Highlights from the 2015 Annual Festival Internacional del Nuevo Cine Latinoamericano
Monica Castillo
The Individual Top Tens of 2015
The Editors
Going Home For the First Time: A Return to Cuba
Monica Castillo
Flicker Alley’s Mind-Blowing New “Masterworks Of American Avant-Garde Experimental Film 1920-1970”
Glenn Kenny
CIFF 2015: “Nahid” Wins Roger Ebert Award, “A Childhood” Takes Top Prize
The Editors
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