The Heart is Deceitful Above All Things
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Argento
Argento Movie Reviews
Blog Posts That Mention Argento
Dario Argento’s “Deep Red” and “Tenebrae” Get Massive Blu-ray Re-releases
Dario Argento on “Dracula” and Horror
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
Everything Is Fate: Julian Sands (1958-2023)
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
10 Films We Can’t Wait to See at the 2022 Fantasia Festival
Of the Same Matter: Gaspar Noé on Vortex and Lux Aeterna
Home Entertainment Guide: December 2021, Special Editions
Home Entertainment Guide: November 2021
The Unloved, Part 94: The Phantom of the Opera
KVIFF 2021: Award Winners, Highlights, and a Video Diary
Home Entertainment Guide: August 2021
It’s Not My Swan Song: Udo Kier on His Latest Drama and How Much He Has Left to Give
Cannes 2021: Vortex, In Front of Your Face, Blue Bayou
Send It Back: How Roadrunner Fails Anthony Bourdain
A Look Back at Tribeca 2021: The Documentary Features
Head Into the Darkness of Resident Evil Village
Giuseppe Rotunno: 1923-2021
Ennio Morricone: 1928-2020
Mysterious Traveller: Rutger Hauer, 1944-2019
The Monster of Florence: Ridley Scott’s Hannibal on 4K Blu-ray
Gaspar Noe on Climax, Accidental Allegories, Catastrophe Movies and More
A Japanese Cousin to the Giallo Movie: Nicolas Pesce on Piercing
Christy Lemire’s Top Ten Films of 2018
Video Interview: Tilda Swinton, Luca Guadagnino, and Dakota Johnson on Suspiria
25 Underrated Horror Films For Halloween
The Legendary Tom Savini on a Career of Special Effects Wizardy and Unforgettable Horror
The Horror and Heroines at Fantastic Fest 2018
TIFF 2018: The Standoff at Sparrow Creek, Climax, In Fabric, Freaks
TIFF 2018: Maya, Jeremiah Terminator LeRoy, Skin
Venice Film Festival 2018: Suspiria, Peterloo, The Ballad of Buster Scruggs, Non-Fiction
The 20 Most Exciting World Premieres of TIFF 2018
Hug Your Family: Ben Foster on Leave No Trace
Thumbnails Special Edition: Cannes 2018
Cannes 2018 Video #6: Shoplifters, BlacKkKlansman Earn Top Prizes
Cannes 2018: Hirokazu Kore-Eda wins Palme d’Or; Gilliam’s Man Who Killed Don Quixote Film Closes the Fest
Cannes 2018: Ayka, Knife + Heart
The Savage Truth within The Handmaid’s Tale
SXSW Film Festival 2018: Elizabeth Harvest, Don’t Leave Home
Sundance 2018: Hereditary
“Do You Know Anything About Witches?”: “Suspiria” at 40
Dark Fairytales: How Even Well-Intentioned Media Normalizes Gendered Violence
Thumbnails 10/13/17
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
George Romero: 1940-2017
Viva Bava, Celebrating a Master Craftsman
Home Entertainment Consumer Guide: June 22, 2017
Cannes 2017: “A Prayer Before Dawn,” “The Merciless”
A Different Rail: The Artists of “Author” and “Catfish”
Venice Film Festival 2016: Venice Classics Program Includes Restorations of “Stalker,” “Manhattan”
Chicago Critics Film Festival 2016 Preview
My Favorite Roger: Scout Tafoya
Sundance 2016: “Audrie & Daisy,” “Author: The JT LeRoy Story,” “Holy Hell”
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
TIFF 2015: Midnight Madness and Other Horror Highlights
Cannes 2015: Palme de Whiskers
Return to the Riviera: Our 2015 Cannes Coverage
Home Entertainment Consumer Guide: February 4, 2014
We Exist: The Female Horror Directors of 2014
TIFF 2014: Midnight Madness Bleeds Into Rest of Fest
Cannes: The 2014 Palme de Whiskers
Cannes, Day Nine: “Leviathan,” “Misunderstood”
An Appreciation of “La Reine Margot” on its 20th Anniversary
Blu-ray Consumer Guide: November 2013
Thumbnails 7/29/2013
Happy birthday, “Blood Feast”: digging into the guts of the very first “splatter” film
Awards Show Wrap-up: Cannes Report, May 26
Did I know “Beyond the Valley of the Dolls” was an exploitation film?
The year’s best foreign films (I hope they play in your state)
5/14: Swanky 3-D goggles for the chic cineaste
Re-imagining the fate of the Holy Grail of cinephilia
Hurt Locker: Georges Bataille and the visceral cinema of Kathryn Bigelow
The color of blood: A study in scarlet
Opening Shots: ‘Deep Red’
Gans: Seven Best Modern Horror Movies
He’s his mother’s right arm. And her left.
CIFF: All our capsule reviews
CIFF #3: Playing Monday
Toronto #1: 2nd city for film festivals
