The Legend of Ochi
Maxim
Willem Dafoe
Willem Dafoe Movie Reviews
Nosferatu (2024)
Professor Albin Eberhart Von Franz
Saturday Night
David Tebet
Beetlejuice Beetlejuice
Wolf Jackson
Kinds of Kindness
Raymond / George / Omi
Poor Things
Godwin Baxter
Asteroid City
Saltzburg Keitel
River
Narrator
Inside
Nemo
Dead for a Dollar
Joe Cribbens
The Northman
Heimir the Fool
Spider-Man: No Way Home
Norman Osborn / Green Goblin
Nightmare Alley
Clem Hoately
The French Dispatch
Albert 'The Abacus'
The Card Counter
Col. John Gordo
Siberia
Clint
Zack Snyder’s Justice League
Nudis Vulko
Tommaso
Tommaso
The Last Thing He Wanted
Richard McMahon
Togo
Leonhard Seppala
Blog Posts That Mention Willem Dafoe
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Man on the Outside: The Films of Willem Dafoe
Dafoe admires Lars, but “his impulses are often perverse.”
Berlinale 2023 Highlights, Part Two: Reality, Manodrome, The Adults, Inside, Golda
Vampire’s Twist: A Look Back at Shadow of the Vampire
Cannes 2019: Abel Ferrara Returns to the Festival With Tommaso
Call him “Mr. Contrarian”
2025 Sundance Film Festival Announces Ambitious Program
Home Entertainment Guide: October 2024
Create For Yourself: Mamoudou Athie on Kinds of Kindness
Jesse Plemons on Being Funny, Stepping Off the Ledge and Making ‘Kinds of Kindness’
Handmade Magic: Jason and the Argonauts
Cannes 2024: Kinds of Kindness; Oh, Canada; Scénarios
The 10 Most Anticipated Films of Cannes 2024
No Therapy: The Primordial Commitment of The Northman
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
Rage and Feminism in Poor Things and Lisa Frankenstein
Oscar Predictions 2024: What Will Win This Year
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Oscar Predictions 2024: What Will Be Nominated This Year
The Great Craft of 2023
2024 Awards Season Kickoff: Palm Springs, Variety Honorees, Golden Globes, Governors Awards
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
A Farewell and Tribute to Our Senior Editor, Nick Allen
CIFF 2023: All of Us Strangers, Poor Things, Saltburn
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
TIFF 2023: Wildcat, Gonzo Girl, Orlando My Political Biography
Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer
He Did It All: William Friedkin (1935-2023)
Cannes 2023: Asteroid City, The Settlers
Karlovy Vary to Honor Russell Crowe
Book Excerpt: The Northman: A Call to the Gods by Simon Abrams
The Case for The Card Counter’s Tiffany Haddish as One of 2021’s Best Performances
24 Great Performances of 2021
An American Carol: Sean Baker on Red Rocket
Overdue Oscars: 10 Directors Looking for Their First Academy Award
2021 Chicago Critics Film Festival Preview
I Believe in Individuals: Barry Gifford and Lili Taylor on Roy’s World: Barry Gifford’s Chicago
The Films That Could Shake Up the Oscar Race
Cannes 2021: Red Rocket, Titane
True Believers: How Abel Ferrara’s Recent Work Reflects His Debut, The Driller Killer
Looking Back at Alan Parker’s Mississippi Burning
Alan Parker: 1944-2020
Watch the Academy Awards and the Film Independent Spirit Awards This Weekend
Home Entertainment Guide: January 9, 2020
Martin Scorsese’s Dangerous Men: On the Actors of The Irishman
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Heart of Darkness, Paradise Lost and Beyond: The Literary Influences of The Lighthouse
TIFF 2019: Festival Honors Meryl Streep, Joaquin Phoenix, Taika Waititi
Midsommar and the Legacy of Break-Up Horror Movies
Thumbnails Special Edition: Our Cannes 2019 Coverage
Cannes 2019: The Lighthouse, Lux Aeterna
Cannes 2019 Video #2: The Dead Don’t Die & Gender Disparity
Bright Wall/Dark Room April 2019: Religious Cinema for Non-Believers: Scorsese’s Silence
Home Entertainment Consumer Guide: March 28, 2019
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
Oscar Predictions 2019: Who Will Win, Who Should Win, and Who Should Have Been Nominated
Sundance 2019: David Crosby: Remember My Name, Marianne & Leonard: Words of Love, Love Antosha
The Favourite, Roma Lead 2019 Oscar Nominations
Final Predictions For the 2019 Oscar Nominations
Roma, Vice, Black Panther Win Big at 24th Critics’ Choice Awards
The State of the 2019 Oscar Race After the Golden Globes
Green Book, Bohemian Rhapsody Win Big at 76th Golden Globe Awards: A Complete List of Winners
The Great Performances of 2018
Vice, A Star is Born Lead 2019 Golden Globe Nominations
CIFF 2018: Friedkin Uncut, The Great Buster
NYFF 2018: Roma, Her Smell, The Ballad of Buster Scruggs, At Eternity’s Gate
Venice Film Festival 2018: Vox Lux, Dragged Across Concrete, At Eternity’s Gate
If We Picked the Winners 2018
If We Picked the Winners 2018: Best Supporting Actor
The Shape of Water Tops 2018 Oscar Nominees
L.A. Film Critics Association Awards Ceremony to be Held January 13th
Alliance of Women Film Journalists Announce 2017 EDA Winners
Three Billboards, Lady Bird Win Big at 75th Golden Globes
Oscar Contenders Have Voters Seeing Triple
The Individual Top Tens of 2017
The Ten Best Films of 2017
Lady Bird, Call Me By Your Name Win Big For the Chicago Film Critics Association
“The Shape of Water” Leads the 2018 Golden Globe Nominees
“Call Me By Your Name” Leads Chicago Film Critics Nominations
My Favorite Films of 2017
Highlights from the 2017 Los Cabos Film Festival
London Film Festival 2017 Highlights
Oscars Could Be Facing Dearth of Diversity Yet Again
When You Wish Upon a Star: Sean Baker on “The Florida Project”
Hitting the Mother Lode: The Oscar Race Embraces Its Maternal Side
Cupid’s Arrow Pierced My Tender Heart at the Movies
2017 Fall Movie Preview: 25 Films We’re Excited About
Comic-Con 2017: Netflix’s “Death Note” and “Bright”
Cannes 2017: Sean Baker’s “The Florida Project”
Mysterious Beauty: A David Lynch Retrospective Comes to IFC Center
Thumbnails 11/9/2016
Oliver Stone, Poet of the Id: “The Hand” revisited
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Cannes 2016: Laura Poitras’ “Risk” and Paul Schrader’s “Dog Eat Dog” at Directors’ Fortnight
“Affliction”
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
The Individual Top Tens of 2014
