Eyes Wide Shut
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Kubrick
Kubrick
Kubrick Movie Reviews
Blog Posts That Mention Kubrick
A Clockwork Orange: Battling with Kubrick’s Most Controversial Film
Gregory Nava on Working with Stanley Kubrick
Cannes 2018: Stanley Kubrick’s 70mm space odyssey and Gaspar Noé’s dance party
Stanley Kubrick’s “Barry Lyndon” Joins the Criterion Collection
Cannes 2017: Longtime Kubrick Assistant Leon Vitali Recalls Their Collaboration in “Filmworker”
Foreground Material: “Stanley Kubrick: The Masterpiece Collection”
Inside Kubrick’s Room 237
Stanley Kubrick knew how I would someday eat
Studio turns blind eye to Kubrick’s film
Kubrick and the cosmic zoom
Stanley Kubrick hates you
Kubrick defends himself
Cruise opens up about working with Kubrick
Stanley Kubrick 1928-1998
Cinematic Albums of the 2020s: Music That Feels Like a Movie
Roger Ebert’s Best and Worst Alien Movies
All the Days of My Life: On Elaine May’s “A New Leaf”
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
A Duo Unlike Any Other: On the Fiftieth Anniversary of “Siskel & Ebert”
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Cannes Film Festival 2025: A Look at the Cannes Classics Program
13 Reviews by Roger Ebert for the 2025 Day4Empathy
The 25 Best TV Series of 2024
Two Thumbs Up! The Individual Top Tens of 2024
A Sense of Freedom: Filmmaker and Teacher Bart Weiss Talks About his Book “Smartphone Cinema”
A Master of Subtle Function: Cinematographer Dick Pope (1947-2024)
Panic! At the Disco: Body Double at 40
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Everything the Light Touches: James Earl Jones (1931-2024)
Venice Film Festival 2024: Separated, Maria, Kill the Jockey, One to One: John & Yoko
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
No Dream Is Ever Just a Dream: Eyes Wide Shut Turns 25
Shelley Duvall’s Five Best Performances
Transplendent: Shelley Duvall (1949-2024)
How Cold War Thrillers Expressed Presidential Campaign Concerns
Meanwhile in France…Cannes to Be Specific
Part of the Solution: Matthew Modine on Acting, Empathy, and Hard Miles
It’s OK For Movies to Just End
An Incorrect Image Of Ourselves: Mike Flanagan on the Tenth Anniversary of Oculus
The People’s Joker and Six Other Films That Were Stuck in Legal Limbo
Five Years Later, Us is Jordan Peele’s Defining Puzzle
The People Who Never Stopped Loving Tenet
Am I Just Anybody?: Ryan O’Neal (1941-2023)
All Is Not Calm: John Woo on Silent Night
A Look Inside Sofia Coppola’s New 488-Page Retrospective, Archive
The Shining: An Odyssey of Madness
Cannes 2023: Highlights of the Year’s Festival
Smile Politely’s Interview with Ebertfest Organizers Chaz Ebert and Nate Kohn
Ten Years of Presence: In Honor of Roger Ebert and the Empathy Machine
Colors of Film Deconstructs Visual Palettes of Cinema History
The Oneness of All Things: On Sofia Alaoui’s Animalia
Sundance 2023: Heroic, Scrapper, Sorcery
The Most—and Least—Fun I’ve Had At the Movies All Year
Fight the Power: Cyril Schäublin on Unrest
Home Entertainment Guide: August 2022
Home Entertainment Guide: June 2022
Cannes 2022: Elvis, Jerry Lee Lewis: Trouble in Mind, Moonage Daydream
Cannes 2022: Fest Launches with Zombies, Art Movies, and Maverick
Life Itself to Screen at FACETS on May 19th with Director Steve James in Attendance
It Feels Like a Horror Movie: On Trey Edward Shults’ Krisha
Douglas Trumbull: 1942-2022
A Fearless Critic: Michael Wilmington (1946-2022)
The Best Television of 2021
A Tale of the Tapes: On the ‘Recreated’ Conversations in Speer Goes to Hollywood (Updated)
Being Alive: Stephen Sondheim, 1930-2021
Vampire’s Twist: A Look Back at Shadow of the Vampire
A Tour Through the Brand New Academy Museum of Motion Pictures
That Space Between Awake and Asleep: Rebekah Del Rio on the Twentieth Anniversary of Mulholland Dr.
Spike Lee’s NYC Epicenters 9/11-2021½ is Timely, Powerful, and Personal
Book Excerpt: Films of Endearment by Michael Koresky
Pure Imagination: Adam Wingard on Godzilla vs. Kong
Jane Fonda and Norman Lear to Receive Honorary Awards at the 78th Annual Golden Globe Awards on February 28th
The Joke’s On Him: Tom Cruise and Eyes Wide Shut
Home Entertainment Guide: December 2020
It Was Great To Play An Actual Cartoon!: Fifteen Minutes With Paul Dooley on Popeye
A Preview of the 56th Chicago International Film Festival
Home Entertainment Guide: October 2020
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Upholding Black Voices: An Annotated Table of Contents
Malcolm X: Spike Lee’s Timeless Sermon
KVIFF at Your Cinema to Screen 16 Films in Theaters Across the Czech Republic
The Camera is Dancing with Joaquin: Cinematographer Lawrence Sher on Joker, The Hangover and More
Krzysztof Penderecki: 1933-2020
The SXSW That Never Was: The Feature Films
Kirk Douglas: 1916-2020
SBIFF 2020: The Night, Mentors—Tony & Santi
The 4-Star Films of 2019
Rob Garver on What She Said: The Art of Pauline Kael
A Choreographed Dance: Sam Mendes, Krysty Wilson-Cairns, George MacKay and Dean-Charles Chapman on 1917
The Best Films of the 2010s
Humanizing These People: Phillip Youmans on Burning Cane
