The Transporter Refueled
The Transporter Refueled is an unnecessary bore from start to finish, one that even the most devoted Luc Besson fanatics will find difficult to defend.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
Tragic fate of a femme fatale; Rachel McAdams does fame her way; My fat, perfect wedding; Incredible shrinking worldview of Woody Allen; Marvel's war on capitalism.
A preview of dozens of films being released this Summer.
Chaz Ebert to present the Morning Keynote at the Palm Springs Film Festival on January 8th.
Jennifer Kent directs the year's scariest movie; Best TV Shows of 2014; Lawsuit against NYFA; Why movies can't stop explaining themselves; Anna Kendrick on her new musicals.
A preview of the 2014 Chicago International Film Festival.
The 2014 Toronto Film Festival opened with "The Judge," starring Robert Downey Jr. and Robert Duvall, and we were there.
An interview with Harvard Business School professor Anita Elberse, author of “Blockbusters: Hit-making, Risk-taking, and the Big Business of Entertainment.”
Lord Richard Attenborough, legendary director and actor, has passed away at the age of 91.
You never know what you'll find wandering around the Gaslamp District of San Diego during San Diego Comic-Con. On Saturday, a secret "Avengers: Age of Ultron" headquarters opened up, thanks to Samsung Revolution.
Jana Monji responds to our Movie Love Questionnaire.
Why aren't superhero movies more special?
FFC Jana Monji interviews Ebertfest attendees John and Jim Burns.
Paul Rudd is Ant Man; Richard Linklater on "Before Midnight's" fight scene; why stars we dig often work with stars we despise; "G.B.F." was rated R for being gay; "Her" and the sad-sack sensitive man.
We're counting down twelve great movie scenes set around Christmas. Here is the first batch, with #12 through #9.
Ian Grey visits Sherlock Holmes, and deduces why Sir Arthur Conan Doyle's detective is perfectly suited to episode television—and endlessly re-inventable.
Nick Schager ponders the new crop of action directors, who bring 'serious film' cred to the genre, but can't seem to show personality where it counts the most.
The use of drones and other machines for war or for surveillance has turned up as a subject in a surprisingly large number of summer blockbusters, including "Iron Man 3," "Star Trek Into Darkness," "Man Of Steel," and now "Pacific Rim."
This piece is about director Neil Jordan's seven most overtly supernatural, fairy tale-like films—The Company of Wolves, High Spirits, Interview with the Vampire, The Butcher Boy, In Dreams, Ondine, and his latest, the mother-daughter vampire shocker Byzantium. An infographic analysis of each—please refer to the key for each symbol's meaning—reveals this pattern and confirms Byzantium is the culmination of 30+ years of Jordan exorcising his personal demons on-screen.
Craig D. Lindsey is on the warpath against jerk cinema, in which arrogant heroes trample all over everybody and the film celebrates them as righteously awesome. Whatever happened to charm?
Saturday, May 4, was one month to the day that Roger left this earthly plane. In honor of Kentucky Derby weekend I am posting this photo of Roger and I proudly sporting our hats at Churchill Downs. There have been several photos of us wearing hats over the years. For some reason hats delighted us to no end. And Roger was particularly fond of some of the more outrageous hats we wore. That day while we were watching the races we were so pleased that we could wear our hats both in doors and out. You can’t wear a hat in a movie theater.
Alex Kazhinsky of Lincolnwood is this year's Grand Prize winner in the annual Outguess Ebert contest — and tells me, "It's a big thrill to win your contest after playing it for so many years!"
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]