This Is Where I Leave You
The family gathering comedy is one of the more difficult genres to pull off. Good for Levy for trying something different. But next time he…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with film critic Leonard Maltin.
An interview with Paul Scheer, star of FXX's "The League" and the podcast "How Did This Get Made?"
FFC Jana Monji interviews Ebertfest attendees John and Jim Burns.
Sheila writes: Those of you attending Ebertfest, a note from Chaz:We will have our annual Ebert Club Meet and Greet at the Roger Ebert Film Festival, Thursday, April 24, 2014 at 8 am - 10 am in the Illini Union, General Lounge. Also invited are the Far Flung Correspondents and writers from Rogerebert.com. I look forward to seeing you there!
A complete guide to the 16th Annual Roger Ebert's Film Festival.
The panel subjects and panelists for the 16th Annual Roger Ebert's Film Festival have been announced, including Patton Oswalt, Brie Larson, Steve James, and more.
It was announced this week that the life-size bronze sculpture of Roger Ebert that will reside outside of the Virginia Theatre in Champaign, Illinois will take its place on Thursday, April 24, 2014 at noon
Sheila writes: In 1968, Stanley Kubrick, whose game-changing "2001" was released that year, was interviewed for Playboy magazine. You can check out a facsimile of the interview here, but Open Culture has transcribed some of it, in particular the section where Kubrick gives some predictions on what the world will look like in the year 2001. It's fascinating speculative stuff.
Here is the full schedule for Ebertfest 2014.
Women saving film criticism; The wonderfully unique Shailene Woodley; BuzzFeed hires Allison Wilmore as their first film critic; Revisiting George Lucas' American Graffiti; Sex in Pasolini films.
Spike Lee will present a screening of "Do the Right Thing" at Ebertfest 2014 to commemorate the film's 25th anniversary.
Ebertfest sneaks the names of a few guests in anticipation of announcing the full lineup.
The studios use screeners to help Academy voters and critics groups catch up on films they might have missed. So why are studios withholding certain films and pushing others?
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Why showrunners matter on TV much less than you think; BBC's Sherlock by the numbers; Vulture's Summer TV issue; in praise of Don't Trust the B----- in Apartment 23; M. Night Shyamalan wrote what?; DNA can't be patented; robots can fight.
The evolution of Superman's cape; the de-evolution of women's roles in film and TV; joke plagiarist sort-of apologizes for stealing from Patton Oswalt & other pros; David Cronenberg does race cars; Vince Vaughn, salesman; fans bring their Game of Thrones grief into therapy; astounding animated short made entirely from 3-D paper models.
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
What's worse than finding a hair in your soup? Being raped.* -- @AntiJokeApple, June 2, 2012
"I was raped by a doctor... which is so bittersweet for a Jewish girl..." -- Sarah Silverman, "Jesus Is Magic" (2005)
Seriously, what is a rape joke, why do you tell one, and how do you apologize for one? I empathize with comedians who get up on stage, alone, and develop new material, often without knowing where their minds and mouths are going to take them (or their audience). It's a semi-disciplined, stream-of-consciousness high-wire act without a net, and as any comic will tell you, they frequently fall. (See Patton Oswalt's remembrance of a bad performance in the early 1990s and the "Magical Black Man" who haunted and helped him.) But no matter what they say or do, they're still accountable for saying or doing it -- and, more than ever before (thanks to blogs and social media and video smartphones), they are held publicly accountable. So, when I heard that Daniel Tosh of Comedy Central's top-rated "Tosh .0," was in hot water for telling a "rape joke," the first thing I wanted to know was: What was the joke? That has to be where it all starts, don't you think? What did he actually say?
Above: The Demanders: Jana Monji, Roger Ebert, Jim Emerson, Steven Boone, Odie Henderson, Donald Liebenson. In absentia: Jeff Shannon, Kevin B. Lee. Reflected in TV: Wael Khairy. Steak 'n Shake shake courtesy of Michal Oleszczyk, who also took this photo with my camera.
Every once in a while circumstances have conspired to keep me from attending Ebertfest, but the main thing that draws me back are the people I get to see and watch movies with while I'm there, from David Bordwell (with whom I rode from Madison to Champaign-Urbana) to Festival Co-Conspirator Joan Cohl to The Man Himself, Roger Ebert, whose presence animates the event, even when he isn't in the on-stage spotlight.
For me, there were no major discoveries or revelations this year -- like, say, Jeff Nichols' "Shotgun Stories" or Yôjirô Takita's "Departures" or the astounding, mind-blowing 70mm print of Jacques Tati's "PlayTime" in past Ebertfests -- but that almost seemed beside the point. (Though I highly recommend a snappy, endlessly inventive low-budget picture called "Citizen Kane." It's terrific!)
I'm happiest hanging around, in the Virginia Theatre or the "green room" (where participants gather for lunch and dinner) with, to name but a few, some of The Demanders (a small group of writers I work with who cover VOD) or the Far-Flung Correspondents, who write about movies from their home bases all over the world: Egypt, Brazil, Turkey, South Korea... even Chicago.
Something nice happened to us while we were preparing the schedule for Ebertfest 2012, which plays April 25-29 at the Virginia Theater (above) in Champaign-Urbana, Ill. We'd invited Patton Oswalt to attend with his "Big Fan. He agreed and went one additional step: "I'd like to personally choose a film to show to the students, and discuss it."
Marie writes: I received the following from intrepid club member Sandy Kahn and my eyes widened at the sight of it. It's not every day you discover a treasure trove of lost Hollywood jewelry!
Grace Kelly is wearing "Joseff of Hollywood"chandelier earrings in the film "High Society" (1965)(click image to enlarge.)
Two movies about the love of movies lead the field in the 2012 Academy award derby. Both look back at formative years for the art form. Martin Scorsese's "Hugo," about a young boy who makes a friend of the inventor of the cinema, led the field with 11 nominations. And Michel Hazanavicius' "The Artist," set when Hollywood was making the transition from silent pictures to the talkies, placed second with ten.
Here's what you've been waiting for: Richard T. Jameson and Kathleen Murphy present their annual "Moments Out of Time" ("Images, lines, gestures, moods from the year's films") at MSN Movies. It's kind of like film criticism as haiku. But, you know, without haiku rules. They're short poems.
From RTJ's intro at his online movie magazine, Straight Shooting:
Kathleen Murphy and I first threw together a "Moments out of Time" feature for the year 1971. I'd had a brief go at it in 1969 for Seattle's premier counterculture rag The Helix, and pretty perfunctory it was--only a dozen or so films referred to, in lines like "The terrible beauty of The Wild Bunch...." The 1971 tribute ran to several pages of the first 1972 issue of Movietone News, the Seattle Film Society newsletter that, just about that time, turned the evolutionary corner en route to becoming a legitimate film journal. As for "Moments out of Time," it continued, and grew, each year through the decade MTN was published. Subsequently it appeared when and where opportunity presented--including one year in the early 2000s when our host was the spiffy German film mag Steadycam. For the past half-dozen years we've been graciously showcased by the Movies section at MSN.com, where editor Dave McCoy has patiently accommodated us as we (all right, I) send one e-mail after another, tweaking words and punctuation to get the lines to bump in the right place.
A dozen of my favorites:
-- "Tinker Tailor Soldier Spy": Control (John Hurt), aced out of MI6 after the disaster in Budapest, announces, "Smiley is coming with me." Smiley (Gary Oldman), his back to the camera, tilts his head a millimeter -- surprise? acceptance? both?...
-- Upside-down shadows of kids at play on gray asphalt, swinging from the top of the frame in "The Tree of Life"...
-- "Midnight in Paris": the evolution of the expression on Gil (Owen Wilson) -- F. Scott Fitzgerald has just introduced him to Ernest Hemingway -- from gobsmacked to go-with-the-flow delight...
-- A drop of perspiration falling onto a café tabletop, fatally fracturing the fourth wall of a Hungarian "play" in "Tinker Tailor Soldier Spy"...
There is a 20 second moment in Jason Reitman's "Young Adult" that just floored me. Here is the story of a High School Prom Queen -- Mavis Gary (Charlize Theron) - revisiting her hometown on a targeted mission to reclaim her old boyfriend. She walks through her parents' house and sees a large wedding photo. I thought it was a photo of her parents; her mother looks just like her? But, no, it is her own wedding. Not only do her parents keep the photo, but her father casually praises her ex-husband. I don't remember how long she's been divorced, but I was devastated just listening to his comments. Any normal parent would break his or her back to provide the child with every benefit; any child knows this. Still, the child also needs to hear the "I love you" and the "I value you" and the "I'm proud of you." But, when the child's ears hear, "I like your ex-spouse," from the two people she needs validation from, they are saying, "I like your ex-spouse, though he is worth nothing compared to you." What she instead hears is, "You're no good. You failed. I'm siding with him."