Alice Through the Looking Glass
There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of Woody Allen's new film, which just premiered at the 2016 Cannes Film Festival.
An appreciation of Jonathan Demme's "The Silence of the Lambs" on its 25th anniversary.
A dispatch on five TIFF 2015 films from all over the world.
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
The latest and greatest on Netflix, On Demand and Blu-ray/DVD, including "Insurgent," "The Water Diviner," "The People Under the Stairs" and "Night and the City".
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Glenn Kenny.
A review of the third season of NBC's Hannibal.
A list of the three-star reviews so far posted on RogerEbert.com this year.
A book review of “The Art and Making of Hannibal: The TV Series” about the critically-acclaimed NBC program.
The best television programs of 2014.
Jennifer Kent directs the year's scariest movie; Best TV Shows of 2014; Lawsuit against NYFA; Why movies can't stop explaining themselves; Anna Kendrick on her new musicals.
A preview of the 2014 Chicago International Film Festival.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Three new or returning shows center on serial killers—"Hannibal", "Bates Motel" and "Those Who Kill"—with varying degrees of success.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
An interview with Nicolas Winding Refn, director of "Valhalla Rising," "Drive" and "Only God Forgives," among other films. Simon Abrams talks to the filmmaker about midnight movies, meeting Alejandro Jodorowsky, and the possibility that he might day make a Wonder Woman movie.
Ben Kenigsberg recaps Cannes's post-awards press conferences and closing-night party.
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks good in the long shots, but needs more emotional subtlety.
As Roger Ebert noted in February, film festivals have become so ubiquitous that there's almost certainly one within driving distance of most film fans in the US. And lots of them are sprouting world-wide. Three years ago, I'd pitched Roger with an "FFC" piece on the Santa Barbara International Film Festival. He advised that I provide a sense of the town and its atmosphere, the people, as well as what the festival itself was like.
Time travel, as we all know, is (1) impossible in any real-life, non-quantum sense, and (2) irresistible to filmmakers. Rian Johnson's Toronto entry "Looper" asks us to accept it as a premise, and you know what? It's handled more realistically here than anything in the plots of the average superhero movie. One of the strengths of time travel is its demonstration that if we could travel through time and meet our parents or even ourselves at an earlier age, it could be an unbearably emotional experience.
The winner of the Academy Award for Best Picture will be Ben Affleck's tense new thriller "Argo." How do I know this? Because it is the audience favorite coming out of the top-loaded opening weekend of the Toronto Film Festival. Success at Toronto has an uncanny way of predicting Academy winners; I point you to the Best Pictures of the last five years in a row: "No Country for Old Men," "Slumdog Millionaire," "The Hurt Locker," "The King's Speech" and "The Artist."
Marie writes: As I'm sure readers are aware, the 2012 Summer Olympics in London are now underway! Meanwhile, the opening ceremony by Danny Boyle continues to solicit comments; both for against. (Click image to enlarge.)
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
The 65th Cannes Film Festival's eleven days of prediction, wild speculation and gossip, some of it centering on the notoriously cranky personality of this year's jury president Nanni Moretti, came to an end Sunday evening in festival's business-like awards ceremony (or Soiree de Palmares, as the French call it) that traditionally lacks the extended let's-put-on-a-show aspect of the Oscars. The jury was seated onstage in a solemn group, and the awards given with a modest amount of fancy-dress formality, a bit of unrehearsed fumbling, and acceptance speeches that were short, dignified and to the point.
The foul weather that has marred the usually sunny festival continued to the end, and elite guests and movie stars alike walked a red carpet tented by a plastic roof as the rain fell on the multi-colored umbrellas of the surrounding crowds. Festival director Thierry Fremoux personally held an umbrella for Audrey Tautou, star of Claude Miller's closing night film, "Therese Desqueyroux," as she headed up the famous steps in a calf-length ivory lace gown with a bodice heavily embroidered in gold.
Actress Berenice Bejo, an international sensation since her starring role and subsequent Oscar nomination for "The Artist," performed mistress of ceremonies duties in a white, bridal-looking strapless sheath with long train, her only jewel an enormous heart-shaped emerald ring. Just about the only prediction this year that turned out to be accurate was the one that advised that all was unpredictable under the jurisdiction of the pensive and often-scowling Moretti.