I can report that it enraptured and delighted, and most importantly, made quiet, the houseful of little kids and their nannies with which I watched…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.
An interview with director Ana Lily Amirpour about her new film, "The Bad Batch."
Glenn Kenny on new films from Ana Lily Amirpour and Andrew Dominik.
Roger's Favorites: director Peter Weir.
An article about the Golden Globe presenters scheduled to attend the Jan. 10th telecast.
An interview with star Nicholas Hoult on "Kill Your Friends," "Equals," 'Mad Mad: Fury Road" and "X-Men: Apocalypse."
An interview with Joel Edgerton, star/writer/director of "The Gift."
Predictions for the 2015 Golden Globes, a recap of the PGA and WGA nominations, and thoughts on where Ava DuVernay's "Selma" stands in the awards season race.
Filmmakers behind "Radhe Radhe: Rites of Holi"; Deepwater Horizon and "The Great Invisible"; Of women and their emotions; Frances McDormand on NPR; Neil Marshall on "Alien."
RogerEbert.com writers share their favorite memories of watching the Oscars.
Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.
I won't make any grand claims for the "Despicable Me" films as art, but I adore them anyway. There's something appealingly relaxed and confident about them. They don't quite look, move or feel like any other blockbuster animated cartoons, yet they never seem to be trying too hard. And they're the best portrait of single parenthood I've seen outside of "Louie."
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: The Ebert Club Newsletter is now three years old! And the occasion calls for some cake - but not just any old cake, as it's also now officially Spring! And that means flowers, butterflies and ladybugs too. Smile.
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold artist and photographer Gustaf Mantel's Tumblr blog "If we don't, remember me" - a collection of animated GIFs based on classic films. Only part of the image moves and in a single loop; they're sometimes called cinemagraphs. The results can be surprisingly moving. They also can't be embedded so you have to watch them on his blog. I already picked my favorite. :-)
Cold Dead Hand with Jim Carrey from Jim Carrey
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
Happy New Year from the Ebert Club!TRAILERS
Every couple of years I stumble upon a film that transcends its traditional entertainment purposes and goes for something more divine, ambitious and philosophical. When a film like this comes along, it reassures me that film is indeed the greatest art form of our time. Movies that had that awe-inspiring effect on me include: "Last Year At Marienbad", "The Exterminating Angel", "Persona", "2001: A Space Odyssey", "Dark City", "Enter the Void", "The Thin Red Line", "Eyes Wide Shut" and "Synecdoche, New York". I like to call them life-changers.
Marie writes: Not everything is what is seems...(Click images to enlarge.)
In a science magazine I used to read during my high school years, one of my favorite sections was on the science in SF movies. (The magazine is still published; whenever I come across it at the campus book store, it takes me back to when I was less jaded and more anti-social.) It answered my doubts on the climax sequence in "Total Recall" (1990), and pointed out that there were several implausible aspects in the premise of "Jurassic Park" (1993). In case of the movies like "Armageddon" (1998) and "Independence Day" (1996)--well, it didn't require a lot of scientific knowledge to discern that they were brainless.