While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
My dinner with Michael Cimino; Emily Ratajkowski's naked ambition; When Disney got trippy; Filmmakers are fans of TCM; Diversity ignores the disabled in Hollywood.
Paul Rudd and writer/director Rob Burnett talk about their new film "The Fundamentals of Caring."
Why Viggo Mortensen is off the grid; How Netflix became Hollywood's frenemy; Ted Kotcheff on "First Blood"; Insomnia and philosophy; Bruce Dern at 80.
A report from the 2005 Cannes Film Festival.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Susan Wloszczyna.
An interview with Thomas Haden Church, star of "Max."
Meet the critics attending Ebertfest 2015.
Minda Kaling; A Japanese remake of Sideways; Superblogs and entertainment journalism; An interview with legendary documentarians; Paul Schneider interview.
Richard Roeper reflects on his long friendship and professional association with Roger Ebert.
Jason Bateman talks about directing, working with kids, and shaking up his nice-guy image for an R-rated comedy.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Missing Roger's Oscars prognostications and his top ten lists. And making a list of my own.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Writer Susan Wloszczyna responds to our Movie Love Questionnaire.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".
The racial empathy gap in moviegoing; the struggle to preserve old videotape; how critics view the "bad mothers" in "The Killing"; candidates for the best modern black-and-white films; Questlove reflects on the Trayvon Martin verdict.
The New York Times' David Carr admits that Glenn Greenwald is a journalist; Criterion Collection appreciates Alex Cox's Repo Man; poets go to the movies; James Franco's never-ending navel-gaze; David Edelstein dismantles The Way, Way Back; Kerry Washington on the cover of Vanity Fair; Dennis Hopper documentary.
Now that the Cannes Film Festival is over, critics Ben Kenigsberg and Michał Oleszczyk take a look back over the festival.
Ben Kenigsberg recaps Cannes's post-awards press conferences and closing-night party.
Barbara Scharres reports on the winners at the Cannes Film Festival.
Bruce Dern and Will Forte reminisce about their father-son road trip in Alexander Payne's "Nebraska."
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks good in the long shots, but needs more emotional subtlety.
Ben Kenigsberg looks forward to the parallel programs at this year's Cannes Film Festival.
Barbara Scharres sets the stage the 66th annual Cannes Film Festival.