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Wang Movie Reviews
Blog Posts That Mention Wang
I Will Be Happy if I Can Say I’ve Done My Best: Eye Surgeon Dr. Ming Wang on Sight
Looking for Loneliness: Wayne Wang on His Career
It Didn’t Take Long for Me to Feel Empathy: Nanfu Wang on In the Same Breath
Saying Goodbye: Revisiting Lulu Wang’s The Farewell
Early Shorts by Great Filmmakers Pt 2: Jenkins, Wang, Waititi, Diop
“I’m Not Special”: Lulu Wang Serves Cocktails Garnished with Industry Truths and Filmmaking Advice at Behind-The-Bar Q&A
Lulu Wang on The Farewell, How Horror Movies Influenced Her True-Life Dramedy and More
Hot Docs 2017 Interview: Nanfu Wang on “I Am Another You”
Patrick Wang’s “In the Family” Captures Intimate Human Drama
Grace Wang of Toronto discusses “The Hurt Locker”
Wayne Wang: Twenty-six years of good movies
Sundance Film Festival Announces 2026 Line-Up
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
TIFF 2025: Dust Bunny, The Furious, Normal
Robert Daniels & Odie Henderson Talk Sinners
Creating a Meta-Rom-Com: Karen Morey and Terence Chen on “Meet Cute in Manhattan”
SXSW Film Festival 2025: Forge, Slanted, The True Beauty of Being Bitten by a Tick
2025 Sundance Film Festival Announces Ambitious Program
Jimmy O. Yang Shines in Excellent “Interior Chinatown”
TIFF 2024: Dead Talents Society, Else, Dead Mail
Locarno Film Festival 2024: Wrap-Up of a Special Event
Locarno Film Festival 2024: By the Stream, Toxic, Drowning Dry, When the Phone Rang
Locarno Film Festival 2024: Youth (Hard Times), Transamazonia, Moon
One Big Fortune: Remembering Corey Yuen
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
The Weight of Smoke (and Blue in the Face): The Magic of Paul Auster
The 10 Best Movies Made for Under $50,000
Short Films in Focus: The 2024 Oscar-Nominated Short Films
A Farewell from Our Literary Editor, Matt Fagerholm
Sundance 2024: Didi, In the Summers
Spirit Awards 2024: A Platform for Essential Independent Films
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
The Power of Community: Steve Cohen and Paula Froehle on the Chicago Media Project’s A Decade of Docs Fundraiser on October 28th
Welcome Robert Daniels, Our New Associate Editor of RogerEbert.com
59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts
TIFF 2023: Alice & Jack, Expats, Sly
Home Entertainment Guide: August 2023
He Did It All: William Friedkin (1935-2023)
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Cannes 2023: Last Summer, Perfect Days, La Chimera, The Old Oak
Cannes 2023: The Idol, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon
Cannes 2023 Video #4: Ben Kenigsberg on Fallen Leaves, Youth (Spring) and More
Disney Version of American Born Chinese Entertains Even as It Dilutes Its Source
Gremlins: Secrets of the Mogwai Reignites Beloved Property
Cannes 2023: Black Flies, Youth (Spring), Homecoming
Oscars 2023: Inside the Press Room with the History-Making Winners
Oscar Predictions 2023: Who Will Win This Year
10 Major Snubs and Surprises from the 2023 Oscar Nominations
The Great Filmmaking Craft of 2022
The 25 Best TV Series of 2022
Home Entertainment Guide: May 2022
The Profound and the Profane Belong to Each Other: Daniels on Everything Everywhere All at Once
William Hurt: 1950-2022
Brenda Robinson Elected as Chair of Board of Directors at Film Independent
Home Entertainment Guide: July 2021
Short Films in Focus: H.A.G.S. (Have a Good Summer)
Doc10 Festival 2021: Three Highlights of a Powerful Year
A Celebration of Lee Isaac Chung’s Minari
Sundance 2021: In the Same Breath, Censor
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
How the Next Oscars Could Mirror 1997
Venice Film Festival 2020: In Between Dying, The Best is Yet to Come, Topside
Celebrating Our Ebert Fellows in Quarantine
EBERTFEST FILM FESTIVAL 2020 CANCELLATION: WHY IT HURTS
Women Hold Key Positions in Chapel Hill’s Film Fest 919
On Natalie Portman’s Statement Dress at the 2020 Oscars
Welcome to Women Writers Week 2020
We Are All Connected: Backstage at the 2020 Academy Awards
The 4-Star Films of 2019
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
Parasite, Little Women Lead Chicago Film Critics Awards
Home Entertainment Guide: December 12, 2019
Once Upon a Time … in Hollywood Leads Chicago Critics Nominations
Home Entertainment Guide: November 14, 2019
We Are a Nation of Immigrants: Gregory Nava on His Masterpiece, El Norte
TIFF 2019: Coming Home Again, Hope Gap, Simple Women
TIFF Announces First Wave of Gala and Special Presentation Films
