Pedro Almodovar Movie Reviews
Blog Posts That Mention Pedro Almodovar
Almodovar’s limp noodle, Panahi’s home movie
Barbara Scharres
VIFF #3: Almodovar gets skin deep
Jim Emerson
TIFF 2016: “A Quiet Passion,” “Julieta,” “Two Lovers and a Bear,” “Tramps”
Alexander Huls
Precious Based on the Movie Female Trouble by John Waters
Jim Emerson
TIFF: Death and the Madre
Jim Emerson
TIFF #1: Darwin, Herzog, the Coens and the Antichrist
Roger Ebert
If We Picked the Winners: The 97th Academy Awards
Brian Tallerico
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Godfrey Cheshire
Venice Film Festival 2024: Prepping for the Biennale
Glenn Kenny
The Key to Directing is Nurturing: Goran Stolevski on Of an Age
Nick Allen
Fantastic 4K Box Set Captures Legacy of Sony Pictures Classics
Brian Tallerico
Meet the Guests of Ebertfest 2022
Chaz Ebert
Overdue Oscars: 10 Directors Looking for Their First Academy Award
Susan Wloszczyna
A Look Back at the 2021 Middleburg Film Festival
Susan Wloszczyna
A Preview of the 57th Chicago International Film Festival
Peter Sobczynski
NYFF 2021: The Tragedy of Macbeth, Festival Highlights
Godfrey Cheshire
Cannes 2021 Video #2: Annette, Jury Press Conference
Chaz Ebert
Virtual Ebert Symposium 2020 Will Kick off October 8th, Explore the Evolving Media Landscape
Chaz Ebert
Cannes Flashback: Wonderstruck, Netflix Controversy and More
Chaz Ebert
Home Entertainment Guide: February 6, 2020
Brian Tallerico
Home Entertainment Guide: January 23, 2020
Brian Tallerico
Joker Leads Oscar Nominations
Brian Tallerico
Not defending the Marvel Cinematic Universe
Omer M. Mozaffar
Cannes 2019 Video #8: Justice Singleton, Elizabeth & Pamela Guest and the Ebert Fellows
Chaz Ebert
Cannes 2019 Video #3: Sorry We Missed You, Les Miserables, Rocketman and More
Chaz Ebert
Cannes 2019: Pain and Glory, Little Joe
Barbara Scharres
Doris Day: 1922-2019
Carrie Rickey
Cannes 2019: Preview of the 72nd Festival
Barbara Scharres
Cannes 2019 Video #1: The Walking Dead Stroll the Red Carpet to Open the Festival
Chaz Ebert
Thumbnails Special Edition: Sundance 2018
Matt Fagerholm
Sundance 2018: Loveling, Pity, The Guilty
Tomris Laffly
Everything You Know About Cannes vs. Netflix is Wrong
Lisa Nesselson
Cannes 2017: “Based on a True Story”
Barbara Scharres
Cannes 2017: “L’amant double,” “Good Time,” “12 Days”
Barbara Scharres
Cannes 2017: “Happy End,” “The Meyerowitz Stories,” “Before We Vanish”
Barbara Scharres
Cannes 2017 Video #2: “Wonderstruck,” Netflix Controversy and More
Chaz Ebert
Cannes 2017: The Fest Opens with “Ismael’s Ghosts,” “Loveless”
Barbara Scharres
Cannes 2017 Video #1: Preview
Chaz Ebert
Cannes Film Festival 2017 Preview
Barbara Scharres
Home Entertainment Consumer Guide: February 23, 2017
Brian Tallerico
Magic Lantern Show: The Sensual Pleasures of “The Third Man”
Matt Zoller Seitz
Home Entertainment Consumer Guide: August 28, 2014
Brian Tallerico
Cannes 2014, Day Three: “Winter Sleep,” “Wild Tales”
Barbara Scharres
Thumbnails 5/6/14
Matt Zoller Seitz
Ca va bien: Two Godard Films New to DVD and Blu-ray
Peter Sobczynski
The best movies of 2006
Roger Ebert
Ebert’s Four-Star Movies of 2006
Roger Ebert
The bookie for the Palme d’Or
Barbara Scharres
5/14: Swanky 3-D goggles for the chic cineaste
Barbara Scharres
The “Best” Non-English-Language Films (Round 1)
Jim Emerson
“The Messenger” discussed by Omar Moore of London and San Francisco
Omar Moore
TIFF #3: Some of the films I’ve seen
Roger Ebert
The best foreign films of 2009
Roger Ebert
The best documentaries of 2011
Roger Ebert
Cannes #10: And, at last, the winners are…
Roger Ebert
Cannes #9: “I got in!” and other tales, and some great beauties of the festival
Roger Ebert
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