What She Said: The Art of Pauline Kael
Himself
Paul Schrader
Paul Schrader
Paul Schrader Movie Reviews
Hitchcock/Truffaut
Himself
Oh, Canada
Director
Master Gardener
Director
The Card Counter
Director
First Reformed
Writer
Dog Eat Dog
Director
Dying of the Light
Director
The Canyons
Director
The Walker
Written and directed by
Dominion: Prequel to the Exorcist
Directed by
Auto Focus
Directed by
Bringing Out the Dead
Written by
Affliction
Written and Directed by
Touch
Written and Directed by
Taxi Driver: 20th Anniversary Edition
Written by
City Hall
Written by
Light Sleeper
Written and Directed by
The Comfort Of Strangers
Directed by
Patty Hearst
Directed by
Blog Posts That Mention Paul Schrader
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
The Silence: Paul Schrader on First Reformed
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Cannes 2016: Laura Poitras’ “Risk” and Paul Schrader’s “Dog Eat Dog” at Directors’ Fortnight
Paul Schrader: Porn Again?
Loose Canon: Paul Schrader and the end of movies
Starting out at 2 a.m. with Paul Schrader after a Toronto premiere
Paul Schrader: “Hard Core”
Trash and Art: Critics on/of Pauline Kael
Pauline and Renata Go Showboating
Schrader: Indies are scavenger dogs, scouring the planet for scraps
TIFF 2024: Dahomey, Bird, Oh Canada
Venice Film Festival 2022: A Couple, Bones and All, Master Gardener
TIFF 2017: “The Shape of Water,” “First Reformed,” “Darkest Hour”
“Affliction”
Thumbnails 10/20/14
Eyeless in Monument Valley
Preview of Coming Attractions
Clowns and Nazis, Take 4
Opening Shots: ‘Cat People’ (1982)
George C. Scott watches the Jack and Jill Trailer
Drive: Yellow light, red light, blue light, pink light
Mourning (and assessing) Bergman
Still hungry? A Feast for the eyes…
Film noir: Carved in black & white
Do the Contrarian (Part II)
Mishima: Blood cult
Movies too personal to share with an audience
Repeatable pleasures
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Ossie Davis and Ruby Dee
Meet the Writers: Zachary Lee
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
I Doubled in Size: Lee Pace on the Legacy of “The Fall”
The Tarantino Dozen
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
TIFF 2024: 20 World Premieres We Can’t Wait to See
Home Entertainment Guide: July 2024
Home Entertainment Guide: June 2024
Cannes 2024: Normal Normal or Cannes Normal?
Cannes 2024: Kinds of Kindness; Oh, Canada; Scénarios
A Preview of the 2024 Cannes Film Festival
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
A Farewell from Our Literary Editor, Matt Fagerholm
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
Print the Legend: On the Legacy of William Friedkin
The Best Films of 2023 … So Far
Everything Is Fate: Julian Sands (1958-2023)
Home Entertainment Guide: June 2023
Cannes 2023: Close Your Eyes, plus Quentin Tarantino
Martin Scorsese was Roger Ebert’s Favorite Director
Chicago Critics Film Festival 2023 Preview: Chicago Premieres of Acclaimed Films from Around the World
10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More
Empathy Machine: Diary of a Country Priest
Tom Luddy (1943-2023)
Ebertfest Film Festival 2023 Passes On Sale December 12th
Home Entertainment Guide: July 2022
The Case for The Card Counter’s Tiffany Haddish as One of 2021’s Best Performances
West Side Story Leads the 2021 Chicago Critics Nominees
Fantasia 2021: Hellbender, The Righteous, The Last Thing Mary Saw
A Preview of the 2021 Karlovy Vary International Film Festival
Sitting in the Undefined: Philip Ettinger on The Evening Hour
Bright Wall/Dark Room July 2021: You Were Frameable: American Gigolo and Richard Gere’s Mirrored Sex Appeal by Elizabeth Cantwell
Bringing Out the Dead: A Pandemic Dialogue
The Whole Parade: On the Incomparable Career of Nicolas Cage
Joy: My Memories of Ebertfest
The Bonus Situation: Yaphet Kotto, 1939-2021
Michael Chapman: 1935-2020
Home Entertainment Guide: August 20, 2020
Smile When You Say That: Joker’s Last Laugh
Ebertfest Film Festival 2020 Passes On Sale November 1st
Living His Art: Nadav Lapid on Synonyms
From Don’t Look Back to Rolling Thunder Revue: The Cinema of Bob Dylan
Chicago Critics Film Festival Announces Full Schedule, Special Guests
Bright Wall/Dark Room April 2019: Religious Cinema for Non-Believers: Scorsese’s Silence
True/False 2019: Caballerango, American Factory, The Hottest August, Finding Frances
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
The Favourite, Roma Lead 2019 Oscar Nominations
Roma, Vice, Black Panther Win Big at 24th Critics’ Choice Awards
The RogerEbert.com Interviews of 2018
The Great Performances of 2018
The Individual Top Tens of 2018
Sheila O’Malley’s Top Ten Films of 2018
Peter Sobczynski’s Top Ten Films of 2018
Christy Lemire’s Top Ten Films of 2018
Matt Fagerholm’s Top Ten Films of 2018
Melancholy Optimist: Paweł Pawlikowski on Cold War
The Ten Best Films of 2018
Roma Wins Big with Chicago Film Critics
Roma, The Favourite, A Star is Born Lead Chicago Film Critics Nominees
The 4-Star Reviews of 2018
My List of Movies to See Before the End of 2018
NYFF 2018: Roma, Her Smell, The Ballad of Buster Scruggs, At Eternity’s Gate
RIFF 2018: Welcome to Sodom, Over the Limit, Daughter’s Table
Home Entertainment Consumer Guide: August 30, 2018
My Telluride Film Festival Diary 2008
Believing in Ingmar Bergman’s Cinema
Book Review: People Only Die of Love in Movies: Film Writing by Jim Ridley
