Ready or Not
The film is charismatic and thrilling enough to bypass its shortcomings.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look back at the films that complement Bob Dylan's groundbreaking work as a singer and songwriter.
The full schedule for the 2019 Chicago Critics Film Festival
An essay about Martin Scorsese's Silence, as excerpted from the latest edition of Bright Wall/Dark Room.
Vikram Murthi reports from the True/False film festival.
A list of the winners from this year's Academy Awards.
A full list of the nominations for the 2019 Academy Awards.
Sarah Knight Adamson reports from Santa Monica, CA on the winners and speeches at last weekend's Critics' Choice Awards.
A look back at some of our favorite conversations from the past year, with both stars and filmmakers.
The RE staff on some of their favorite performances of 2018.
An interview with Paweł Pawlikowski, director/co-writer of "Cold War."
Our contributors share some of their favorite movies of 2018.
The ten best films of 2018, as chosen by Peter Sobczynski.
Christy Lemire on the best films of 2018.
Matt Fagerholm's choices for the ten best films of 2018.
The staff choices for the best films of 2018.
Roma wins five CFCA Awards.
The nominees for this year's Chicago Film Critics Association awards.
A compilation of our rave reviews of 2018.
Chaz Ebert reveals her list of movies from 2018 to see before awards season 2019.
Reviews from the New York Film Festival of the latest by Alfonso Cuaron, Alex Ross Perry, the Coen brothers and Julian Schnabel.
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Christian Krönes and Florian Weigensamer’s "Welcome to Sodom," Marta Prus’ "Over the Limit" and Golden Egg contenders including Heui Son’s "Daughter's Table."
A look at the latest on Blu-ray and DVD, including Upgrade, RBG, and Deadpool 2.
A look back at my Telluride Film Festival Journal from August 28th to September 1st, 2008
A body of work at once austere, beautiful, tactile, allusive and deeply generous.
A review of the new book, People Only Die of Love in Movies: Film Writing by Jim Ridley.