It’s unlike few other movies you’ll see this year or possibly this decade.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Our staff choices for the best films from 2010 through 2019.
A look back at the definitive performances from the most exciting American actor working today.
You may have forgotten how hysterically funny this spoof of film documentaries from Bill Hader, Fred Armisen, and Seth Meyers can be. It won’t be long before you remember.
The latest on Blu-ray and DVD, including Wonder, Only the Brave, Roman J. Israel, The Ballad of Lefty Brown, and Walking Out.
A look at what's coming to theaters this January through April.
An interview with John Erick Dowdle and Drew Dowdle, directors of "No Escape."
The latest on Blu-ray/DVD, including "The Knick," "Day For Night," and "Unfriended."
An interview with the legendary Peter Bogdanovich.
A preview of dozens of films being released this Summer.
The epic uncool of Philip Seymour Hoffman; How "Selma" got smeared; The fantasy fueling "Sniper"'s popularity; Paradise in Palm Springs; Looking back at "Before Sunrise."
Highlights of our 2014 interviews, including Woody Allen, Wes Anderson, Kevin Spacey, Terry Gilliam, Eddie Redmayne, Jessica Chastain, Hilary Swank and many more.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
Owen Wilson and Wes Anderson remember L.M. "Kit" Carson, who helped them get their start in the movie business.
Drew Tobia on "See You Next Tuesday"; Charles M. Blow: "Up From Pain"; Talking about Kevin Smith; Rob Walker on "The Haunting"; Joe Berlinger on the changing market for documentaries.
Wes Anderson talks about the sources behind "The Grand Budapest Hotel", dining with his cast every night on location, and the comic gifts of Ralph Fiennes.
"The Wes Anderson Collection" continues with a video essay on "The Life Aquatic with Steve Zissou," probably Anderson's most widely disliked feature, and MZS's personal favorite.
A video essay on Wes Anderson's second film "Rushmore," by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
Appreciation of Kumar Pallana, actor, gymnast, card sharp, juggler, yoga instructor, and a charming presence in the films of Wes Anderson.
From the archives: RogerEbert.com editor Matt Zoller Seitz reprints the first-ever profile of Wes Anderson and Owen Wilson, written for Dallas Observer in 1993
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."
As a companion piece to our reassessment of "At Long Last Love," Peter Bogdanovich recalls the film's orgins, its forgotten pleasures, and the studio-mandated tinkering that turned it into a box office bomb. He also recalls turning down an offer of help from Gene Kelly, casting Burt Reynolds, and a remarkable encounter with Roger Ebert.
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
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Like Mary Poppins, Disney World is "practically perfect in every way." But what our jolly 'oliday with Mary didn't reveal were the slight imperfections alluded to by that phrase's quantifier: Practically perfect? I'll bet Ms. Poppins' small glitches were legendary when they occurred. Maybe her umbrella flights damaged the ozone layer, or her spoonfuls of sugar helped wreck Dick van Dyke's Cockney accent. I speculate about near-perfection because I've been to Walt's Orlando resort 19 times, and while most of these visits went off without a hitch, when things did go wrong, they went wrong in unforgettable, spectacular fashion.