No Bears
Himself
Jafar Panahi
Jafar Panahi Movie Reviews
Blog Posts That Mention Jafar Panahi
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
TIFF 2015: “The Ardennes,” “Desierto,” “Jafar Panahi’s Taxi,” “Victoria,” “Men & Chicken”
Almodovar’s limp noodle, Panahi’s home movie
Iranian director Jafar Pahani begins prison hunger strike (UPDATED)
Panahi gets six years; banned from film for 20
NYFF 2022: No Bears, R.M.N., All the Beauty and the Bloodshed
Cannes 2021: Prayers for the Stolen, The Year of the Everlasting Storm
Cannes 2018: 3 Faces, Happy as Lazzaro
That was the fest that was
The 20 Best Films of 2025 So Far
Cannes 2025 Video #9: Wrap Up
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025 Video #8: Award Winners
Cannes 2025: Our Coverage of Neon’s Remarkable Six-Film Palme d’Or Streak
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
Cannes 2025: Yes, Woman and Child, The Six Billion Dollar Man
Cannes 2025: It Was Just an Accident, Alpha
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
In the Name of Friendship: Matthew Rankin on “Universal Language”
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
The 10 Most Anticipated Films of Cannes 2024
A Preview of the 2024 Iranian Film Festival New York
Criterion Launches Excellent Janus Contemporaries Series
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
The Ten Best Films of 2022
Carlos Aguilar’s Overlooked Films of 2022
58th Chicago International Film Festival Reveals Award Winners
Preview of the 58th Chicago International Film Festival
NYFF 2021: Hit the Road, Unclenching the Fists, The Girl and the Spider
The Best Films of the 2010s
The 2019 Iranian Film Festival
Highlights from the 2018 Los Cabos Film Festival
The New York Film Festival 2018 Preview
TIFF 2018: Burning, Shoplifters, 3 Faces
Cannes 2018: Hirokazu Kore-Eda wins Palme d’Or; Gilliam’s Man Who Killed Don Quixote Film Closes the Fest
Cannes 2018: The Wild Pear Tree, plus awards predictions
Cannes 2018: Leto, Sorry Angel, Border
Cannes Film Festival 2018 Preview: The Top Films Competing For the Palme d’Or
New York Film Festival 2017 Preview
A worthy cause: Godfrey Cheshire’s book on Iranian Cinema
Cannes 2017: “In the Fade,” “You Were Never Really Here,” “Directions”
Godfrey Cheshire on Knowing Abbas Kiarostami Through His Films and Friendship
A Slice of Life: Abbas Kiarostami 1940-2016
Cannes 2016: “The Handmaiden,” “Transfiguration,” “American Honey”
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Home Entertainment Consumer Guide: March 4, 2016
CIFF 2015: “A Very Ordinary Citizen,” “Stinking Heaven,” “Looking for Grace”
NYFF 2015: “The Walk”
NYFF 2015: “Arabian Nights” & “Les Cowboys”
TIFF 2015 Recap: “45 Years,” “Son of Saul,” “Room,” “Spotlight,” and more
TIFF 2015: Table of Contents
Telluride 2015: A Preview, Believe It or Not
The Individual Top Tens of 2014
National Society of Film Critics falls for “Amour”
Pirates of the Riviera
Iranian filmmakers take center stage
National Society: The last best critics awards for 2010
The many kinds of blindness
Introducing the films of Ebertfest 2012
Cannes all winners
