The Tomorrow Man
Lithgow and Danner show us characters who may qualify for Medicare but are every bit as vulnerable and as eager to matter to someone as…
Jafar Panahi
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3 Faces (2019)
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Himself, Director, Writer
Tomris Laffly -
Taxi (2015)
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Himself, Director, Screenplay, Producer, Editor
Glenn Kenny -
Closed Curtain (2014)
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Himself, Director, Screenplay
Godfrey Cheshire -
This Is Not a Film (2012)
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Directed by
Roger Ebert -
Crimson Gold (2004)
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Directed by
Roger Ebert -
The Circle (2001)
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Directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The 2019 Iranian Film Festival
A preview of the 1st Iranian Film Festival, running this weekend in New York.
Highlights from the 2018 Los Cabos Film Festival
A look back at the major films that screened at the Los Cabos Film Festival earlier this month.
The New York Film Festival 2018 Preview
A preview of the 56th annual New York Film Festival.
TIFF 2018: Burning, Shoplifters, 3 Faces
A review of three of this year's biggest Cannes hit from international master filmmakers.
Cannes 2018: Hirokazu Kore-Eda wins Palme d'Or; Gilliam's Man Who Killed Don Quixote Film Closes the Fest
Hirokazu Kore-eda's "Shoplifters" took the Palme d'Or and Asia Argento reiterated her allegations against Harvey Weinstein at the awards ceremony.
Cannes 2018: The Wild Pear Tree, plus awards predictions
Ben Kenigsberg reviews Nuri Bilge Ceylan's "The Wild Pear Tree" and makes predictions for the 2018 Cannes awards.
Cannes 2018: 3 Faces, Happy as Lazzaro
Reviews from the Cannes Film Festival of the latest by Jafar Panahi or Alice Rohrwacher.
Cannes 2018: Leto, Sorry Angel, Border
Reviews from the Cannes Film Festival of three world premieres.
Cannes Film Festival 2018 Preview: The Top Films Competing For the Palme d'Or
A preview of the 2018 Cannes Film Festival.
New York Film Festival 2017 Preview
A preview of the 55th Annual New York Film Festival with commentary on the state of the fest and the Opening Night film by Richard Linklater, "Last Flag Flying."
A worthy cause: Godfrey Cheshire's book on Iranian Cinema
RogerEbert.com's Godfrey Cheshire is writing a book about Iranian cinema.
Cannes 2017: “In the Fade,” “You Were Never Really Here,” “Directions”
On the latest from Lynne Ramsay and Fatih Akin.
Godfrey Cheshire on Knowing Abbas Kiarostami Through His Films and Friendship
Godfrey Cheshire on his encounters with the late Abbas Kiarostami and the director's films.
A Slice of Life: Abbas Kiarostami 1940-2016
A tribute to the late, great Abbas Kiarostami.
Cannes 2016: "The Handmaiden," "Transfiguration," "American Honey"
Three more films from Cannes 2016, including the latest from Park Chan-wook and Andrea Arnold.
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
A look at the devolving marketplace in America for foreign language films.
CIFF 2015: "A Very Ordinary Citizen," "Stinking Heaven," "Looking for Grace"
A report on "A Very Ordinary Citizen," "Stinking Heaven" and "Looking for Grace" from CIFF.
NYFF 2015: "The Walk"
A report from NYFF on Robert Zemeckis' "The Walk".
NYFF 2015: “Arabian Nights” & “Les Cowboys”
A dispatch from the New York Film Festival on Arabian Nights and Les Cowboys.
TIFF 2015 Recap: "45 Years," "Son of Saul," "Room," "Spotlight," and more
A recap of the 2015 Toronto International Film Festival by the contributors who were there.
TIFF 2015: “The Ardennes,” “Desierto,” “Jafar Panahi’s Taxi,” “Victoria,” “Men & Chicken”
A dispatch on five TIFF 2015 films from all over the world.
The Individual Top Tens of 2014
Lists from our critics and contributors on the best of 2014.
National Society of Film Critics falls for "Amour"
Michael Haneke's "Amour," which won the Palme d'Or last May at Cannes, was voted Saturday the best film of 2012 by the prestigious National Society of Film Critics. The award, coming on the eve of voting for the 2013 Academy Awards, confirms "Amour" as a Best Foreign Film frontrunner. Other NSFC winners will also draw welcome attention.
Introducing the films of Ebertfest 2012
Something nice happened to us while we were preparing the schedule for Ebertfest 2012, which plays April 25-29 at the Virginia Theater (above) in Champaign-Urbana, Ill. We'd invited Patton Oswalt to attend with his "Big Fan. He agreed and went one additional step: "I'd like to personally choose a film to show to the students, and discuss it."
Good people facing impossible questions
In its own way, the success of the Iranian film "A Separation" is as remarkable as the success of "The Artist." Neither one seems made for an American audience. One is silent and black and white. The other is from Iran, a nation not currently in official favor. Both just won Academy Awards nominations, following their victories at the Golden Globes last week. "The Artist" had ten, and "A Separation" was nominated not only for best picture but, in a surprise, for Asghar Farhadi's original screenplay.
