The Equalizer 2
Even the most easily satisfied fans of Washington will be unlikely to find much of anything in this sadistic, stupid and sloppy sequel.
Bruce Dern
-
Chappaquiddick (2018)
—
Joe Kennedy
Susan Wloszczyna -
Nostalgia (2018)
—
Christy Lemire -
Our Souls at Night (2017)
—
Dorlan
Susan Wloszczyna -
American Violence (2017)
—
Richard Morton
Brian Tallerico -
The Hateful Eight (2015)
—
General Sandy Smithers
Matt Zoller Seitz -
Cut Bank (2015)
—
Georgie Wits
Brian Tallerico -
Nebraska (2013)
—
Woody Grant
Christy Lemire -
From Up on Poppy Hill (2013)
—
Yoshio
Roger Ebert -
The Cake Eaters (2009)
—
Easy
Roger Ebert -
Down in the Valley (2006)
—
Charlie
Roger Ebert -
Madison (2005)
—
Harry Volpi
Roger Ebert -
Masked and Anonymous (2003)
—
Editor
Roger Ebert -
Monster (2003)
—
Thomas
Roger Ebert -
The Glass House (2001)
—
Begleiter
Roger Ebert -
All The Pretty Horses (2000)
—
Judge
Roger Ebert -
The Haunting (1999)
—
Mr. Dudley
Roger Ebert -
Last Man Standing (1996)
—
Sheriff Ed Galt
Roger Ebert -
The 'Burbs (1989)
—
Mark Rumsfield
Roger Ebert -
The Big Town (1987)
—
Mr. Edwards
Roger Ebert -
On The Edge (1986)
—
Wes Holman
Roger Ebert -
Tattoo (1981)
—
Karl
Roger Ebert -
The Driver (1978)
—
The Detective
Roger Ebert -
Coming Home (1978)
—
Bob Hyde
Roger Ebert -
Family Plot (1976)
—
George
Roger Ebert -
The Great Gatsby (1974)
—
Tom Buchanan
Roger Ebert -
The Laughing Policeman (1973)
—
Leo Larsen
Roger Ebert -
Will Penny (1968)
—
Rafe Quint
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Figuring It Out: The Films of Laura Dern
A look at how Laura Dern became one of the most adventurous actresses working today.
We’re Still the Lunatics: A Special Edition of “The ‘Burbs”
An appreciation of Joe Dante's The 'Burbs on the eve of its Blu-ray Special Edition release.
Thumbnails 6/7/17
Crying through the fight scenes in "Wonder Woman"; Behind Wonder Woman is a great man; How Patty Jenkins saved DC; Tributes to 1978's "Superman"; Ebert on Jenkins.
Thumbnails 6/17/16
Why Viggo Mortensen is off the grid; How Netflix became Hollywood's frenemy; Ted Kotcheff on "First Blood"; Insomnia and philosophy; Bruce Dern at 80.
The Best Performances of 2015
The writers of RogerEbert.com on some of our favorite performances of 2015.
It's time to stop making fun of the National Board of Review
"Who is the National Board of Review, anyway?" is the question. The answer: one of the few major awards groups that's routinely capable of surprise.
Solidarity of Cinema: Kent Jones on "Hitchcock/Truffaut"
An interview with director Kent Jones about his documentary "Hitchcock/Truffaut."
"Wild Canaries": A Manhattan Murder Mystery
An analysis of Lawrence Michael Levine's "Wild Canaries" and its ties to classic rom-com capers.
The Magic of MAGI: Douglas Trumbull’s Quest to Explore a “New Planet of Cinematic Potential”
An interview with Douglas Trumbull.
Thumbnails 4/21/14
Ray Harryhausen's creature drawings; How hollywood killed death; Live-coverage of Hateful Eight reading; Masterful noir films; A short movie.
One Year Later: Richard Roeper on Roger
Richard Roeper reflects on his long friendship and professional association with Roger Ebert.
Top Ten Lists of 2013 From Our Contributors
An exhaustive list of Top 10s by RogerEbert.com contributors.
It Truly Is an Honor Just To Be Nominated
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critic Awards Begin to Shape the Oscar Race
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Thumbnails 12/5/2013
The National Board of Review selects "Her" as best picture; is Jennifer Lawrence the new Anne Hathaway?; Melissa Anderson considers Barbara Stanwyck; how to defend your high school musical; Afghanistan returns to the movies.
New York Film Critics Circle and National Board of Review Start the Oscar Race
Erik Childress looks at the first awards of the season and their possible impact on the Oscar race.
Thumbnails 10/01/2013
How social media turn teens into "friends without benefits"; A.O. Scott suggests some reasons why the centuries-old "conversation about race" keeps surprising everyone and not really leading where it should; Bruce Dern gets the best part of his 77-year life.
#186 September 25, 2013
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".
Book Excerpt: Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses
In the new book "Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses," Chris Nashawaty tells the story of the amazing life and career of Roger Corman through a collection of interviews, which Nashawaty has put together into a blow-by-blow collage account.
Post-Cannes: Two Critics Look Back Over This Year's Festival
Now that the Cannes Film Festival is over, critics Ben Kenigsberg and Michał Oleszczyk take a look back over the festival.
Cannes awards: The jury and winners respond to the awards, then party
Ben Kenigsberg recaps Cannes's post-awards press conferences and closing-night party.
Awards Show Wrap-up: Cannes Report, May 26
Barbara Scharres reports on the winners at the Cannes Film Festival.
Cannes: Bruce Dern and Will Forte visit "Nebraska"
Bruce Dern and Will Forte reminisce about their father-son road trip in Alexander Payne's "Nebraska."
Globe Trotting: Cannes Report, May 23
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks good in the long shots, but needs more emotional subtlety.
Pre-Cannes
May Contain Spoilers
Barbara Scharres sets the stage the 66th annual Cannes Film Festival.
