It’s a dancing elephant of a movie. It has a few decent moves, but you’d never call it light on its feet.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with director Kamran Heidari, in anticipation of a film series running at Brooklyn's Spectale Theater this month.
The latest on Blu-ray and streaming services, including 24 Frames, Mid90s, and White Boy Rick.
A preview of the 1st Iranian Film Festival, running this weekend in New York.
The best films of 2018, according to Simon Abrams.
Reviews from the Cannes Film Festival of the latest by Jafar Panahi or Alice Rohrwacher.
A Q&A recently held by Godfrey Cheshire with Ahmad Kiarostami about his father's final film, "24 Frames."
The newest chapter of our video series takes a look at one of Tobe Hooper's underrated gems.
A preview of the 55th Annual New York Film Festival with commentary on the state of the fest and the Opening Night film by Richard Linklater, "Last Flag Flying."
An interview with actor Michael Cera, star of "Person to Person" and "Lemon."
A report on the latest from Naomi Kawase and the last from Abbas Kiarostami.
A recap of the 2016 Chicago International Film Festival.
Matt writes: Abbas Kiarostami, who passed away July 4th at age 76, was one of the great masters of the cinematic art form. I'll never forget the experience of watching his 1990 landmark, "Close-Up," in its pristine Criterion edition, or becoming entranced by his 2010 masterwork, "Certified Copy," when I first saw it on the big screen. Patrick Z. McGavin wrote a beautiful tribute to Kiarostami, as did Godfrey Cheshire, who reflected on his friendship with the icon. Various staff members at RogerEbert.com also pitched in to offer their own remembrances in a lovely multi-voice piece.
Contributors to RogerEbert.com celebrate the masterful films of the late Abbas Kiarostami.
Godfrey Cheshire on his encounters with the late Abbas Kiarostami and the director's films.
A tribute to the late, great Abbas Kiarostami.
A new breed of female lead; A tale of two Fishers; Penn's hate-watch for the ages; "Paterson" is perfection; "The Salesman" marks Iran's post nuclear deal cinematic resurgence.
A look at the devolving marketplace in America for foreign language films.
An interview with writer/director/editor Stephen Cone about "Henry Gamble's Birthday Party."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Godfrey Cheshire.
A review of Ramin Bahrani's Goodbye Solo from a far-flung correspondent.
An excerpt from "Asghar Farhadi: Life and Cinema" by Tina Hassannia.
Criterion partners with Martin Scorsese to offer amazing treasures of world cinema on Blu-ray and DVD.
Brian Doan wonders if Mark Cousins' "The Story of Film," showing over 15 weeks on TCM this fall, deserves all the praise it has received.
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white men arguing about race, and "Blue is the Warmest Color" takes its time to follow the transition from uncertain teenager to knowing adult.