The Sympathizer
Director/Co-creator
Park Chan-wook
Park Chan-wook Movie Reviews
Blog Posts That Mention Park Chan-wook
A Gilded Cage: Studying the Animals of Park Chan-wook’s Stoker
Extremely Grotesque: Park Chan-wook on Oldboy
A Bold Pleasure: On Park Chan-wook’s “The Handmaiden”
Cannes 2022: Decision to Leave, Tori and Lokita, Funny Pages
Cannes Film Festival Preview 2022
TIFF 2016: Cannes Hits Come to Toronto
Cannes 2016: “The Handmaiden,” “Transfiguration,” “American Honey”
Thumbnails 8/28/2013
The Tarantino Talkies
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
The 25 Best TV Series of 2024
Fantastic Fest 2023 Highlights: The Devil You Know
Home Entertainment Guide: May 2023
Home Entertainment Guide: February 2023
10 Major Snubs and Surprises from the 2023 Oscar Nominations
The Great Filmmaking Craft of 2022
The Great Performances of 2022
The Ten Best Films of 2022
Everything Everywhere All at Once Leads Chicago Film Critics Nominations
Christy Lemire’s Overlooked Films of 2022
Preview of the 58th Chicago International Film Festival
Stay Weird: Highlights of the 2022 Fantastic Fest
Major Questions of the 2022 Oscar Race After TIFF
58th Chicago International Film Festival Announces Full Line-Up, Premieres, Special Guests and More
A Recap of the 2022 Karlovy Vary International Film Festival
Cannes 2022: An Annotated Table of Contents
Cannes 2022: Triangle of Sadness wins Palme d’Or
Cannes 2022: Godland, The Silent Twins, Mariupolis 2, Triangle of Sadness, Holy Spider
Cannes 2022 Video #1: Opening Night Welcomes Ukrainian President Volodymyr Zelenskyy and Final Cut
Netflix’s Visual Essay Series Voir is Worth a Look
Home Entertainment Guide: February 2021
Home Entertainment Guide: November 2020
TIFF Artistic Director Cameron Bailey Reflects On This Year’s Virtual Festival
The Best Films of the 2010s
Finding New Neighbors at the Movies: The Ebert Fellows on Ebertfest 2019
Florence Pugh, Michael Shannon Star in Deliberate, Fascinating The Little Drummer Girl
Just the Beginning: Lynne Ramsay on You Were Never Really Here
More than Mutual Attraction: On “Our Love Story”
HFPA Annual Grants Banquet Set for August 2nd
Fantasia 2017, Day 1: “Museum,” “Tilt,” “The Villainess”
Cannes 2017: The Fest Opens with “Ismael’s Ghosts,” “Loveless”
Cannes 2017 Video #1: Preview
Ebertfest 2017: “Hysteria,” “The Handmaiden,” “Elle”
Ebertfest 2017, Day 2: No Transition Without Representation
Ebertfest Announces Final Slate of Films for 2017
Stars, Music, Movies and Compassion Converge: Ebertfest 2017 Preview
Alliance of Women Film Journalists Announce 2016 EDA Winners
Chicago Film Critics Awards Celebrate “Moonlight,” “Manchester by the Sea,” “The Handmaiden”
The Individual Top Tens of 2016
“Moonlight,” “La La Land” and “Manchester by the Sea” Lead 2016 CFCA Nominees
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
TIFF Announces First Wave of Galas and Special Presentations
Cannes 2016: Palme d’Or Predictions
Video: “Loving,” “The Handmaiden,” “Paterson,” “Toni Erdmann”
Cannes 2016: Festival Preview
Personal Expression: Alfonso Gomez-Rejon on “Me and Earl and the Dying Girl”
Thumbnails 3/6/15
Sundance 2015: “Me and Earl and the Dying Girl”
Reverse Trip: Charting the History of Bong Joon-Ho’s “Snowpiercer”
Snowpiercer
Why most modern action films are terrible
Free sample of Ebert Club Newsletter
5/14: Swanky 3-D goggles for the chic cineaste
A precious American girl, a Japanese love doll, Iranian rockers, and a Korean vampire
Torture porn: Want popcorn with that?
A South Korean “Zodiac”
Fighting after the war is over
Moore takes top award for ‘Fahrenheit 9/11’
Bai Ling: Slice, dice, smile
