X-Men: Apocalypse is a confused, bloated, mess of a film.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from Sunday's presentation of Oscar Micheaux's "Body & Soul," featuring a score from Renée Baker and the Chicago Modern Orchestra Project.
Ebert Fellow Shalayne Pulia interviews Renée Baker of the Chicago Modern Orchestra Project about her score for "Body & Soul," as presented Sunday at Ebertfest.
The Saturday of this year's Ebertfest is tackled by four of our contributors.
An interview with actress Nancy Allen after a presentation of "Blow Out" on Saturday night at Ebertfest.
A new video from Shatterglass Studios that celebrates Ebertfest. Get your passes for 2016 now!
A report on the Mickey Mouse Club reunion at D23.
Leonard Maltin writes about his visit to Ebertfest 2015.
Videos from Ebertfest 2015.
Meet the critics attending Ebertfest 2015.
A recap of the 2015 TCM Film Festival.
A preview of Ebertfest 2015.
Jana Monji reports on iconic actress Sophia Loren being honored at the 2014 AFI Fest.
Sheila writes: Susan Wloszczyna and Brian Tallerico, from Rogerebert.com, were both at the 39th annual Toronto Film Festival. So many films to see in so little time! I look forward to checking out many of the titles. You can check out all of the reviews here, listed out in the Table of Contents. Rogerebert.com's Odie Henderson also attended the festival and he sent in a a dispatch of his favorites. What films are you looking forward to the most this fall?
A tribute to Leonard Maltin by RogerEbert.com's writers, on the occasion of his reference book Leonard Maltin's Movie Guide ceasing publication after 45 years.
An interview with film critic Leonard Maltin.
Greg Salvatore on the LA premiere of "Life Itself"; How John Oliver Changed TV; Michael Mirasol on "Do the Right Thing"; 2014 fails The Bechdel Test; Steve James talks to The Daily Beast.
Sheila O'Malley interviews Greg Salvatore, Ebert Club member and contest winner, about "Life Itself" and Roger Ebert's personal impact on him.
Sheila writes: Welcome to the "Life Itself" Special Edition of the Ebert Club newsletter! The film, directed by Steve James, opens on July 4 in select cities (and on demand), with more dates and cities to follow. You will find more information about that below, as well as an exclusive for the newsletter: an interview with Ebert Club member Greg Salvatore, who won tickets to the L.A. premiere of "Life Itself" at the Google+ Hangout held on Roger's birthday. He was generous enough to share his thoughts with us and let us experience the L.A. premiere vicariously. There's lots more below. Here is the official trailer for "Life Itself."
Far Flung Correspondent Anath White reports from the Santa Barbara International Film Festival.
Fiona Apple fumes; defending "The Story of Film"; bringing "Gravity" lovers back to earth; inside the Tenenbaum house; David Byrne on how the 1% Are Ruining New York.
Leonard Maltin talks B-movies on a panel at Comic-Con.
What’s happened to physical comedy? Have we’ve lost the desire to stimulate the part of the brain pratfalls talk to? Max Winter wants answers to these questions, and wonders if the great silent comedian Harold Lloyd can provide them.
UPDATED (4/17/13): A selection of tributes and memories from those who knew, and read, Roger Ebert. More will be added as we collect them:
"For a generation of Americans -- and especially Chicagoans -- Roger was the movies. When he didn't like a film, he was honest; when he did, he was effusive -- capturing the unique power of the movies to take us somewhere magical.
"Even amidst his own battles with cancer, Roger was as productive as he was resilient -- continuing to share his passion and perspective with the world. The movies won't be the same without Roger, and our thoughts and prayers are with Chaz and the rest of the Ebert family."
-- President Barack Obama, April 4, 2013
Matt Singer wrote a thoughtful piece against piracy a few days ago here on Criticwire. I read it with great interest. And I believe that he is correct, provided that Piracy fits a certain context. Let me try and provide some background.When I started writing movie reviews, I was living in the Philippines, a third-world country. Movie-going is deeply tied into our entertainment habits. The masses, most of whom are not able to afford most forms of entertainment, at least have theaters we can go to to escape the hardships of reality.
It's a sunny, unseasonable 80 degrees as the 2012 Santa Barbara International Film Festival kicks in, but all I want is to be indoors. When you peer at a schedule listing nearly 200 films jammed into 10 days, and you just can't wait, you know you're an addict. This is my third SBIFF so I recognize the signs.
Suddenly each January, there's an extra bustle in this appealing, laid-back town. Downtown on lower State Street, trucks appear bearing vivid banners, soon to be festooned overhead. Special lights and rigging go up at 2 central venues - the precisely restored, historic Lobero and Arlington Theatres. Locals watch to see whether Festival Director Roger Durling changes his hair: one year it was spikey, another year purple. This time it's rather like Heathcliff - longer, romantic.