xXx: Return of Xander Cage
The last forty minutes of the movie do come together in a pretty diverting way.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An article about Ebertfest, Roger Ebert's Film Festival 2017 passes, which are now on sale.
The first films announced for the 2016 Toronto International Film Festival.
An excerpt from the July 2016 issue of Bright Wall/Dark Room about Steven Spielberg and "Empire of the Sun."
Roger's Favorites: Jane Campion, writer/director of "The Piano."
Roger's Favorites: writer/directors Terrence Malick and Charlie Kaufman.
An interview with Benjamin Walker and Teresa Palmer, the stars of "The Choice."
With the release of Anomalisa, previous Charlie Kaufman masterpieces are coming back to the big screen.
Contributors to RogerEbert.com each list their favorite films of 2015.
An article on Ebertfest 2016 passes available for purchase on November 2nd.
An appreciation of Manoel de Oliveira on his passing.
An interview with Benedict Cumberbatch.
Passes for Ebertfest 2015 will go on sale Saturday, November 1st.
A report from the New York Comic-Con previewing the upcoming films, "Penguins of Madagascar" and "Home."
Migizi Pensoneau on "The Daily Show"; Why NYT TV criticism is so bad; Netflix's terrible selection; David Simon on the death of the middle class; John Cusack: "Hollywood is a whorehouse."
Three new programs premiere on NBC this week. None are worth your time.
What happens when actors play themselves? Something funny, and often magical, as this Leigh Singer supercut proves. Text by Matt Zoller Seitz.
Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....
Alan Sepinwall breathes fire on people who spoil Game of Thrones plot developments for newcomers; why the new Doctor Who should be a man, again; the late Iain Banks in his own words; John Malkovich saves a man's life; why you won't read to the end of anything; like air guitar, but with sex.
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
Happy New Year from the Ebert Club!TRAILERS
Fred Zinnemann's "The Day of the Jackal" (1973) is a great example of how a film can do a good job of creating tension and involving the viewer by sticking with the most basic cinematic elements. We have the benefit of comparing it with a remake ("Jackal," 1997) that went on the opposite direction and by wrongly doing everything that its predecessor got right, making he merits of the earlier version all the more evident. Both are distinctive reflections of how studios perceived audience tastes in their respective time periods. They are as different as two movies based on the same source might be and can hardly be classified in the same genre. The later entry is a brainless action flick; the original is a "thriller" in every sense of the word.
Marie writes: Remember Brian Dettmer and his amazing book sculptures? Behold a similar approach courtesy of my pal Siri who told me about Alexander Korzer-Robinson and his sculptural collages made from Antiquarian Books. Artist's statement:"By using pre-existing media as a starting point, certain boundaries are set by the material, which I aim to transform through my process. Thus, an encyclopedia can become a window into an alternate world, much like lived reality becomes its alternate in remembered experience. These books, having been stripped of their utilitarian value by the passage of time, regain new purpose. They are no longer tools to learn about the world, but rather a means to gain insight about oneself."
Marie writes: Once upon a time, a long time ago and in a childhood far, far away, kids used to be able to buy a special treat called a Frosted Malt. Then, with the arrival of progress and the subsequent destruction of all that is noble and pure, the world found itself reduced to settling for a frosty at Wendy's, at least where I live. Unable to support a "second rate" frosted malt for a second longer, I decided to do something about it!
David Cronenberg's "The Dead Zone" (1983) is my favorite adaptation of a Stephen King horror novel. Some parts from "The Shawshank Redemption" are terrifying in a different way, and are better classified in other genres. I'm also fond of some of the other films his works have inspired. "Carrie" and "The Shining" were mostly outstanding, but the casting of adults as teens in the first and the absence of an everyman feel to the lead protagonist in the second are the main reasons why I place "The Dead Zone" above them. The latter films were made by exceptional directors (DePalma and Kubrick), but Cronenberg's taste for the unusual, turned out to be a more adequate fit for King's material.