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Timbuktu

A work of almost breathtaking visual beauty that manages to ravish the heart while dazzling the eye simultaneously, neither at the expense of the other.

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Black or White

This racially charged domestic drama about a custody battle over a mixed-race child is painfully honest but also painful—and not in a good way.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Thumbnails 12/13/2013

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Critic Inkoo Kang deems "The Wind Rises" disgraceful; critic Amy Nicholson deems "Saving Mr. Banks" a spoonful of lies; the prison memoir by an African American has been discovered; real 2013 heroines of film; an academy taxonomy.

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Thumbnails 9/11/2013

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The "Enough Said" Cast Remembers James Gandolfini at TIFF; the best of film noir; why "men are the new women" is a big old myth; a LGBT journalist's campaign to out closeted Russian lawmakers; the wonders of "Wadja"; the fine line between porn and HBO.

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#180 August 14, 2013

Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.

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Get Shorty

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It is a jungle out there in Hollywood, and "Get Shorty" presents the various kinds of animals residing at the lower strata of that jungle through a pungent but cheerful satire about one nutty pre-production process.

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Thumbnails 7/1/2013

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My mom, the criminal; two new books that want to be the next Lolita; heart disease cut in half, but we're not cheering; how to take care of your smartphone battery; remembering the actress Elizabeth Hartman; R. Crumb's rejected gay marriage New Yorker cover; the most popular movies outside the United States

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Thumbnails 6/21/2013

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The four basic aspects of being a bro; the rarely-seen sic-fi film High Treason, seen in Chicago; that darned Sopranos, with its infuriating cut-to-black ending; why internships don't lead anywhere; Mad Men sells sunny products, despairing drama.

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#165 May 1, 2013

Marie writes: Intrepid club member Sandy Khan has sent us the following awesome find, courtesy of a pal in Belgium who'd first shared it with her. "Got Muck?" was filmed by diver Khaled Sultani (Emirates Diving Association's (EDA) in the Lembeh Strait, off the island coast of Sulawesi in Indonesia. Camera: Sony Cx550 using Light & Motion housing and sola lights. Song: "man with the movie camera" by cinematic orchestra.

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Free sample of Ebert Club Newsletter

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This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.

Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.

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#152 January 23, 2013

Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest

(click to enlarge.)

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