The Dead Don't Die
A leisurely film about the end of the world, with flesh-eating and lots of jokes and a few moments of eerie beauty.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The most comprehensive guide imaginable for the first three Star Wars films.
As we as a culture attempt to course correct and shun abusers and manipulators in favor of vulnerable people and survivors, Tan and Shirkers have provided me with a personally liberating framework.
The newest on Blu-ray and DVD, including Bohemian Rhapsody, A Star is Born, and Overlord.
A review of three horror films from the Sundance 2019 Film Festival.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
An interview with Thomasin Harcourt McKenzie, the star of "Leave No Trace."
Greta Gerwig is the fifth woman to be nominated for the Oscar for Best Director.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
A review of "Middle-earth: Shadow of War," a game heavily influenced by fiction, film, and other games.
A look at the entire "Alien" franchise, and a reappraisal of its unloved installments.
Steven Spielberg's "The BFG" has its world premiere at the Cannes Film Festival.
Guillermo del Toro's key theme; Silent frame rates and DCP; Exciting news from Sheila O'Malley; New "Star Wars" music; Unsinkable Effie Brown.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Brian Tallerico.
An obituary for the great Christopher Lee.
A list of the two-and-a-half-star reviews so far posted on RogerEbert.com this year.
How Hollywood keeps out women; Why color correction matters; Spike Lee on digital film viewing; All things shining in "The Tree of Life"; Togetherness in "Avengers: Age of Ultron."
An interview with Oscar nominee Saoirse Ronan, who came to Sundance this year with two films, "Stockholm, PA" and "Brooklyn."
An interview with Douglas Trumbull.
Highlights from the 2014 Comic-Con, including "Mad Max: Fury Road," "The Book of Life," "The Boxtrolls," "Hitman: Agent 47," and more.
Erik Childress looks at the first awards of the season and their possible impact on the Oscar race.
Brian Doan wonders if Mark Cousins' "The Story of Film," showing over 15 weeks on TCM this fall, deserves all the praise it has received.
What Antoinette Tuff's courage and compassion teaches us; James Cameron says all 3D is inevitable; Peter Jackson may direct a "Dr. Who" episode; the Hollywood feminism of "Tootsie"; a film about the 2011 Chile student riots; introducing Chelsea Manning; real film radicals.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was just a kid, of how he was inspired by Willis O'Brien's pioneering special effects, and of how that led him to his grand career in the field of stop-motion animation. In some sense, Harryhausen inspired me in the same way that O'Brien did him. I'm not exaggerating when I say that he changed my life.
Jan de Bont's "Speed 2: Cruise Control" is one of the most maligned movies of all time, earning the wrath of critics and audiences alike. It has a Rotten Tomatoes rating of two percent and an average IMDB grade of 3.5--levels usually reserved for such monstrosities as The Village People's "Can't Stop the Music" (8/ 3.7) and the insult to all things good and decent that is Adam Sandler's "That's my Boy" (21/ 5.5). Judging from its box office performance, more people hated "Speed 2" than actually saw it. Yet I have to admit that after watching it on its opening weekend in 1997, I left the theater more than happy and was not surprised by the thumbs-ups it received from Siskel & Ebert. Then all hell broke loose. When I dis a movie a friend likes, all he has to do is bring up "Speed 2."