A wild whirlwind of a mess, without any coherence, without even a guiding principle.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The full schedule for the 2019 Chicago Critics Film Festival
A review of FX's What We Do in the Shadows.
An interview with John C. Reilly about his performance as Oliver Hardy in the Laurel and Hardy film, Stan & Ollie.
A review of the second season of Netflix's Big Mouth.
A preview of what to watch this Fall season.
An interview with Lil Rel Howery, star of "Uncle Drew" and "Get Out."
A recap of last night's highlights and winners at the 2018 Film Independent Spirit Awards.
An article about this year's nominees for the Film Independent Spirit Awards.
The latest and greatest on Blu-ray and DVD and streaming, including "The Big Sick," "Certain Women," "Wonder Woman," and Ken Burns and Lynn Novick's "The Vietnam War."
A report from the Venice Film Festival on three world premieres.
Some of our favorite performances of 2016.
An interview with Jeff Nichols, writer/director of "Loving."
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
An interview with writer/director Jeff Baena about his indie blockbuster "Joshy."
The first films announced for the 2016 Toronto International Film Festival.
A preview of the 2016 version of the Chicago film lovers' event, including more than two dozen Chicago premieres.
A review of the latest from Olivier Assayas and Jeff Nichols.
A preview of dozens of films coming out this summer.
A report from SXSW 2016 on the latest from Ti West, Keegan-Michael Key & Jordan Peele, John Michael McDonagh and more.
The Best Performances of Sundance 2016.
Reviews from Sundance 2016 of US Dramatic Main Competition titles "Tallulah," "The Intervention" and "Joshy."
An interview with Nick Kroll, star of "Adult Beginners."
"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss