Night Falls On Manhattan
Screenplay by
Lumet
Lumet Movie Reviews
Blog Posts That Mention Lumet
Revisiting Sidney Lumet’s The Verdict
A Life on Film: Nancy Buirski on “By Sidney Lumet”
Cannes 2015: “My Golden Days,” “By Sidney Lumet,” “Irrational Man”
Sidney Lumet: In Memory
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Home Entertainment Guide: November 2024
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
Marvel’s Black Villain Era
How Cold War Thrillers Expressed Presidential Campaign Concerns
Home Entertainment Guide: May 2024
I Need Your Magic: M. Emmett Walsh (1935-2024)
Female Filmmakers in Focus: Meg Ryan on What Happens Later
He Did It All: William Friedkin (1935-2023)
Prince of the Cinema: Treat Williams (1951-2023)
A Disappearing Act: David Warner (1941-2022)
We’re Only as Good as Our Generation: Ethan Hawke on The Last Movie Stars
Fantasia 2022: Coupez!, Hard Boiled, Cavalcade of Perversions: A Regular Little Orgy
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
Showtime’s The Man Who Fell to Earth Builds Off a Classic
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
I’m a Sound Man: Brian De Palma’s Blow Out at 40
Ned Beatty: 1937-2021
Jessica Walter: 1941-2021
CBS’s Clarice Dilutes the Sprawling Strangeness of Its Source
Christopher Plummer: 1929-2021
John le Carré: 1931-2020
Bonded and Unbound: Sean Connery, 1930-2020
The Art Takes You Out of This: RZA on Cut Throat City
Joel Schumacher: 1939-2020
An Invitation to An Unforgettable Wedding in Rachel Getting Married
Home Entertainment Guide: February 6, 2020
Home Entertainment Guide: January 23, 2020
Where the Scene Lives: Alex Thompson and Kelly O’Sullivan on Saint Frances
Ebertfest 2019: A Photo Journal
Finding New Neighbors at the Movies: The Ebert Fellows on Ebertfest 2019
Ebertfest 2019, Day 2: Coeur Fidele, Rachel Getting Married, Bound
DOC10 2019 Preview: Hail Satan?, One Child Nation and Seven More Highlights
Ebertfest 2019 Reveals Full Line-Up Honoring Scott Wilson, Richard Roeper and Jonathan Demme
Celebrating the Artifice: Laurent Bouzereau on Spielberg, Hitchcock, De Palma and More
Goodbye to the Sigh Guy: A Tribute to Tab Hunter, 1931-2018
The Unloved, Part 54: Daniel
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
Home Entertainment Consumer Guide: November 30, 2017
What’s Your Favorite Roger?: 13 of Roger Ebert’s Best Reviews
Carrie Fisher 1956-2016
The Way Of Bresson: Two Books Illuminate The Philosophy And Working Method of a Unique Filmmaker
Eerie Visions of Donald Trump in 1981’s “Shock Treatment”
Thumbnails 9/2/16
30 Minutes on: “They Live”
Bright Wall/Dark Room June 2016: “Prince’s Natural Voice” by Karina Wolf
A Movie is a Work of Art: An Interview with Brian De Palma
Roger’s Favorites: Faye Dunaway
Four Films That Explain the Rise of Donald Trump
Moving Pictures: A Recap of the 2016 TCM Classic Film Festival
Thumbnails 4/29/16
Why the Oscars Need to Move Lifetime Achievement Back to the Telecast
The RogerEbert.com Interviews of 2015
Gena Rowlands: A Life on Film
Movies Are My Medication: Josh Mond and Christopher Abbott on “James White”
Cinematic Procedure: Tom McCarthy on “Spotlight”
Meet the Writers: Nick Allen
10 Films to See at the Chicago International Film Festival
NYFF 2015: Films We’ve Covered At Other Fests
HBO’s “Show Me a Hero” is the Mini-Series of the Year
Thumbnails 7/31/15
Who’s Who In Reviews: Godfrey Cheshire
Thumbnails 6/5/15
Three-Star Reviews of 2015
Ben Cannes 2015
Cannes 2015: Table of Contents
Home Entertainment Consumer Guide: April 9, 2015
Thumbnails 10/27/14
“America” the Beautiful: Treat Williams and William Forsythe Remember Sergio Leone and “Once Upon a Time In America”
Why my video essay about “All that Jazz” is not on the Criterion blu-ray
Blu-ray Consumer Guide: May 2014
James Gray on His Personal Vision For “The Immigrant”
“Film & Cultural Politics” at Ebertfest
Blu-ray Consumer Guide: April 2, 2014
Thumbnails 4/2/14
“Dark Blood”: Death and the Maiden
The Wes Anderson Collection, Chapter 2: “Rushmore”
Snowpiercer
Opening Night: Cannes Report, May 15, 2013
Rival tendencies: As Steven Spielberg gets ready to chair this year’s Cannes jury, we prepare for an alterna-Cannes.
The year’s ten best films and other shenanigans
The Best 10 Movies of 1988
Best of 2008: East coast vs. West coast crix
Wesley Morris’s Pulitzer Prize-winning hits
Andrew Sarris, auteurism, and his take on his own legacy
