As long as the focus is on Mia and Elliot, the film is involving and moving.
A friend's father died a short while just before I made this and it made me think about the things we miss, who we become while people turn away from us, for a moment or forever. What kind of artist we can be when no one watches what we do.
"Daniel" should have been a minor phenomenon, as it shares aesthetic DNA with the likes of "The Godfather," "Once Upon A Time in America" and "Reds," which all became sensations. But then again it also has quite a lot in common with "Heaven's Gate" and "Ragtime," which did not. We never know what people want from us. All we can be is ourselves.
Sidney Lumet made more great movies than you can count on one hand, but just as many critical and commercial disappointments. The two categories aren't mutually exclusive either. But he continued to make his kind of movie, leaving behind many hidden gems for us to unearth later. "Daniel" is the best one I've found so far. It's about communism, but it's also about the silence after our loved ones depart. How important it is that we say the things we need to before we say goodbye. In that regard alone it ought to be a classic.
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
A look back at one of the best films of all time.
Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.