An interview with the co-writer/director Gillian Robespierre and co-writer Elisabeth Holm about their new comedy, "Landline."
The latest and greatest on Blu-ray and streaming services, including The Infiltrator, Cafe Society, Blood Father, and a Criterion edition of Boyhood.
John Turturro, actor/writer/director of Fading Gigolo, discusses his career, working with Woody Allen, and cinema's difficulty in capturing true intimacy.
Sheila writes: Today, October 30, is the 75th anniversary of the historic 1938 "War of the Worlds" broadcast, presented by Orson Welles and his merry band of Mercury Theater friends. In Peter Bogdanovich's book "This is Orson Welles", Welles tells Bogdanovich: "Six minutes after we’d gone on the air, the switchboards in radio stations right across the country were lighting up like Christmas trees. Houses were emptying, churches were filling up; from Nashville to Minneapolis there was wailing in the street and the rending of garments. Twenty minutes in, and we had a control room full of very bewildered cops. They didn’t know who to arrest or for what, but they did lend a certain tone to the remainder of the broadcast. We began to realize, as we plowed on with the destruction of New Jersey, that the extent of our American lunatic fringe had been underestimated." Bogdanovich later says to Welles, "The Martian broadcast didn’t really hurt you at all. Would you say it was lucky?" Welles replied, "Well, it put me in the movies. Was that lucky? I don’t know." Here is the original radio broadcast in all its mockumentary glory.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Robert Redford's "Quiz Show" (1994) depicts the early days of television during the 1950s, a world that evoked fantasy but was run by real human beings. Unlike today's TV programming, the shows from those days were innocent and naïve (much as portrayed in "Pleasantville") but the people behind the scenes were like their colleagues in Sidney Lumet's "Network" (1976). "Quiz Show" shares some basic themes with the latter: the wrongdoings that network executives repeatedly commit, those that good people can occasionally perpetrate as well through greed, and the common denominator between them.
Every day at the Cannes festival opens up the possibility of surprises, upsets, or major revelations. As Peter O'Toole in "Lawrence of Arabia" said, "Nothing is written." Film history is made here all the time, and I think some history was made today with the international debut of the American independent film "Beasts of the Southern Wild," by Benh Zeitlin, screening in the "A Certain Regard" section of the festival.. A first feature, it competes for the Camera d'Or. The world premiere was at Sundance back in January (where it won the Grand Jury Prize), but the high profile Cannes exposure will surely bring the film and its young star the worldwide attention it deserves.
"Beasts of the Southern Wild" is set in a wild coastal swamp on the Gulf coast, in a watery area referred to as "the Bathtub," where the towers and smokestacks of chemical plants and refineries spread across the distant horizon. It's a post-Katrina allegory that adopts many of the real-life images and circumstances of that disaster to create a purely mythic fable full of visceral visions, primal emotions, and haunting reminders of the inescapable cycle of birth, life, death, and decay.
At the center of the film is Hushpuppy, a feisty, unafraid six-year-old who lives with her sickly and often unstable dad in an isolated wilderness squatters' community where they live off the land by trapping and fishing. Their home, such as it is, is the wreck of a small ramshackle trailer; their boat is the bed of an old pickup truck floating over 55-gallon drums. That mankind lives within nature's unforgiving food chain is a daily reality for these two. As Hushpuppy's teacher Miss Bathsheba reminds her handful of students, "Everything that lives is meat. I'm meat; y'all's asses is meat; all part of the buffet of the universe."