As long as the focus is on Mia and Elliot, the film is involving and moving.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of new films from Paolo Sorrentino and Jason Reitman.
A recap of the films that played at this year’s Telluride Film Festival, including First Man, Can You Ever Forgive Me?, Boy Erased and more.
A piece on the success of The Greatest Showman and the condescending critical response to it.
A tribute to the late film composer Jóhann Jóhannsson.
The winners of the 75th annual Golden Globes.
A compendium of every storytelling and pop music cliche of recent times, done with gusto.
An article about the 2018 nominees of the Golden Globe Awards.
In praise of the first superhero film where people forget to take their medicine and sometimes cars don't start.
A look at what's coming to theaters this January through April.
A preview of dozens of films coming out this summer.
An overview of the films that will be theatrically released in the 2015 fall season.
The cinematographer of Babe, The Lord of the Rings, The Hobbit, and Rise of the Planet of the Apes has passed away.
A look at "Chappie: The Art of the Movie".
Death of mid-budget cinema; Lena Dunham speaks out; Antonio Sanchez on "Birdman"; 25 best superhero movies since "Blade"; Men need to stop calling women crazy.
An interview with the young stars of "The Giver," Brenton Thwaites & Odeya Rush.
Chaz recalls how much Roger loved the Oscars.
Pablo Villaça offers another perspective on "Prisoners."
Jana Monji reports on the party for Wong Kar Wai's "The Grandmaster" at Comic-Con 2013 in San Diego.
Chaz considers Roger's influence on James Mangold's "The Wolverine."
Marie writes: The Ebert Club Newsletter is now three years old! And the occasion calls for some cake - but not just any old cake, as it's also now officially Spring! And that means flowers, butterflies and ladybugs too. Smile.
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
This year's Outguess Ebert contest seems a little like shooting fish in a barrel. For the first time in many a year, maybe ever, I think I've guessed every one correctly.A few years ago, I came across an article about the newly identified psychological concept of Elevation. Scientists claim it is as real as love or fear. It describes a state in which we feel unreasonable joy; you know, like when you sit quiet and still and tingles run up and down your back, and you think things can never get any better.
I tried applying it to that year's Oscar nominees. Did it work any better than any other approach? You need Elevating nominees. An example of Elevation would be when the bone morphs into a space station in "2001." Did I feel Elevation in making any of my Guesses this year. That doesn't mean it was a bad year at the movies. Harvey Weinstein, accepting his achievement award from the Producers' Guild, said he thought 2012 was the best in 90 years. Maybe he felt Elevation when he gazed upon the Weinstein Company's box office figures.